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An Immigrant Bishop is a revised examination of the Irish intellectual roots of Bishop John England’s American pastoral works in the diocese of Charleston, South Carolina (1820-1842). The text focuses on his political philosophy and his theology of the Church, both of which were influenced by the Enlightenment and a theological, not a political, Gallicanism. As the study demonstrates, we now know more about England’s intellectual life prior to his immigration than we do about any other Catholic immigrant from Ireland. Neither Peter Guilday’s monumental two-volume biography (1927) of England nor any subsequent scholarly study of England has uncovered and analyzed, as this book does, England’s many unpublished and published writings in Ireland—his explicitly authored texts, his published speeches before the Cork Aggregate meetings, and his pseudonymous articles in the Cork Mercantile Chronicle between 1808, when he was ordained, and 1820, when he emigrated to the United States. John England (1786-1842), the first Catholic bishop of Charleston, was the foremost national spokesman for Catholicism in the United States during the years of his episcopacy and the primary apologist for the compatibility of Catholicism and American republicanism. He was also the first Catholic bishop to speak before the United States Congress and the first American to receive a papal appointment as an Apostolic Delegate to a foreign country (in this case to negotiate a concordat with President Jean Pierre Boyer of Haiti). He is considered the father of the Baltimore Provincial Councils and the nineteenth-century American Catholic conciliar tradition. He was also the only bishop in American history to develop a constitutional form of diocesan government and administration. Among other things he was the first cleric to establish a diocesan newspaper that had something of a national distribution. England’s contribution to the early formation of an American Catholicism has been told many times before, but he has the kind of creative mind and episcopal leadership that demands repeated re-considerations.
Ecumenical examination of immigration issues drawn from engaging, first-person narratives. A group of bishops (Catholic, Episcopal, Lutheran, and United Methodist), all based along the US-Mexico border, found common ground to jointly address some key immigration issues, especially those being played out in the state of Arizona. The bishops worked together on behalf of local immigrant populations to address theological and pastoral concerns—and prayed for those whose lives were being directly affected. This book grows out of their shared work and the relationships that developed among them.
Archbishop José Gomez has written a personal, passionate and practical contribution to the national debate about immigration - pointing the way toward a recovery of America's highest ideals. "Immigration is a human rights test of our generation. It's also a defining historical moment for America. The meaning of this hour is that we need to renew our country in the image of her founding promises of universal rights rooted in God. Immigration is about more than immigration. It's about renewing the soul of America."- Archbishop José H. Gomez Archbishop José H. Gomez is one of the leading moral voices in the American Catholic Church. He is the Archbishop of Los Angeles, the nation's largest Catholic community and the Chairman of the United States Catholic Bishops' Committee on Migration and a papal appointee to the Pontifical Commission for Latin America. Archbishop Gomez is a native of Monterrey, Mexico and a naturalized American citizen.
Undocumented Storytellers offers a critical exploration of the ways undocumented immigrant activists harness the power of storytelling to mitigate the fear and uncertainty of life without legal status and to advocate for immigration reform. Sarah C. Bishop chronicles the ways young people uncover their lack of legal status experientially -- through interactions with parents, in attempts to pursue rites of passage reserved for citizens, and as audiences of political and popular media. She provides both theoretical and pragmatic contextualization as activist narrators recount the experiences that influenced their decisions to cultivate public voices. Bishop draws from a mixed methodology of in-depth interviews with undocumented immigrants from eighteen unique nations of origin, critical-rhetorical ethnographies of immigrant rights events and protests, and narrative analysis of immigrant-produced digital media to interrogate the power and limitations of narrative activism. Autobiographical immigrant storytelling refutes mainstream discourse on immigration and reveals the determination of individuals who elsewhere have been vilified by stereotype and presupposition. Offering an unparalleled view into the ways immigrants' stories appear online, Bishop illuminates digital narrative strategies by detailing how undocumented storytellers reframe their messages when stories have unintended consequences. The resulting work provides broad insights into the role of strategic framing and autobiographical story-sharing in advocacy and social movements.
Acclaimed biographer John Loughery tells the story of John Hughes, son of Ireland, friend of William Seward and James Buchanan, founder of St. John’s College (now Fordham University), builder of Saint Patrick’s Cathedral on Fifth Avenue, pioneer of parochial-school education, and American diplomat. As archbishop of the Archdiocese of New York in the 1840 and 1850s and the most famous Roman Catholic in America, Hughes defended Catholic institutions in a time of nativist bigotry and church burnings and worked tirelessly to help Irish Catholic immigrants find acceptance in their new homeland. His galvanizing and protecting work and pugnacious style earned him the epithet Dagger John. When the interests of his church and ethnic community were at stake, Hughes acted with purpose and clarity. In Dagger John, Loughery reveals Hughes’s life as it unfolded amid turbulent times for the religious and ethnic minority he represented. Hughes the public figure comes to the fore, illuminated by Loughery’s retelling of his interactions with, and responses to, every major figure of his era, including his critics (Walt Whitman, James Gordon Bennett, and Horace Greeley) and his admirers (Henry Clay, Stephen Douglas, and Abraham Lincoln). Loughery peels back the layers of the public life of this complicated man, showing how he reveled in the controversies he provoked and believed he had lived to see many of his goals achieved until his dreams came crashing down during the Draft Riots of 1863 when violence set Manhattan ablaze. To know "Dagger" John Hughes is to understand the United States during a painful period of growth as the nation headed toward civil war. Dagger John’s successes and failures, his public relationships and private trials, and his legacy in the Irish Catholic community and beyond provide context and layers of detail for the larger history of a modern culture unfolding in his wake.
Designed for both ordained and lay ministers at the diocesan and parish levels, this document challenges us to prepare to receive newcomers with a genuine spirit of welcome.
The Catholic Church in the United States has always been an immigrant church, from the earliest arrivals of the Spanish and English, to the influx of Irish, Germans, Italians, and other Europeans in the nineteenth century, to the most recent arrivals from the Philippines and Vietnam. Over two centuries countless laymen and laywomen worked with priests and religious to build and support churches and schools, laying the foundation for the Catholic Church in the United States. The wealth of original documents and photographs in Keeping Faith provides as no other source does a thorough and compelling portrait of these immigrants and their impact on the American Catholic institutions and American Catholic experience.
Winner, 2023 OHA Book Award, Oral History Association A young woman flees violence in Mexico and seeks protection in the United States—only to be trafficked as a domestic worker in the Bronx. A decorated immigration judge leaves his post when the policies he proudly upheld capsize in the wake of political turmoil. A Gambian translator who was granted asylum herself talks with other African women about how immigration officers expect victims of torture to behave. A border patrol officer begins to question the training that instructs him to treat the children he finds in the Arizona desert like criminals. Through these and other powerful firsthand accounts, A Story to Save Your Life offers new insight into the harrowing realities of seeking protection in the United States. Sarah C. Bishop argues that cultural differences in communication shape every stage of the asylum process, playing a major but unexamined role. Migrants fleeing persecution must reconstruct the details of their lives so governmental authorities can determine whether their experiences justify protection. However, Bishop shows, many factors influence whether an applicant is perceived as credible, from the effects of trauma on the ability to recount an experience chronologically to culturally rooted nonverbal behaviors and displays of emotion. For asylum seekers, harnessing the power of autobiographical storytelling can mean the difference between life and death. A Story to Save Your Life emphasizes how memory, communication, and culture intertwine in migrants’ search for safety.