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An Illustrated Flora of the Northern United States, Canada and the British Possessions - Vol. II by Nathaniel Lord Britton. This book is a reproduction of the original book published in 1913 and may have some imperfections such as marks or hand-written notes.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ An Illustrated Flora Of The Northern United States, Canada And The British Possessions: From Newfoundland To The Parallel Of The Southern Boundary Of Virginia, And From The Atlantic Ocean Westward To The 102d Meridian, Volume 2; An Illustrated Flora Of The Northern United States, Canada And The British Possessions: From Newfoundland To The Parallel Of The Southern Boundary Of Virginia, And From The Atlantic Ocean Westward To The 102d Meridian; Addison Brown 2 Nathaniel Lord Britton, Addison Brown C. Scribner's sons, 1913 Botany
Around the globe, small bands of eco-activists are working to save one reef, one rain forest, one river at a time. Of Green Stuff Woven depicts a group of native gardeners who are restoring tall grass prairie on land connected to their historic Episcopal cathedral in the middle of the financial district in Des Moines, Iowa. They are approached by hotel developers and are caught between their passion for the prairie and their need for money to repair their crumbling cathedral. Of course, the parish’s largest donor stands to profit from the deal! The creation? Or the cash? As flood waters rise, so do the stakes of their choice. Of Green Stuff Woven springs from the experience of two devastating floods and of the burgeoning prairie restoration movement. Told by Brigid Brenchley – kind and quirky cathedral dean -- it is Brigid’s tale but also the story of a faith community: hardworking plant enthusiasts, parishioners of varied persuasions; the bishop; the mayor; and most importantly a beloved cathedral member who loses his home and life to the flood. All converge like spokes in the spinning wheel of this decision. The book articulates the depths of Anglican spirituality that undergird creation care ministry, with compassion highlights the plight of threatened plant species and people vulnerable to climate events, and challenges us all to examine the decisions we make in the stewardship of our land. It does all this while taking readers on a good ecclesiastical romp and retaining realistic hope.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Thoroughly updated from root to leaf, this revised edition of the groundbreaking What a Plant Knows includes new revelations for lovers of all that is vegetal and verdant. Plants can hear—and taste things, too! The renowned biologist Daniel Chamovitz builds on the original edition to present an intriguing look at how plants themselves experience the world—from the colors they see to the schedules they keep, and now, what they do in fact hear and how they are able to taste. A rare inside look at what life is really like for the grass we walk on, the flowers we sniff, and the trees we climb, What a Plant Knows offers a greater understanding of their place in nature.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.