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"It is possible that this heliotype production was to serve also as a special book for the Centennial. It contains illustrations from many different sources related to the building as well as exterior and interior views of how the halls were laid out for exhibition." -- Hanson Collection Catalog, p. 55.
Independence Hall is a place Americans think they know well. Within its walls the Continental Congress declared independence in 1776, and in 1787 the Founding Fathers drafted the U.S. Constitution there. Painstakingly restored to evoke these momentous events, the building appears to have passed through time unscathed, from the heady days of the American Revolution to today. But Independence Hall is more than a symbol of the young nation. Beyond this, according to Charlene Mires, it has a long and varied history of changing uses in an urban environment, almost all of which have been forgotten. In Independence Hall, Mires rediscovers and chronicles the lost history of Independence Hall, in the process exploring the shifting perceptions of this most important building in America's popular imagination. According to Mires, the significance of Independence Hall cannot be fully appreciated without assessing the full range of political, cultural, and social history that has swirled about it for nearly three centuries. During its existence, it has functioned as a civic and cultural center, a political arena and courtroom, and a magnet for public celebrations and demonstrations. Artists such as Thomas Sully frequented Independence Square when Philadelphia served as the nation's capital during the 1790s, and portraitist Charles Willson Peale merged the arts, sciences, and public interest when he transformed a portion of the hall into a center for natural science in 1802. In the 1850s, hearings for accused fugitive slaves who faced the loss of freedom were held, ironically, in this famous birthplace of American independence. Over the years Philadelphians have used the old state house and its public square in a multitude of ways that have transformed it into an arena of conflict: labor grievances have echoed regularly in Independence Square since the 1830s, while civil rights protesters exercised their right to free speech in the turbulent 1960s. As much as the Founding Fathers, these people and events illuminate the building's significance as a cultural symbol.
Independence Hall and the Liberty Bell, two of America's most revered symbols of freedom, date back to the British rule of the American colonies. The main structure of Independence Hall was completed in 1732, and the final casting of the Liberty Bell was completed in 1753. Visited by over two million people yearly, these historic icons have been used as backdrops for many political and social demonstrations and speeches. Filled with images from the archives of Independence National Historical Park, Philadelphia Department of Records, and collections from around the country, Independence Hall and the Liberty Bell illustrates how these two historic relics generate a sense of pride and patriotism set forth by the signing of the Declaration of Independence on July 4, 1776.
The cities of eighteenth-century America packed together tens of thousands of colonists, who met each other in back rooms and plotted political tactics, debated the issues of the day in taverns, and mingled together on the wharves or in the streets. In this fascinating work, historian Benjamin L. Carp shows how these various urban meeting places provided the tinder and spark for the American Revolution. Carp focuses closely on political activity in colonial America's five most populous cities--in particular, he examines Boston's waterfront community, New York tavern-goers, Newport congregations, Charleston's elite patriarchy, and the common people who gathered outside Philadelphia's State House. He shows how--because of their tight concentrations of people and diverse mixture of inhabitants--the largest cities offered fertile ground for political consciousness, political persuasion, and political action. The book traces how everyday interactions in taverns, wharves, and elsewhere slowly developed into more serious political activity. Ultimately, the residents of cities became the first to voice their discontent. Merchants began meeting to discuss the repercussions of new laws, printers fired up provocative pamphlets, and protesters took to the streets. Indeed, the cities became the flashpoints for legislative protests, committee meetings, massive outdoor gatherings, newspaper harangues, boycotts, customs evasion, violence and riots--all of which laid the groundwork for war. Ranging from 1740 to 1780, this groundbreaking work contributes significantly to our understanding of the American Revolution. By focusing on some of the most pivotal events of the eighteenth century as they unfolded in the most dynamic places in America, this book illuminates how city dwellers joined in various forms of political activity that helped make the Revolution possible.
This volume provides a history and catalog of the portraits by Charles Willson Peale, who painted heroes of the American revolution, founders of American government, statesmen, jurists, men of science, and individuals who contributed art and letters. The three chapters by Fanelli (Cultural Resources Management, Independence National Historical Park) discuss the collection from its inception through the period in which the shrine that housed it became a museum. Each of the 250 entries (mostly b&w, with a few in color) in the catalog includes a brief biography of the subject, a physical description of the painting, the circumstances under which it was created, and its provenance. They are arranged alphabetically by sitter. Edited by Karie Diethorn, chief curator, Independence National Historical Park, Philadelphia, Pennsylvania. Annotation copyrighted by Book News, Inc., Portland, OR