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The clearest and most complete non-mathematical study of light available—with updated material and a new chapter on digital photography. Finally, a book on the physics of light that doesn’t require advanced mathematics to understand. Seeing the Light is the most accessible and comprehensive study of optics and light on the market. With a focus on conceptual study, Seeing the Light leaves the heavy-duty mathematics behind, instead using practical analogies and simple empirical experiments to teach the material. Each chapter is a self-contained lesson, making it easy to learn about specific optical concepts without having to read the whole book over. Inside you’ll find clear and easy-to-understand explanations of topics including: Processes of vision and the eye Atmospherical optical phenomena Color perception and illusions Color in nature and in art Digital photography Holography And more Diagrams, photos, and illustrations help bring difficult concepts to life, and optional sections at the ends of chapters explore the more advanced aspects of each topic. A truly one-of-a-kind book for physics students and teachers, this updated edition of Seeing the Light is not to be missed.
A brief introduction to the physical characteristics, habits, and natural environment of various species of whales and dolphins.
Discusses the characteristics and behavior of wolves and coyotes, wild members of the dog family which have long been unjustly hated and feared by humans.
NATIONAL BESTSELLER • The Pulitzer Prize–winning author of The Sixth Extinction returns to humanity’s transformative impact on the environment, now asking: After doing so much damage, can we change nature, this time to save it? RECOMMENDED BY PRESIDENT OBAMA AND BILL GATES • SHORTLISTED FOR THE WAINWRIGHT PRIZE FOR WRITING • ONE OF THE TEN BEST BOOKS OF THE YEAR: The Washington Post • ONE OF THE BEST BOOKS OF THE YEAR: Time, Esquire, Smithsonian Magazine, Vulture, Publishers Weekly, Kirkus Reviews, Library Journal • “Beautifully and insistently, Kolbert shows us that it is time to think radically about the ways we manage the environment.”—Helen Macdonald, The New York Times That man should have dominion “over all the earth, and over every creeping thing that creepeth upon the earth” is a prophecy that has hardened into fact. So pervasive are human impacts on the planet that it’s said we live in a new geological epoch: the Anthropocene. In Under a White Sky, Elizabeth Kolbert takes a hard look at the new world we are creating. Along the way, she meets biologists who are trying to preserve the world’s rarest fish, which lives in a single tiny pool in the middle of the Mojave; engineers who are turning carbon emissions to stone in Iceland; Australian researchers who are trying to develop a “super coral” that can survive on a hotter globe; and physicists who are contemplating shooting tiny diamonds into the stratosphere to cool the earth. One way to look at human civilization, says Kolbert, is as a ten-thousand-year exercise in defying nature. In The Sixth Extinction, she explored the ways in which our capacity for destruction has reshaped the natural world. Now she examines how the very sorts of interventions that have imperiled our planet are increasingly seen as the only hope for its salvation. By turns inspiring, terrifying, and darkly comic, Under a White Sky is an utterly original examination of the challenges we face.
Recounts the life and career of nature photographer Ansel Adams, whose work for the Sierra Club helped to increase public interest in wilderness preservation
"Conventional methods used in the planning and management of human-landscape interactions fall far short of the needs of today s land management professionals. Monitoring, Simulation, and Management of Visitor Landscapes presents a growing body of applied research that provides decision makers with tools to maintain the ecological integrity of public places by evaluating the impacts of humans in various landscapes across space and time." "This will help land managers and policy makers construct strategies for evaluating interactions between humans and the environment and expand the model of land management to include social and geographic, as well as environmental, factors."--Jacket.
"This book comprises a collection of authors' individual approaches to the relationship between nature, science, and art created with the use of computers, discussing issues related to the use of visual language in communication about biologically-inspired scientific data, visual literacy in science, and application of practitioner's approach"--Provided by publisher.
Eye to Eye, the first personal portfolio by master photographer Frans Lanting, presents an extraordinary collection of animal images by an award-winning photographer and naturalist who "has set the standards for a whole generation of wildlife photographers," according to the BBC. More than 140 photographs, made over a period of twenty years, reveal the unique personal aesthetic Frans Lanting brings to wildlife photography, as well as the startling new perspective on animals his images provoke. In a review of his work The New York Times states, "Mr. Lanting's photographs take creatures that have become ordinary and familiar and transform them into haunting new visions." This book's exquisite images are accompanied by personal stories and observations from a lifetime of working with wild animals around the world, ranging from orangutans in the rain forests of Borneo to emperor penguins in Antarctica. More than 70 species are represented in this astonishing portrait gallery celebrating the diversity of life on earth. Frans Lanting does not seek in these encounters the beauty traditionally revered by wildlife photographers: "The perfection I seek in my photographic compositions is a means to show the strength and dignity of animals in nature." Frans Lanting's work has been lauded by designers as art, by biologists as science, and by others as a new vision of the relationship between animals and people - one that challenges us to look animals in the eye and see ourselves.