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The interplay between emotional and intellectual elements feature heavily in the research of a variety of scientific fields, including neuroscience, the cognitive sciences and artificial intelligence (AI). This collection of key introductory texts by top researchers worldwide is the first study which introduces the subject of artificial intelligence and music to beginners. Eduardo Reck Miranda received a Ph.D. in music and artificial intelligence from the University of Edinburgh, Scotland. He has published several research papers in major international journals and his compositions have been performed worldwide. Also includes 57 musical examples.
This two volume set LNCS 7446 and LNCS 7447 constitutes the refereed proceedings of the 23rd International Conference on Database and Expert Systems Applications, DEXA 2012, held in Vienna, Austria, September 3-6, 2012. The 49 revised full papers presented together with 37 short papers and 2 keynote talks were carefully reviewed and selected from 179 submissions. These papers discuss a range of topics including: database query processing, in particular XML queries; labelling of XML documents; computational efficiency, data extraction; personalization, preferences, and ranking; security and privacy; database schema evaluation and evolution; semantic Web; privacy and provenance; data mining; data streaming; distributed systems; searching and query answering; structuring, compression and optimization; failure, fault analysis, and uncertainty; predication, extraction, and annotation; ranking and personalisation; database partitioning and performance measurement; recommendation and prediction systems; business processes; social networking.
At the conference «Musicology 1966-2000: A Practical Program, » on May 26, 1966, Jan LaRue speculated «that computer analysis will become one of the most important directions in musicology for the next generation...» Having passed the year 2000, we have to realize that LaRue's prediction did not come true: neither for computer-assisted music analysis, nor for computer-applications in music research in general. This volume is intended to initiate a more critical discussion of computer-applications in music research and to present concepts, methods, and results of newest research in this area.
Masters Theses in the Pure and Applied Sciences was first conceived, published, SIld disseminated by the Center for Information and Numerical Data Analysis and Synthesis (CINDAS) * at Purdue University in 1957, starting its coverage of theses with the academic year 1955. Beginning with Volume 13, the printing and dissemination phases of the activity were transferred to University Microfilms/Xerox of Ann Arbor, Michigan, with the thought that such an arrangement would be more beneficial to the academic and general scientific and technical community. After five years of this joint undertaking we had concluded that it was in the interest of all con cerned if the printing and distribution of the volumes were handled by an interna and broader dissemination. tional publishing house to assure improved service Hence, starting with Volume 18, Masters Theses in the Pure and Applied Sciences has been disseminated on a worldwide basis by Plenum Publishing Cor poration of New York, and in the same year the coverage was broadened to include Canadian universities. All back issues can also be ordered from Plenum. We have reported in Volume 30 (thesis year 1985) a total of 12,400 theses titles from 26 Canadian and 186 United States universities. We are sure that this broader base for these titles reported will greatly enhance the value of this important annual reference work.
This book constitutes the thoroughly refereed post-proceedings of the 7th International Symposium on Computer Music Modeling and Retrieval, CMMR 2010, held in Málaga, Spain, in June 2010. The 22 revised full papers presented were specially reviewed and revised for inclusion in this proceedings volume. The book is divided in five main chapters which reflect the present challenges within the field of computer music modeling and retrieval. The chapters range from music interaction, composition tools and sound source separation to data mining and music libraries. One chapter is also dedicated to perceptual and cognitive aspects that are currently subject to increased interest in the MIR community.