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The March of medicine through Wisconsin is a fascinating story, full of triumph and failure, heroes and quacks, and -- overriding all -- stuttering steps toward a modern system of health care that has witnessed the doubling of life expectancies among Wisconsin citizens. This is the story of medicine in Wisconsin, told by professional historians, each speaking from his or her area of specialty. Since territorial times, the physician has risen from a position of marginal respectability to one of unparalleled admiration and trust. The hospital, unknown to residents just 150 years ago, has become a symbol of modern science and a source of civic pride. Knowledge of disease has revolutionized health practices. The purpose of this book is not to celebrate the achievements of Wisconsin's physicians, notable as they have been, but to look critically and sympathetically at the state's medical record. The contributors make no exaggerated claims for Wisconsin. Occasionally, the state led the nation in health matters, but more often it followed the example of others. With this book, the reader will come to understand how and why Wisconsin's medical practice evolved. - Jacket flap.
JACK LONDON (1876-1916), American novelist, born in San Francisco, the son of an itinerant astrologer and a spiritualist mother. He grew up in poverty, scratching a living in various legal and illegal ways -robbing the oyster beds, working in a canning factory and a jute mill, serving aged 17 as a common sailor, and taking part in the Klondike gold rush of 1897. This various experience provided the material for his works, and made him a socialist. "The son of the Wolf" (1900), the first of his collections of tales, is based upon life in the Far North, as is the book that brought him recognition, "The Call of the Wild" (1903), which tells the story of the dog Buck, who, after his master ́s death, is lured back to the primitive world to lead a wolf pack. Many other tales of struggle, travel, and adventure followed, including "The Sea-Wolf" (1904), "White Fang" (1906), "South Sea Tales" (1911), and "Jerry of the South Seas" (1917). One of London ́s most interesting novels is the semi-autobiographical "Martin Eden" (1909). He also wrote socialist treatises, autobiographical essays, and a good deal of journalism.
The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.