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"Dunn, in his teaching, was more concerned with the essential spirit of work than with technical procedures. He never taught what kind of brushes or what kind of paint to use. It was merely whether the result had anything in common with the excitement of human existence." — Dean Cornwell, "the Dean of Illustrators" Illustrator and painter Harvey Dunn was deeply influenced by Howard Pyle and the teaching he received while at his school. Pyle's Brandywine students became some of the most important and well-regarded artists of the twentieth century, including N. C. Wyeth, Frank Schoonover, Violet Oakley, and Jessie Willcox Smith. All studied alongside Dunn, and many of them would go on to teach. Dunn embraced Pyle's approach as an instructor and went on to influence the next generation of artists. During the course of an evening in 1934, while Dunn was teaching at Grand Central School of the Arts, one Miss Taylor, a witness to the class, recorded his comments and criticisms. These notes later surfaced in a slim, limited-edition volume. Enhanced by Dunn's striking woodcut images, the book provides a flavorful re-creation of the atmosphere in his classroom. An Evening in the Classroom is the best-preserved record of Dunn's critiques, and this handsome hardcover book will instruct and inspire artists, teachers and students, and art historians.
The Italian evening class at Mountainview School is like hundreds of others starting up all over the city. But this class has its own special quality - as the focus for the varied hopes and dreams of teacher and pupils alike. Aidan Dunne needs his new evening class project to succeed almost as much as his pupils do. They too are looking for something more: Bill to find a way to keep spendthrift Lizzie at his side, and Fran to make sure that young Kathy finds her way out from behind the kitchen sink. The key to their success lies with the Signora. Her passion has drawn her from Ireland to Italy and back home again with a burning desire to share her love of all things Italian - and a secret hidden in her heart...
From one of Italy’s greatest writers, a stunning novel “filled with shimmering, risky, darting observation” (Colm Tóibín) After WWII, a small Italian town struggles to emerge from under the thumb of Fascism. With wit, tenderness, and irony, Elsa, the novel’s narrator, weaves a rich tapestry of provincial Italian life: two generations of neighbors and relatives, their gossip and shattered dreams, their heartbreaks and struggles to find happiness. Elsa wants to imagine a future for herself, free from the expectations and burdens of her town’s history, but the weight of the past will always prove unbearable, insistently posing the question: “Why has everything been ruined?”
From Maeve Binchy’s earliest writings to the most recent, her work is filled with wisdom and common sense and also a sharp, often witty voice that is insightful and reaches out to her readers around the world and of all ages. Whether it is one of her best-selling novels or a short story, Maeve shows us that times may have changed, but people often remain the same: they fall in love, sometimes unsuitably; they have hopes and dreams; they have deep, long-standing friends whose secrets are shared; they go on holidays and celebrate new jobs . . . A Few of the Girls is a glorious collection of the very best of her short story writing, stories that were written over the decades—some published in magazines, others for friends as gifts, many for charity benefits. The stories are all filled with the signature warmth and humor that have always been an essential part of Maeve’s appeal.
Following three teenagers who chose to spend one school year living in Finland, South Korea, and Poland, a literary journalist recounts how attitudes, parenting, and rigorous teaching have revolutionized these countries' education results.
A radical educator's paradigm-shifting inquiry into the accepted, normal demands of school, as illuminated by moving portraits of four young "problem children" In this dazzling debut, Carla Shalaby, a former elementary school teacher, explores the everyday lives of four young "troublemakers," challenging the ways we identify and understand so-called problem children. Time and again, we make seemingly endless efforts to moderate, punish, and even medicate our children, when we should instead be concerned with transforming the very nature of our institutions, systems, and structures, large and small. Through delicately crafted portraits of these memorable children—Zora, Lucas, Sean, and Marcus—Troublemakers allows us to see school through the eyes of those who know firsthand what it means to be labeled a problem. From Zora's proud individuality to Marcus's open willfulness, from Sean's struggle with authority to Lucas's tenacious imagination, comes profound insight—for educators and parents alike—into how schools engender, exclude, and then try to erase trouble, right along with the young people accused of making it. And although the harsh disciplining of adolescent behavior has been called out as part of a school-to-prison pipeline, the children we meet in these pages demonstrate how a child's path to excessive punishment and exclusion in fact begins at a much younger age. Shalaby's empathetic, discerning, and elegant prose gives us a deeply textured look at what noncompliance signals about the environments we require students to adapt to in our schools. Both urgent and timely, this paradigm-shifting book challenges our typical expectations for young children and with principled affection reveals how these demands—despite good intentions—work to undermine the pursuit of a free and just society.
It was the quiet ones you had to watch. That's where the real passion was lurking. They came together at Mountainview College, a down-at-the-heels secondary school on the seamy side of Dublin, to take a course in Italian. It was Latin teacher Aidan Dunne's last chance to revive a failing marriage and a dead-end career. But Aidan's dream was headed for disaster until the mysterious Signora appeared, transforming a shared passion for Italy into a life-altering adventure for them all . . . bank clerk Bill and his dizzy fiance Lizzie: a couple headed for trouble . . . Kathy, a hardworking innocent propelled into adulthood in a shocking moment of truth . . . Connie, the gorgeous rich lady with a scandal ready to explode . . . glowering Lou, who joined the class as a cover for crime. And Signora, whose passionate past remained a secret as she changed all their lives forever. . . . From the New York Times bestselling author of This Year It Will Be Different, The Glass Lake, and Circle of Friends, comes a novel filled with Maeve Binchy's signature warmth, wit, and sheer storytelling genius—a spellbinding tale of men and women whose quiet lives hide the most unexpected things. . . .
Little Bat is excited about his first night in school! Readers will love to see him spread his wings in this sweet, inspiring picture book from New York Times best-selling and Caldecott Honor-winning Brian Lies. Perfect for fans of We Don't Eat Our Classmates and The King of Kindergarten. Little Bat can't wait for his first night of school. He is excited about everything: his new school supplies, learning amazing things, and making new friends. But when he finally arrives, his world turns upside down. Any little bat who's tried something new or gone somewhere they've never been before knows that first times can be scary. With the help of Little Bat and his adorable classmates, readers will see that spreading your wings is easy when you listen, act with kindness, and take a chance on new friends. With his signature, gorgeous artwork, New York Times bestseller and Caldecott Honor winner Brian Lies brings his expressive bats back for the youngest readers.
The protagonist of Tobias Wolff’s shrewdly—and at times devastatingly—observed first novel is a boy at an elite prep school in 1960. He is an outsider who has learned to mimic the negligent manner of his more privileged classmates. Like many of them, he wants more than anything on earth to become a writer. But to do that he must first learn to tell the truth about himself. The agency of revelation is the school literary contest, whose winner will be awarded an audience with the most legendary writer of his time. As the fever of competition infects the boy and his classmates, fraying alliances, exposing weaknesses, Old School explores the ensuing deceptions and betrayals with an unblinking eye and a bottomless store of empathy. The result is further evidence that Wolff is an authentic American master.