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The present study examines the relationship of Milton's Adam and Eve, their different identities, and their different roles, and explicates the link between the nature of their relationship and the dramatic developments of the biblical story. The story is considered in the light of Milton's ethics as explicated and implicated in Paradise Lost, which are crucially different from the present-day ethics which we naturally tend to superimpose or take for granted. He makes use of two particular means of investigation. Firstly, the author provides a technical analysis of Milton's style, with an emphasis on verbal (often latinate) ambiguity and on a feature hitherto hardly described in Milton criticism, namely syntactical ambiguity, all yielding extra information. Secondly, on the basis of newly found verbal parallels between Milton's Christian epic and Vergil's Roman epic the Aeneid the author provides an analysis of the intended contrast between Milton's Adam and Eve and Vergil's Dido and Aeneas; on Milton's request, so to speak, the romance of Adam and Eve is put in the epic and Vergilian context. The author's observations on Milton's strategic use of the Aeneid as an antithetic frame of reference for his own Paradise Lost also leads to an investigation into a poem which in its turn uses Milton's Paradise Lost as an antithetic frame of reference, namely Wordsworth's Prelude.
The diverse and controversial world of contemporary Milton studies is brought alive in this stimulating Companion. Winner of the Milton Society of America's Irene Samuels Book Award in 2002. Invites readers to explore and enjoy Milton's rich and fascinating work. Comprises 29 fresh and powerful readings of Milton's texts and the contexts in which they were created, each written by a leading scholar. Looks at literary production and cultural ideologies, issues of politics, gender and religion, individual Milton texts, other relevant contemporary texts and responses to Milton over time. Devotes a whole chapter to each major poem, and four to Paradise Lost. Conveys the excitement of recent developments in the field.
Milton's Ovidian Eve presents a fresh and thorough exploration of the classical allusions central to understanding Paradise Lost and to understanding Eve, one of Milton's most complex characters. Mandy Green demonstrates how Milton appropriates narrative structures, verbal echoes, and literary strategies from the Metamorphoses to create a subtle and evolving portrait of Eve. Each chapter examines a different aspect of Eve's mythological figurations. Green traces Eve's development through multiple critical lenses, influenced by theological, ecocritical, and feminist readings. Her analysis is gracefully situated between existing Milton scholarship and close textual readings, and is supported by learned references to seventeenth-century writing about women, the allegorical tradition of Ovidian commentary, hexameral literature, theological contexts and biblical iconography. This detailed scholarly treatment of Eve simultaneously illuminates our understanding of the character, establishes Milton's reading of Ovid as central to his poetic success, and provides a candid synthesis and reconciliation of earlier interpretations.