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Waiting for the End of the World? addresses the archaeological, architectural, historical and geological evidence for natural disasters in the Middle Ages between the 11th and 16th centuries. This volume adopts a fresh interdisciplinary approach to explore the many ways in which environmental hazards affected European populations and, in turn, how medieval communities coped and responded to short- and long-term consequences. Three sections, which focus on geotectonic hazards (Part I), severe storms and hydrological hazards (Part II) and biophysical hazards (Part III), draw together 18 papers of the latest research while additional detail is provided in a catalogue of the 20 most significant disasters to have affected Europe during the period. These include earthquakes, landslides, tsunamis, storms, floods and outbreaks of infectious diseases. Spanning Europe, from the British Isles to Italy and from the Canary Islands to Cyprus, these contributions will be of interest to earth scientists, geographers, historians, sociologists, anthropologists and climatologists, but are also relevant to students and non-specialist readers interested in medieval archaeology and history, as well as those studying human geography and disaster studies. Despite a different set of beliefs relating to the natural world and protection against environmental hazards, the evidence suggests that medieval communities frequently adopted a surprisingly ‘modern’, well-informed and practically minded outlook.
Volume 9 of the RHS Transactions contains essays based around the theme 'oral history, memory and written tradition'.
In 1464, the most eligible bachelor in England, Edward IV, stunned the nation by revealing his secret marriage to Elizabeth Woodville, a beautiful, impoverished widow whose father and brother Edward himself had once ridiculed as upstarts. Edward's controversial match brought his queen's large family to court and into the thick of the Wars of the Roses. This is the story of the family whose fates would be inextricably intertwined with the fall of the Plantagenets and the rise of the Tudors: Richard, the squire whose marriage to a duchess would one day cost him his head; Jacquetta, mother to the queen and accused witch; Elizabeth, the commoner whose royal destiny would cost her three of her sons; Anthony, the scholar and jouster who was one of Richard III's first victims; and Edward, whose military exploits would win him the admiration of Ferdinand and Isabella.
This important collection of Margaret Pelling's essays brings together her key studies of health, medicine and poverty in Tudor and Stuart England - including a number published here for the first time. They show that - then as now - health and medical care were everyday obsessions of ordinary people in the Tudor and Stuart era. Margaret Pelling's book brings this vital dimension of the early modern world in from the periphery of specialist study to the heart of the concerns of social, economic and cultural historians.
When Edward IV died in 1483, the Yorkist succession was called into question by doubts about the legitimacy of his sons (the 'Princes in the Tower'). The crown therefore passed to Edward IV's undoubtedly legitimate younger brother, Richard, Duke of Gloucester. But Richard, too, found himself entangled in the web of uncertainly, since those who believed in the legitimacy of Edward IV's children viewed Richard III's own accession with suspicion. From the day that Edward IV married Eleanor, or pretended to do so, the House of York, previously so secure in its bloodline, confronted a contentious and uncertain future. John Ashdown-Hill argues that Eleanor Talbot was married to Edward IV, and that therefore Edward's subsequent union with Elizabeth Widville was bigamous, making her children illegitimate. In his quest to reveal the truth about Eleanor, he also uncovers fascinating new evidence that sheds fresh light on one of the greatest historical mysteries of all time – the identity of the 'bones in the urn' in Westminster Abbey, believed for centuries to be the remains of the 'Princes in the Tower'.
New readings demonstrate the centrality of the rood to the visual, material and devotional cultures of the Middle Ages, its richness and complexity.