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In 1932 in the wheat country of Western Australia there was a plague of emus. The plague was so great that the Federal Government was convinced to send a squad of soldiers equipped with machine guns mounted on trucks. They were ordered to shoot the emus - a tactic that had been tried before and failed miserably. Still, consistency often prevails while unrequited success weeps quietly in the corner. There is a lot going on - farmers who want to secede from the Commonwealth, a State election and referendum, soldiers more interested in what is under the soil, a commander with questionable mental health, Aboriginal farmhands once again bemused by the white fellas and the usual line up of conspirators, wannabees, politicians and ordinary folks. Oh, and many thousands of emus.There is nothing more interesting or more comical - tragic - or emotional than human beings and when they live in interesting times and collide with great wealth and power, there's a lot to explore.
In these further adventures of M, the invisible computer-generated emu, read how the Smogg family get their come- uppance, M and Colin the librarian visit Sherwood Forest, the gang get transported to France during World War 2 and how an arrogant RAF officer is thwarted. As expected, in every story in which he appears M never misses a chance to produce his own brand of comical antics.
The Great Emu War of 1932 is an event one does not expect to hear about when they think of Australia, but they actually declared war on a bird. This actually happened. As a side note I would like to say that this was probably one of the funnest things that I have ever written. Also some of the language used in this book is exaggerated at times, but I trust that you dear reader will know when that occurs.
Edward the emu was sick of the zoo, There was nowhere to go, there was nothing to do, And compared to the seals that lived right next door, Well being an emu was frankly a bore. Tired of his life as an emu, Edward decides to try being something else for a change. He tries swimming with the seals. He spends a day lounging with the lions. He even does a stint slithering with the snakes. But Edward soon discovers that being an emu may be the best thing after all. And so he returns to his pen, only to find a big surprise awaiting him. . . . Edward is tired of being an emu, so he decides to try being something else for a change. First he spends some time swimming with the seals. Next, he lounges with the lions. He even slithers with the snakes. But Edward soon discovers that being an emu may not be so bad after all. So he heads back to his pen, only to find a big surprise awaiting him . . .Sheena Knowles' upbeat, rhyming text and Rod Clement's deliciously droll illustrations are sure to make readers laugh out loud in this whimsical picture book by the creators of Edwina the Emu."If you buy one book...for sheer fun, there's no question it should be this one." San Diego Union Tribune
Did you know it’s the emu father who protects the chicks? Follow a doting dad as he keeps his brood safe—from when they’re granite-green eggs until they’re all grown up. In the open eucalyptus forest of Australia, an emu as tall as a human settles down on his nest to warm and protect the eggs left by his mate. When they hatch, the chicks will be ten times bigger than domestic chicken hatchlings and covered in chocolate-and-cream stripes to provide camouflage in the grasslands. This unusual family sticks together until the hatchlings grow up, facing dangers that include eagles and dingoes. Ornithologically inclined youngsters will delight in this visually striking chronicle full of fun emu facts.
Dark Emu puts forward an argument for a reconsideration of the hunter-gatherer tag for pre-colonial Aboriginal Australians. The evidence insists that Aboriginal people right across the continent were using domesticated plants, sowing, harvesting, irrigating and storing - behaviors inconsistent with the hunter-gatherer tag. Gerritsen and Gammage in their latest books support this premise but Pascoe takes this further and challenges the hunter-gatherer tag as a convenient lie. Almost all the evidence comes from the records and diaries of the Australian explorers, impeccable sources.
The catastrophe of the First World War, and the destruction, revolution, and enduring hostilities it wrought, make the issue of its origins a perennial puzzle. Since World War II, Germany has been viewed as the primary culprit. Now, in a major reinterpretation of the conflict, Sean McMeekin rejects the standard notions of the war’s beginning as either a Germano-Austrian preemptive strike or a “tragedy of miscalculation.” Instead, he proposes that the key to the outbreak of violence lies in St. Petersburg. It was Russian statesmen who unleashed the war through conscious policy decisions based on imperial ambitions in the Near East. Unlike their civilian counterparts in Berlin, who would have preferred to localize the Austro-Serbian conflict, Russian leaders desired a more general war so long as British participation was assured. The war of 1914 was launched at a propitious moment for harnessing the might of Britain and France to neutralize the German threat to Russia’s goal: partitioning the Ottoman Empire to ensure control of the Straits between the Black Sea and the Mediterranean. Nearly a century has passed since the guns fell silent on the western front. But in the lands of the former Ottoman Empire, World War I smolders still. Sunnis and Shiites, Arabs and Jews, and other regional antagonists continue fighting over the last scraps of the Ottoman inheritance. As we seek to make sense of these conflicts, McMeekin’s powerful exposé of Russia’s aims in the First World War will illuminate our understanding of the twentieth century.
'A brilliant oral history of the golden age of British wrestling and magnificent wider social history.' Richard Osman The classic account of the men and women who used to fight each other for pride and money. Simon Garfield brings them to life in one last glorious bout of jealousy, myth, revenge, passion and deep devotion. When British wrestling was dropped from the ITV schedules in the mid-80s it left the giants of the ring - Big Daddy, Giant Haystacks, Kendo Nagasaki - bereft. This is the true story of the circuit, the big names and their rivalries, told with humour, warmth and affection. This edition features a new afterword by the author.
Blainey sees Aboriginals as a successful race, triumphant in their discovery of the land, in their adaptation to it, and in their mastering of its climates, seasons and reserves.