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Are you ready to get off the merry-go-round of mediocrity? This book is for you! We are not as those that have no hope. Today is your day! Let Jesus take the wheel!! In seven short chapters, this book walks you from the throes of emptiness to the fullness of victory through Jesus Christ. It is well written with the reader in mind. You will experience a full range of emotions as the words leap from the pages into your heart. You will want to laugh out loud, get your praise dance on and shed tears of anguish as you become a part of the story line. Ultimately, you will be filled with hope. This is a must read! Dr. Clark leads you step by step into how to enjoy a rich, refreshing life with Jesus Christ our Lord and Savior. She uses her own hurts and pain to build a meaningful connection with the readers.Have you ever felt empty, alone, no place to run, nowhere to hide and there was no one to hear your cries? If so, this book is for you. Each chapter invites readers to self-evaluate their position in Christ. It's through our weakness that God's strength is made perfect. God transforms us to be more like Him. Whether you are a seasoned Christian or a new believer, this book gently guides you into truth. It reaches into your core and tugs on your heartstrings to taste and see that the Lord is good!An Empty Vessel Waiting to be Filled, is an inspirational work written with compassion for the broken-hearted. It is written with a touch of humor and the theme of dreaming outside the box is evident throughout. This book shines a light in dark places, offers options for managing adversity in our lives and gives the reader ways to increase their faith. It ignites the flame of our gifts and talents to be used to build the Kingdom of God.
In Dylan, Bob Spitz provides a dramatic yet clear-eyed view of the enigmatic guru of modern music. Drawing on hundreds of interviews with Dylan's family, friends, lovers and fellow musicians. Spitz presents the true Bob Dylan in a vast array of guises: the early years in small-town Minnesota, when Bobby Zimmerman - loner, gadabout and local weirdo - reinvented himself as Bob Dylan and set out to be a star; his struggle to conquer the night world of Greenwich Village in the early 1960s; the cataclysm that rocked the music world when he went electric; the mad years, when drugs and paranoia corrupted his gospel of peace and love; his flirtations with political causes, born-again Christianity, Orthodox Judaism and the glitter of superstardom.
What do you get when you mix a dead child, a movie buff, a chiromancer-anthropologist, a school shooting, and what appears to be a series of unrelated, everyday events? What you get is a disturbing possibility that exists in the present tense. Soulless is a book that walks a fine line between horror, mystery and science fiction, however, if you are looking for laser-gun-toting aliens, mother ships and fast-paced action, you will not find them here. In spite of that, you must not let those absences lure you into a false sense of security. Just look around and remember that truth is sometimes stranger than fiction. The most disturbing thing about Soulless is precisely the fact that you will not find impossible circumstances in its pages. What you will find is a different perspective on familiar facts. In this book the line that separates fantasy and reality is gradually blurred until it finally disappears, good and evil merge into one, as do hope and hopelessness. Before it is over you will be looking for a way to prove to yourself that this is just a work of fiction.
An accessible text for students of the early years examining the role of the practitioner in the early years. A core text for all practice related modules.
Late spring 1945, London: The war in Europe is over. But for Briar Woods, a dancer at Sadler’s Wells Ballet, the past resurfaces and she must come face to face with the truth. It feels as though her war has only just begun. Since 1939, Rosamund Caradon had taken in many children from Britain’s bombarded cities, sheltering them in her Devonshire manor. Now, with Germany’s surrender, she is en route to London to return the last evacuees, accompanied by her dance-obsessed daughter Jasmine. Rosamund vows to protect Jasmine from any peril, but a chance meeting with a Sadler’s Wells dancer changes everything. When the beautiful, elusive Briar Woods bursts into Rosamund’s train carriage, it’s clear her sights are set on the captivated Jasmine. As Briar sets out to charm them both, Rosamund cannot shake the eerie feeling this accidental encounter isn’t what it seems. While Briar may be far away from the pointe shoes and greasepaint of The Sleeping Beauty ballet rehearsals, her performance for Rosamund might just be her most successful yet. A dance that could turn deadly . . .
International legal scholarship has traditionally celebrated the possibility of individuals being considered as subjects of international law. This book challenges that narrative, and reveals hidden patterns in the way we think about legal subjects in global governance. Building on the notion of a risk society, this book argues that international law creates fragmented subjectivities, whose conflicting identities help perpetuate a certain global loss of sense that is characteristic of our times. An innovative contribution that draws on a wealth of international legal materials (including human rights, EU law, international economic law, and international organizations), this book is useful to those with an interest in international legal theory, new approaches to international law, global constitutionalism, and global administrative law.
The biggest trend in museum exhibit design today is the creative incorporation of technology. Digital Technologies and the Museum Experience: Handheld Guides and Other Media explores the potential of mobile technologies (cell phones, digital cameras, MP3 players, PDAs) for visitor interaction and learning in museums, drawing on established practice to identify guidelines for future implementations.
Out of the Cradle Endlessly Rocking delves deeply into the notion of motherhood in Sylvia Plath’s work in order to redeem Plath from the one-dimensional role assigned to her of the suicidal, father-obsessed poet. Written from the theoretical perspective of Julia Kristeva’s theory of subject formation, the book focuses on Plath’s baby poems in which mother figures are seen as subjects-in-process oscillating between authentication and non-authentication in motherhood. Furthermore, since the mother is always a daughter, part of the discussion centers on Plath’s daughterhood poetry in which daughter figures are engaged in an endless struggle to release themselves from a suffocating maternal hold and achieve their own linguistic individuation. Finally Plath’s works for children, The Bed Book, The-It-Doesn’t-Matter Suit, “Mrs. Cherry’s Kitchen”, as well as her fairy tale poems, largely ignored until now, are read as manifestations of the self’s regressive journey to “once below a time” to grasp an elusive pre-symbolic organization and take signification back to infancy. The book makes extensive use of Plath’s drafts, mainly of the Ariel poems, her recycled materials, annotated books from her personal library, published and unpublished material from The Lilly Library Archive, The Mortimer Rare Book Room, and The Ted Hughes Archive in Emory.