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Codiscoverer of the theory of evolution by natural selection, Alfred Russel Wallace should be recognized as one of the titans of Victorian science. Instead he has long been relegated to a secondary place behind Darwin. Worse, many scholars have overlooked or even mocked his significant contributions to other aspects of Victorian culture. With An Elusive Victorian, Martin Fichman provides the first comprehensive analytical study of Wallace's life and controversial intellectual career. Fichman examines not only Wallace's scientific work as an evolutionary theorist and field naturalist but also his philosophical concerns, his involvement with theism, and his commitment to land nationalization and other sociopolitical reforms such as women's rights. As Fichman shows, Wallace worked throughout his life to integrate these humanistic and scientific interests. His goal: the development of an evolutionary cosmology, a unified vision of humanity's place in nature and society that he hoped would ensure the dignity of all individuals. To reveal the many aspects of this compelling figure, Fichman not only reexamines Wallace's published works, but also probes the contents of his lesser known writings, unpublished correspondence, and copious annotations in books from his personal library. Rather than consider Wallace's science as distinct from his sociopolitical commitments, An Elusive Victorian assumes a mutually beneficial relationship between the two, one which shaped Wallace into one of the most memorable characters of his time. Fully situating Wallace's wide-ranging work in its historical and cultural context, Fichman's innovative and insightful account will interest historians of science, religion, and Victorian culture as well as biologists.
Studies of Victorian governance have been profoundly influenced by Discipline and Punish, Michel Foucault's groundbreaking genealogy of modern power. Yet, according to Lauren Goodlad, Foucault's analysis is better suited to the history of the Continent than to nineteenth-century Britain, with its decentralized, voluntarist institutional culture and passionate disdain for state interference. Focusing on a wide range of Victorian writing—from literary figures such as Charles Dickens, George Gissing, Harriet Martineau, J. S. Mill, Anthony Trollope, and H. G. Wells to prominent social reformers such as Edwin Chadwick, Thomas Chalmers, Sir James Kay-Shuttleworth, and Beatrice Webb—Goodlad shows that Foucault's later essays on liberalism and "governmentality" provide better critical tools for understanding the nineteenth-century British state. Victorian Literature and the Victorian State delves into contemporary debates over sanitary, education, and civil service reform, the Poor Laws, and the century-long attempt to substitute organized charity for state services. Goodlad's readings elucidate the distinctive quandary of Victorian Britain and, indeed, any modern society conceived in liberal terms: the elusive quest for a "pastoral" agency that is rational, all-embracing, and effective but also anti-bureaucratic, personalized, and liberatory. In this study, impressively grounded in literary criticism, social history, and political theory, Goodlad offers a timely post-Foucauldian account of Victorian governance that speaks to the resurgent neoliberalism of our own day.
Recent critical and historical work on the late-Victorian period has furnished a vocabulary for discussing gender and sexuality. These popular terms include categories such as homo/hetero, patriarchal/feminist, and masculine/effeminate. This collection exploits this framework—while refining and resisting it in places—to show how certain Victorians imagined difference in ways that continue to challenge us today. One essay, for example, traces the remarkable feminist appropriation of male-identified fields of study, such as Classical philology. Others address the validation of male bodies as objects of desire in writing, painting, and emergent modernist choreography. The writings shed light on the diverse interests served by a range of cultural practitioners and on the complex ways in which the late Victorians invented themselves as modern subjects. This volume will be essential reading for students of British literary and cultural history as well as for those interested in feminist, gay, and lesbian studies. Contributors are: Oliver Buckton, Richard Dellamora, Dennis Denisoff, Regenia Gagnier, Eric Haralson, Andrew Hewitt, Christopher Lane, Thaïs Morgan, Yopie Prins, Kathy Alexis Psomiades, Julia Saville, Robert Sulcer, Jr., Martha Vicinus.
From tabloid exposes of child prostitution to the grisly tales of Jack the Ripper, narratives of sexual danger pulsated through Victorian London. Expertly blending social history and cultural criticism, Judith Walkowitz shows how these narratives reveal the complex dramas of power, politics, and sexuality that were being played out in late nineteenth-century Britain, and how they influenced the language of politics, journalism, and fiction. Victorian London was a world where long-standing traditions of class and gender were challenged by a range of public spectacles, mass media scandals, new commercial spaces, and a proliferation of new sexual categories and identities. In the midst of this changing culture, women of many classes challenged the traditional privileges of elite males and asserted their presence in the public domain. An important catalyst in this conflict, argues Walkowitz, was W. T. Stead's widely read 1885 article about child prostitution. Capitalizing on the uproar caused by the piece and the volatile political climate of the time, women spoke of sexual danger, articulating their own grievances against men, inserting themselves into the public discussion of sex to an unprecedented extent, and gaining new entree to public spaces and journalistic practices. The ultimate manifestation of class anxiety and gender antagonism came in 1888 with the tabloid tales of Jack the Ripper. In between, there were quotidien stories of sexual possibility and urban adventure, and Walkowitz examines them all, showing how women were not simply figures in the imaginary landscape of male spectators, but also central actors in the stories of metropolotin life that reverberated in courtrooms, learned journals, drawing rooms, street corners, and in the letters columns of the daily press. A model of cultural history, this ambitious book will stimulate and enlighten readers across a broad range of interests.
For fans of C. S. Harris comes Laura Joh Rowland's fifth Victorian mystery where Sarah must confront her own ghosts--and face her most elusive and deadly adversary yet. Victorian London is a city gripped by belief in the supernatural--but a grisly murder becomes a matter of flesh and blood for intrepid photographer Sarah Bain. London, October 1890. Crime scene photographer Sarah Bain is overjoyed to marry her beloved Detective Sergeant Barrett--but the wedding takes a sinister turn when the body of a stabbing victim is discovered in the crypt of the church. Not every newlywed couple begins their marriage with a murder investigation, but Sarah and Barrett, along with their friends Lord Hugh Staunton and Mick O'Reilly, take the case. The dead man is Charles Firth, whose profession is "spirit photography"-- photographing the ghosts of the deceased. When Sarah develops the photographs he took in the church, she discovers one with a pale, blurred figure attacking the victim. The city's spiritualist community believes the church is haunted and the figure is a ghost. But Sarah is a skeptic, and she and her friends soon learn that the victim had plenty of enemies in the human world--including a scientist who studies supernatural phenomena, his psychic daughter, and an heiress on a campaign to debunk spiritualism and expose fraudulent mediums. In the tunnels beneath a demolished jail, a ghost-hunting expedition ends with a new murder, and new suspects. While Sarah searches for the truth about both crimes, she travels a dark, twisted path into her own family's sordid history. Her long lost father is the prime suspect in a cold-case murder, and her reunion with him proves that even the most determined skeptic can be haunted by ghosts from the past.
The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and when art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories--such as Darwin's theory of evolution and sexual selection--deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science, and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media from photography to oil painting. They remind us that science and art are not tightly compartmentalized, separate influences. Rather, these are fields that share forms, manifest as waves, layers, lines, or geometries; that invest in the idea of the evolution of form; and that generate surprisingly kindred responses, such as pain, pleasure, empathy, and sympathy.
The Baron Brightmore is the exact sort of rake a debutante should stay far away from… Not that Miss Alexi Starlit need worry about rogues. She’s too busy blending into the wall to catch the eye of a man like that. That is until this wallflower stumbles across a derelict and drunk baron having a tryst in the garden with an unknown lady. And when that woman escapes into the dark, Alexi is left alone with the worst sort of lord. She can’t imagine the situation could get any worse until her hosts happen upon them and mistake her for the tryster. And then the entire affair gets published in the paper. And, of course, her father insists she weds Baron Brightmore. Luck is not on her side. But Alexi is determined to prove her innocence and change her fate. With the baron’s help, can they track down the mysterious woman who was breaking all the rules? And why is she tempted, every time she looks at Brightmore, to break them too? They are only investigating together to escape a marriage, not become further embroiled. Still, Alexi can’t deny, rakes are nothing if not tempting. When might she have an opportunity like this again? And is there truth to the saying that rakes make the best husbands? Perhaps, she should find out…
She is not stalking the duke. She’s just following him. Very closely… When Miss Mona Ayers finds herself betrothed to a marquess older than her father’s father, there is only one thing to do. Find a better suitor. But who is better than a marquess? A duke, of course. The problem is the only one currently on the market, the Duke of Durham, is as derelict as he is determined not to marry. She knows, she’s done her research. She’s read every article ever printed about him in the London Times. She might have even cut them out and saved them. And when the opportunity to catch him alone and make him an offer he hopefully can’t refuse, Mona doesn’t hesitate. Any fate is better than be married to an elderly marquess. But that’s when things really start to get tricky. He refuses the offer. Worse yet, some woman from his past is seeking retribution and just because Mona’s saved a few articles, all right, several, he thinks she might be said lady. She’s determined, yes. But deranged? Most certainly not. But how to prove that to the Duke of Durham, convince him her plan for a marriage of convenience is sound, and save him from whatever woman wishes him ill? It’s a big task. Mona, however, is up for the challenge. The only other dilemma? Her heart has decided that convenience just won’t do.
Immortal Longings: FWH Myers and the Victorian search for life after death is the first full-length biography of Frederic W.H. Myers, leading figure in the Society for Psychical Research and friend and associate of Browning, Gladstone, Ruskin, Tennyson, Swinburne, Henry James, Prince Leopold and other influential Victorians. The book offers a fascinating insight into a key period in the development of Victorian thought. Among many things it covers: 1. Extraordinary Phenomena Myers investigated extraordinary phenomena, much of which is still reported today: out of body experiences and astral projection, near death experiences, poltergeists, gurus like Madame Blavatsky claiming strange powers, mediums both private and public, and haunted houses (for example, the giant warrior haunting a chateau near Heidelberg, the Cheltenham Ghost that was seen by a considerable number of people, and the odd doings at Ballechin House in Scotland which caused a scandal in the press. 2. Life After Death Investigations Myers believed he had virtually proved life after death by a) the link he thought established between hundreds of apparitions and living or dead human beings b) the messages that the outstanding mediums Mrs Piper and Mrs Thompson gave him from his first great love Annie and his intimate friend and co-worker Edmund Gurney which contained information the medium could not know and was delivered in a way highly characteristic of the personality concerned. 3. Automatic Writing Some researchers have claimed that he has returned after death and proved his continued existence through the automatic writings of a number of mediums in England, America, India. These writings continued for thirty years. 4. Romance & Suicide There is also love, tragedy and jealousy in Myers' life. His first great love Annie, a married woman, committed suicide and Myers' wife, a rather possessive person, tried to prevent any detail about this being made public after his death, even though the relationship was platonic. This inhibited the work of researchers who were trying to verify the 'post-mortem' communications from Myers, since, for many years, they could not check the facts. 5. Credibility Myers researches led him to forming a view about human personality and psychology which Aldous Huxley has said is much richer than Freud's.