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An Eclectic Mix, Volume Six, offers a selection of twenty-three unique short stories by various authors; some of the stories in this book were winners in Audio Arcadia's short story competition.
An Eclectic Mix - Volume One - is a collection of factual and fictional writings by twelve authors, some of whom live in the USA and some in Europe. Their work falls under various genres and embraces themes of political satire, fantasy, animal welfare and lastly, but by no means least, religious and philosophical thought. There is even a tale about a parrot on a train journey ...
Yet another volume of winning short stories from eleven authors; these stories contain mixes of humour, sadness, irony (and more). You will discover within the pages of this book tales of human behaviour - sometimes comprehensible, sometimes not ...
An Eclectic Mix, Volume Two, offers a selection of unique short stories by various authors. Below are some of the fascinating stories you will find in this book. "Judgement Day" - M'rek had had to decide whether the planet lived or died. He reported back that this race would soon be safe. But had he been wrong? "Electronic Warfare" - Major Archibald Hicks (Rtd.)has redesigned a ghettoblaster and is determined to wage a private war against loud noise and those who produce it. "The Duck and Thistle" - Thistle is an acoustic engineering student on work placement in her local police station. She naïvely tries to stand up for women's rights by kneeing an offending chauvinistic constable in the groin - and expects a severe reprimand.
An invaluable resource for any wrestling fan of the era. The sixth in the series from www.historyofwrestling.co.uk this is the complete guide to every WWE DVD release from May 2002 to December 2004, with full in-depth reviews and analysis of every disc (and extras), awards, match ratings, and much, much more. Read all about the start of the Ruthless Aggression Era, with debuts of future main event mainstays John Cena, Randy Orton and Batista all taking place in the time period covered. Learn about the Brand Extension, The Death of Al Wilson, Katie Vick, Evolution, the return of the WWE Hall of Fame, RAW's tenth anniversary spectacular, the rise of Brock Lesnar, and so much more. As usual the book is a monster, with over 300,000 words crammed in covering every pay per view, DVD release and special.
As children, many of us learn to sing, "If you're happy and you know it, clap your hands." But despite the familiarity of this tune, few of us realize that what we're singing is actually part of a pervasive - and centuries-old - musical scheme. This particular pattern, the "Sweet Thing" scheme, has generated a large group of songs spanning a broad range of topics, genres, and time periods, but all related through a specific stanzaic form. Early twentieth-century blues songs "My Babe" and "Motherless Children," country songs "Peg and Awl" and "Crawdad Song," and gospel songs "Pure Religion" and "This Train" use this form, along with popular songs like Ray Charles's "I Got a Woman," The Beatles's "One After 909," and the Velvet Underground's "I'm Waiting for the Man." Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form studies one of the most productive and enduring shared musical resources in North American vernacular music. Author Nicholas Stoia offers the most comprehensive examination to date of the long history of the "Sweet Thing" scheme, exploring how it made its way from sixteenth-century Scotland to eighteenth-century British broadside ballads to nineteenth-century American ragtime. Stoia also examines the form in various contexts, including early blues and country music, and moving forward to rhythm and blues, soul, and rock music, connecting these modern forms to their ancient roots. Through this close look at a ubiquitous musical from, Sweet Thing shows us how it has linked listeners and musicians alike across the boundaries of genre, race, and even time.
Recent scholarship has shown that modern postural yoga is the outcome of a complex process of transcultural exchange and syncretism. This book doubles down on those claims and digs even deeper, looking to uncover the disparate but entangled roots of modern yoga practice. Anya Foxen shows that some of what we call yoga, especially in North America and Europe, is genealogically only slightly related to pre-modern Indian yoga traditions. Rather, it is equally, if not more so, grounded in Hellenistic theories of the subtle body, Western esotericism and magic, pre-modern European medicine, and late-nineteenth-century women's wellness programs. The book begins by examining concepts arising out of Greek philosophy and religion, including Pythagoreanism, Stoicism, Neo-Platonism, Galenic medicine, theurgy, and other cultural currents that have traditionally been categorized as "Western esotericism," as well as the more recent examples which scholars of American traditions have labeled "metaphysical religion." Marshaling these under the umbrella category of "harmonialism," Foxen argues that they represent a history of practices that were gradually subsumed into the language of yoga. Orientalism and gender become important categories of analysis as this narrative moves into the nineteenth century. Women considerably outnumber men in all studies of yoga except those conducted in India, and modern anglophone yoga exhibits important continuities with women's physical culture, feminist reform, and white women's engagement with Orientalism. Foxen's study allows us to recontextualize the peculiarities of American yoga--its focus on aesthetic representation, its privileging of bodily posture and unsystematic incorporation of breathwork, and above all its overwhelmingly white female demographic. In this context it addresses the ongoing conversation about cultural appropriation within the yoga community.
Today, jazz is considered high art, America’s national music, and the catalog of its recordings—its discography—is often taken for granted. But behind jazz discography is a fraught and highly colorful history of research, fanaticism, and the intense desire to know who played what, where, and when. This history gets its first full-length treatment in Bruce D. Epperson’s More Important Than the Music. Following the dedicated few who sought to keep jazz’s legacy organized, Epperson tells a fascinating story of archival pursuit in the face of negligence and deception, a tale that saw curses and threats regularly employed, with fisticuffs and lawsuits only slightly rarer. Epperson examines the documentation of recorded jazz from its casual origins as a novelty in the 1920s and ’30s, through the overwhelming deluge of 12-inch vinyl records in the middle of the twentieth century, to the use of computers by today’s discographers. Though he focuses much of his attention on comprehensive discographies, he also examines the development of a variety of related listings, such as buyer’s guides and library catalogs, and he closes with a look toward discography’s future. From the little black book to the full-featured online database, More Important Than the Music offers a history not just of jazz discography but of the profoundly human desire to preserve history itself.
In his The Life and Theology of Alexander Knox, David McCready highlights one of the most important figures in the history of Anglicanism. A disciple of John Wesley, Knox presents his mentor as a representative of the Neo-Platonic tradition within Anglicanism, a tradition that Knox himself also exemplifies. Knox also significantly impacted John Henry Newman and the Tractarians. But Alexander Knox is an important theologian in his own right, one who engaged substantially with the main intellectual currents of his day, namely those stemming from the Enlightenment and Romanticism. Meshing Knox’s theological teaching on various topics with details of his life, this book offers a fascinating portrait of a man who, in the words of Samuel Taylor Coleridge ‘changed the minds, and, with them, the acts of thousands.’
What do the mysterious Roman author Vegetius, the Byzantine emperor Leo VI, and the Chinese general Li Jing all have in common? They are three of the dozens of authors across the medieval Mediterranean world and beyond who wrote works of military literature, sometimes called military handbooks, manuals, or treatises. This book brings together a multidisciplinary international team of scholars who present cutting edge essays on diverse aspects of medieval military literature. While some chapters offer novel approaches to familiar authors like Vegetius, some present research on under-valued topics like Byzantine military illustrations, and others provide holistic studies on subjects like early modern treatises, they all move the discussion of medieval military literature forward. Contributors are Michael B. Charles, Georgios Chatzelis, Pierre Cosme, Maxime Emion, Immacolata Eramo, Michael Fulton, David Graff, John Haldon, Catherine Hof, John Hosler, Savvas Kyriakidis, Łukasz Różycki, Katharina Schoneveld, Georgios Theotokis, Conor Whately, Michael Whitby, and Nadya Williams.