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Detective and mystery stories. Large Print. Someone is killing beautiful young women and taking extraordinary risks to carefully pose their painted bodies in public places. The first is bronze, then silver who will be gold? Detective Sergeant Stevie Hooper, young, hard-edged and newly seconded to the Serious Crime Squad, finds herself haunted by increasingly disturbing flashbacks as the bizarre case unfolds. And, as she closes in on the killer, the carefully drawn line between her professional and personal life becomes increasingly blurred, till she doesnt know who can be trusted.
This eBook edition of "Ode to a Nightingale" has been formatted to the highest digital standards and adjusted for readability on all devices. "Ode to a Nightingale" is either the garden of the Spaniards Inn, Hampstead, London, or, according to Keats' friend Charles Armitage Brown, under a plum tree in the garden of Keats House, also in Hampstead. According to Brown, a nightingale had built its nest near his home in the spring of 1819. Inspired by the bird's song, Keats composed the poem in one day. It soon became one of his 1819 odes and was first published in Annals of the Fine Arts the following July. "Ode to a Nightingale" is a personal poem that describes Keats's journey into the state of Negative Capability. The tone of the poem rejects the optimistic pursuit of pleasure found within Keats's earlier poems and explores the themes of nature, transience and mortality, the latter being particularly personal to Keats. The nightingale described within the poem experiences a type of death but does not actually die. Instead, the songbird is capable of living through its song, which is a fate that humans cannot expect. John Keats (1795-1821) was an English Romantic poet. The poetry of Keats is characterized by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analyzed in English literature.
iEaseful Death/i sets out in straightforward terms the main arguments both for and against the legalization of assisted suicide and euthanasia. The legal choices confronting those caring for the terminally ill, and indeed those patients themselves who may be facing intolerable suffering towards the end of their lives, have been the cause of fierce public debate in recent years. The book takes as its starting point attempts in Britain and other countries to bring compassion into the rules governing the end of a patient's life. Drawing on experience in the Netherlands, Belgium, and the US state of Oregon, where either assisted dying or euthanasia have been legalized, the authors explore the philosophical and ethical views on both sides of the debate, and examine how different legislative proposals would affect different members of society, from the very young to the very old. They describe the practical, medical processes of palliative care, self-denial of food and water, and assisted dying and euthanasia, and ultimately conclude that the public is ready to embrace a more compassionate approach to assisted dying. This sensitive and authoritative short volume is informed throughout by a strong sense that, whatever the results of the legislative argument, compassion for one another must be both the guide and the restraint upon the way we treat people who are dying or who want to die.
The victims are young, beautiful women, their bodies left posed like mannequins in public places. The first is painted bronze, the next silver... who is the gold for? And what is the significance of the words Easeful Death, from a poem by Keats, that appear hand painted on the bodies of the victims?Detective Sergeant Stevie Hooper, young, hard-edged and newly seconded to the Serious Crime Squad in Perth, is getting disturbing flashbacks as the Poser case unfolds. It's a race to get inside the mind of the killer and something is not quite right about James De Vakey, the expert criminal profiler who is flown in to help on the case.Trying to sort out her own tangled life, and looking out for her boss Monty who is the target of a web of police corruption, Stevie finds the carefully drawn line between professional and personal increasingly blurred till she doesn't know who can be trusted.
John Keats (1795–1821) continues to delight and challenge readers both within and beyond the academic community through his poems and letters. This volume provides frameworks for enhanced analysis and appreciation of Keats and his work, with each chapter supplying a succinct, informed, and accessible account of a particular topic. Leading scholars examine the life and work of Keats against the backdrop of his influences, contemporaries, and reception, and explore the interaction of poet and world. The essays consider his enduring but ever-altering appeal, engage with critical discussion and debate, and offer revisionary close reading of the poems and letters. Students and specialists will find their knowledge of Keats's life and work enriched by chapters that survey subjects ranging from education, relationships, and religion to art, genre, and film.
How we die reveals much about how we live. In this provocative book, Shai Lavi traces the history of euthanasia in the United States to show how changing attitudes toward death reflect new and troubling ways of experiencing pain, hope, and freedom. Lavi begins with the historical meaning of euthanasia as signifying an "easeful death." Over time, he shows, the term came to mean a death blessed by the grace of God, and later, medical hastening of death. Lavi illustrates these changes with compelling accounts of changes at the deathbed. He takes us from early nineteenth-century deathbeds governed by religion through the medicalization of death with the physician presiding over the deathbed, to the legalization of physician-assisted suicide. Unlike previous books, which have focused on law and technique as explanations for the rise of euthanasia, this book asks why law and technique have come to play such a central role in the way we die. What is at stake in the modern way of dying is not human progress, but rather a fundamental change in the way we experience life in the face of death, Lavi argues. In attempting to gain control over death, he maintains, we may unintentionally have ceded control to policy makers and bio-scientific enterprises.
Andrew Motion's dramatic narration of Keats's life is the first in a generation to take a fresh look at this great English Romantic poet. Unlike previous biographers, Motion pays close attention to the social and political worlds Keats inhabited. Making incisive use of the poet's inimitable letters, Motion presents a masterful account. "Motion has given us a new Keats, one who is skinned alive, a genius who wrote in a single month all the poems we cherish, a victim who was tormented by the best doctors of the age. . . . This portrait, stripped of its layers of varnish and restored to glowing colours, should last us for another generation."—Edmund White, The Observer Review "Keats's letters fairly leap off the page. . . . [Motion] listens for the 'freely associating inquiry and incomparable verve and dash,' the 'headlong charge,' of Keats's jazzlike improvisations, which give us, like no other writing in English, the actual rush of a man thinking, a mind hurtling forward unpredictably and sweeping us along."—Morris Dickstein, New York Times Book Review "Scrupulous and eloquent."—Gregory Feeley, Philadelphia Inquirer
This book looks at the avoidable and prolonged suffering John Keats endured, and how it is particularly relevant today with regards to the case for euthanasia.