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"It was the straying that found the path direct." - Austin Osman Spare In the final throes of the Blitz, Austin Osman Spare is the only salvation for Marlene, an artist escaping a traumatic past. Wandering Southwark's ruins she encounters Paddy Hughes, a fugitive of another kind. Falling under Marlene's spell Hughes agrees to seek out her lost mentor, the man she calls The Satyr. Yet Marlene's past will not rest as the mysterious Doctor Charnock pursues them, trying to capture the patient she'd once caged. The Satyr is a tale inspired by the life and ethos of sorcerer and artist Austin Osman Spare. Another three novellas of occult enchantment follow: a bookseller discovers that his late wife knew the Devil, in the Carpathian Mountains refugees shelter in a museum devoted to a forgotten author, and in Prague a portraitist must paint a countess whose appearance is never the same twice. This omnibus is comprised of The Satyr (2010) and The Bestiary of Communion (2011); newly illustrated, expanded, and revised.
Dark, brilliant fiction from the New York Times-bestselling author: “Oates’ spookiness is visceral, psychologically involving, and socially astute.”―Booklist In the title story of her taut new fiction collection, Joyce Carol Oates writes: Life was not of the surface like the glossy skin of an apple, but deep inside the fruit where seeds are harbored. There is no writer more capable of picking out those seeds and exposing all their secret tastes and poisons than Oates herself—as demonstrated in these six stories. One tale opens with a woman, naked except for her high-heeled shoes, seated in front of the window in an apartment she cannot, on her own, afford. In this exquisitely tense narrative reimagining of Edward Hopper’s Eleven A.M., 1926, the reader enters the minds of both the woman and her married lover, each consumed by alternating thoughts of disgust and arousal, as he rushes, amorously, murderously, to her door. In “The Long-Legged Girl,” an aging, jealous wife crafts an unusual game of Russian roulette involving a pair of Wedgwood teacups, a strong Bengal brew, and a lethal concoction of medicine. Who will drink from the wrong cup, the wife or the dance student she believes to be her husband’s latest conquest? In “The Sign of the Beast,” when a former Sunday school teacher’s corpse turns up, the blighted adolescent she had by turns petted and ridiculed confesses to her murder—but is he really responsible? And another young outsider, Horace Phineas Love, Jr., is haunted by apparitions at the very edge of the spectrum of visibility after the death of his tortured father in “Night-Gaunts,” a fantastic ode to H.P. Lovecraft. “Consummately well-written, stylistically dashing...forthrightly nightmarish.”―Kirkus Reviews
Edited, with an Introduction, by William Breeze. Foreword by David Tibet. This volume brings together the uncollected short fiction of the poet, writer and religious philosopher Aleister Crowley (1875 - 1947). Crowley was a successful critic, editor and author of fiction from 1908 to 1922, and his short stories are long overdue for discovery. Of the fifty-two stories in the present volume, only thirty were published in his lifetime. Most of the rest appear here for the first time. Like their author, Crowley's stories are fun, smart, witty, thought-provoking and sometimes unsettling. They are set in places he had lived and knew well: Belle Epoque Paris, Edwardian London, pre-revolutionary Russia and America during the first World War. The title story The Drug stands as one of the first - if not the first - accounts of a psychedelic experience. His Black and Silver is a knowing early noir discovery that anticipates an entire genre. Atlantis is a masterpiece of occult fantasy, a dark satire that can stand with Samuel Butler's Erewhon. Frank Harris considered The Testament of Magdalen Blair the most terrifying tale ever written. Extensive editorial end-notes give full details about the stories.
Enter a world of magic and myth, where foxes fall in love and robots build their own dragons. In The Fox’s Tower and Other Tales, New York Times bestselling author Yoon Ha Lee crafts together short and moving stories of love, adventure, magic, and nature. With poetic language and intricate world building, readers will be whisked away to a different adventure with every new story. Full of fascinating creatures and LGBT+ romances, this flash fiction collection combines the classic with the contemporary in Yoon’s captivating style.
These are not your mother's fairy tales... Did you ever wonder how the dwarves felt after Snow White ditched them for the prince? Do you sometimes wish Cinderella hadn't been so helpless and petite? Are you ready to hear the Giant's point of view on Jack and his beanstalk? Then this is the book for you. Thirteen award-winning fantasy and science fiction writers offer up their versions of these classic fairy tales as well as other favorites, including The Ugly Duckling, Ali Baba, Hansel and Gretel, and more. Some of the stories are funny, some are strange, and others are dark and disturbing -- but each offers something as unexpected as a wolf at the door.
A collection of stories about six different young people who each experience a life-changing event.
Twelve stories by science fiction master Stanisław Lem, nine of them never before published in English. Of these twelve short stories by science fiction master Stanisław Lem, only three have previously appeared in English, making this the first "new" book of fiction by Lem since the late 1980s. The stories display the full range of Lem's intense curiosity about scientific ideas as well as his sardonic approach to human nature, presenting as multifarious a collection of mad scientists as any reader could wish for. Many of these stories feature artificial intelligences or artificial life forms, long a Lem preoccupation; some feature quite insane theories of cosmology or evolution. All are thought provoking and scathingly funny. Written from 1956 to 1993, the stories are arranged in chronological order. In the title story, "The Truth," a scientist in an insane asylum theorizes that the sun is alive; "The Journal" appears to be an account by an omnipotent being describing the creation of infinite universes--until, in a classic Lem twist, it turns out to be no such thing; in "An Enigma," beings debate whether offspring can be created without advanced degrees and design templates. Other stories feature a computer that can predict the future by 137 seconds, matter-destroying spores, a hunt in which the prey is a robot, and an electronic brain eager to go on the lam. These stories are peak Lem, exploring ideas and themes that resonate throughout his writing.
Cat O'Nine Tales is the fifth collection of irresistible short stories from the master storyteller and bestselling author Jeffrey Archer. Ingeniously plotted, with richly drawn characters and Archer's trademark of deliciously unexpected conclusions, some of these thirteen stories were inspired by the two years Jeffrey Archer spent in prison, including the story of a company chairman who tries to poison his wife while on a trip to St Petersburg—with unexpected consequences. The Red King is a tale about a con man who discovers that an English Lord requires one more chess piece to complete a set that would be worth a fortune. In another tale of deception, The Commissioner, a Bombay con artist ends up in the morgue, after he uses the police chief as bait in his latest scam. The Perfect Murder reveals how a convict manages to remove an old enemy while he's locked up in jail, and then set up two prison officers as his alibi. In Charity Begins at Home, an accountant realizes he has achieved nothing in his life, and sets out to make a fortune before he retires. And then there is Archer's favorite, In the Eye of the Beholder, where a handsome star athlete falls in love with a three-hundred-pound woman...who happens to be the ninth richest woman in Italy. Jeffrey Archer is the only author to have topped international bestseller lists with his fiction, non-fiction, and his short stories. Cat O'Nine Tales is Archer at his best: witty, sad, surprising, and unforgettable.
Jean Ferry's only published book of fiction, translated into English for the first time First published in French in 1950 in a limited edition of 100 copies, then republished in 1953 (and enthusiastically praised by André Breton), The Conductor and Other Tales is Jean Ferry's only published book of fiction. It is a collection of short prose narratives that offer a blend of pataphysical humor and surreal nightmare: secret societies so secret that one cannot know if one is a member or not, music-hall acts that walk a tightrope from humor to horror, childhood memories of a man never born, and correspondence from countries that are more states of mind than geographical locales. Lying somewhere between Kafka's parables and the prose poems of Henri Michaux, Ferry's tales read like pages from the journal of a stranger in a familiar land. Though extracts have appeared regularly in Surrealist anthologies over the decades, The Conductor has never been fully translated into English until now. This edition includes four stories not included in the original French edition and is illustrated throughout with collages by Claude Ballaré. Jean Ferry (1906-1974) made his living as a screenwriter for such filmmakers as Luis Buñuel and Louis Malle, cowriting such classics as Henri-Georges Clouzot's Le Quai des orfèvres and script-doctoring Marcel Carné's Les Enfants du paradis. He was the first serious scholar and exegete of the work of Raymond Roussel (on whom he published three books) and a member of the Collège de 'Pataphysique.
NEW YORK TIMES BESTSELLER • This joyful rhyming book encourages children to value the “different” in all people, leading the way to a kinder world in which the differences in all of us are celebrated and embraced. Macy is a girl who’s a lot like you and me, but she's also quite different, which is a great thing to be. With kindness, grace, and bravery, Macy finds her place in the world, bringing beauty and laughter wherever she goes and leading others to find delight in the unique design of every person. Children are naturally aware of the differences they encounter at school, in their neighborhood, and in other everyday relationships. They just need to be given tools to understand and appreciate what makes us “different,” permission to ask questions about it, and eyes to see and celebrate it in themselves as well as in those around them.