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As Australia began the process of breaking away from its from status a British colony, Catherine Martin was fascinated with the meaning of Australian culture and identity. She examines these issues through the story of the independent and intelligent Stella Courtland, a young girt who marries and finds herself hampered by the social constraints of her new life. In this sensitive Late of moral and emotional growth, Martin brilliantly captures this turning point in Australian history and anticipates the values of a new generation.
Australian Heroines of World War One tells the story of eight courageous women through diaries, letters, original photos, paintings and specially drawn maps. These women had the courage and strength for which the Anzacs are renowned and the compassion and tenderness that only a woman can bring. Sister Hilda Samsing from Melbourne became a whistleblower when nursing aboard the hospital ship Gascon, outraged by the bungled evacuation of wounded Anzacs. She defied censorship and kept a very frank diary, reproduced here for the first time.In 1914, Louise Creed, a Sydney journalist, was caught in the besieged city of Antwerp and made a hair-raising escape from a German firing squad.Brisbane's Grace Wilson, ordered to establish an emergency hospital on drought ridden Lemnos Island, arrived there to find suffering Anzacs but no drinking water, tents or medical supplies. Grace and her nurses saved the lives of thousands who had been wounded at Lone Pine and the Nek.In France, Florence James-Wallace, Anne Donnell and Elsie Tranter nursed near the front line in Casualty Clearing Stations, treating soldiers with hideous wounds or blinded by mustard gas. In 1918 they had to deal with an epidemic of Spanish flu, killing some nurses. These brave women returned to Australia but their heroism was quickly forgotten. Two of these women received such meagre pensions they died destitute. Publication of this book with its numerous illustrations has been facilitated by a generous donation from Dame Elisabeth Murdoch, keen that these stories become known to Australians of all ages. This is an updated editon with additional information on some of the nurses supplied by their relatives after they read the first edition.
The Cambridge History of the Australian Novel is an authoritative volume on the Australian novel by more than forty experts in the field of Australian literary studies, drawn from within Australia and abroad. Essays cover a wide range of types of novel writing and publishing from the earliest colonial period through to the present day. The international dimensions of publishing Australian fiction are also considered as are the changing contours of criticism of the novel in Australia. Chapters examine colonial fiction, women's writing, Indigenous novels, popular genre fiction, historical fiction, political novels, and challenging novels on identity and belonging from recent decades, not least the major rise of Indigenous novel writing. Essays focus on specific periods of major change in Australian history or range broadly across themes and issues that have influenced fiction across many years and in many parts of the country.
An indispensable reference for the study of Australian literature.
Over the course of the nineteenth century a remarkable array of types appeared – and disappeared – in Australian literature: the swagman, the larrikin, the colonial detective, the bushranger, the “currency lass”, the squatter, and more. Some had a powerful influence on the colonies’ developing sense of identity; others were more ephemeral. But all had a role to play in shaping and reflecting the social and economic circumstances of life in the colonies. In Colonial Australian Fiction: Character Types, Social Formations and the Colonial Economy, Ken Gelder and Rachael Weaver explore the genres in which these characters flourished: the squatter novel, the bushranger adventure, colonial detective stories, the swagman’s yarn, the Australian girl’s romance. Authors as diverse as Catherine Helen Spence, Rosa Praed, Henry Kingsley, Anthony Trollope, Henry Lawson, Miles Franklin, Barbara Baynton, Rolf Boldrewood, Mary Fortune and Marcus Clarke were fascinated by colonial character types, and brought them vibrantly to life. As this book shows, colonial Australian character types are fluid, contradictory and often unpredictable. When we look closely, they have the potential to challenge our assumptions about fiction, genre and national identity. The preliminary pages and introduction to this work are available free to download at the Sydney eScholarship Repository: https://hdl.handle.net/2123/16435 Contents Introduction: The Colonial Economy and the Production of Colonial Character Types 1 The Reign of the Squatter 2 Bushrangers 3 Colonial Australian Detectives 4 Bush Types and Metropolitan Types 5 The Australian Girl Works Cited Index About the series The Sydney Studies in Australian Literature series publishes original, peer-reviewed research in the field of Australian literature. The series comprises monographs devoted to the works of major authors and themed collections of essays about current issues in the field of Australian literary studies. The series offers well-researched and engagingly written re-evaluations of the nature and importance of Australian literature, and aims to reinvigorate its study both in Australia and internationally.
This fascinating novel tells the story of a young woman who, against all odds, struggles to carve out a life of meaning and purpose for herself in the male-dominated world of late 19th-century Australia. Faced with poverty, social upheaval, and ruinous scandal, the heroine of the story must find the courage and creativity to make her way in the world and achieve her goals. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This book focuses on girls and girlhoods, texts for and about girls, and the cultural contexts that shape girls’ experience. It brings together scholars from girls’ studies and children’s literature, fields that have traditionally conducted their research separately, and the collaboration showcases the breadth and complexity of girl-related studies. Contributors from disciplines such as sociology, literature, education, and gender studies combine these disciplinary approaches in novel ways with insights from international studies, postcolonial studies, game studies, and other fields. Several of the authors engage in activist and policy-development work around girls who experience poverty and marginalization. Each essay is concerned in one way or another with the politics of girlhood as they manifest in national and cultural contexts, in the everyday practices of girls, and in textual ideologies and agendas. In contemporary Western societies girls and girlhood function to some degree as markers of cultural reproduction and change. The essays in this book proceed from the assumption that girls are active participants in the production of texts and cultural forms; they offer accounts of the diversity of girls’ experience and complex significances of texts by, for, and about girls.
Colonial domestic literature has been largely overlooked and is due for a reassessment. This essay collection explores attitudes to colonialism, imperialism and race, as well as important developments in girlhood and the concept of the New Woman.
Popular romance fiction constitutes the largest segment of the global book market. Bringing together an international group of scholars, The Routledge Research Companion to Popular Romance Fiction offers a ground-breaking exploration of this global genre and its remarkable readership. In recognition of the diversity of the form, the Companion provides a history of the genre, an overview of disciplinary approaches to studying romance fiction, and critical analyses of important subgenres, themes, and topics. It also highlights new and understudied avenues of inquiry for future research in this vibrant and still-emerging field. The first systematic, comprehensive resource on romance fiction, this Companion will be invaluable to students and scholars, and accessible to romance readers.