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The Confessions of St. Augustine is one of the few Christian classics that is still widely read in the secular academy. Yet, oddly enough, it is not often read in the manner Augustine appears to have intended and in which the church read it for centuries: as a model of conversion, devotion, friendship, and the love of God. This book is a companion for any reader of the Confessions--whether in an academic, ecclesial, or devotional context--informed by the latest scholarship yet always directed toward pushing the reader, with Augustine, toward God.
"This narrative of the first half of Augustine's life conjures the intellectual and social milieu of the late Roman Empire with a Proustian relish for detail." -- New York Times In Augustine, celebrated historian Robin Lane Fox follows Augustine of Hippo on his journey to the writing of his Confessions. Unbaptized, Augustine indulged in a life of lust before finally confessing and converting. Lane Fox recounts Augustine's sexual sins, his time in an outlawed heretical sect, and his gradual return to spirituality. Magisterial and beautifully written, Augustine is the authoritative portrait of this colossal figure at his most thoughtful, vulnerable, and profound.
An commentary on the Latin text of St. Augustine's Confessoins intended for beginning and intermediate students of Latin. The commentary uses and is based on the text of James O'Donnell and makes considerable use both of his commentary as well as Gillian Clark's commentary, while remaining keyed to questions pertinent for beginning students, i.e., grammar, syntax, and morphology.
From Pulitzer Prize–winner Garry Wills, the story of Augustine’s Confessions In this brief and incisive book, Pulitzer Prize-winning historian Garry Wills tells the story of the Confessions--what motivated Augustine to dictate it, how it asks to be read, and the many ways it has been misread in the one-and-a-half millennia since it was composed. Following Wills's biography of Augustine and his translation of the Confessions, this is an unparalleled introduction to one of the most important books in the Christian and Western traditions. Understandably fascinated by the story of Augustine's life, modern readers have largely succumbed to the temptation to read the Confessions as autobiography. But, Wills argues, this is a mistake. The book is not autobiography but rather a long prayer, suffused with the language of Scripture and addressed to God, not man. Augustine tells the story of his life not for its own significance but in order to discern how, as a drama of sin and salvation leading to God, it fits into sacred history. "We have to read Augustine as we do Dante," Wills writes, "alert to rich layer upon layer of Scriptural and theological symbolism." Wills also addresses the long afterlife of the book, from controversy in its own time and relative neglect during the Middle Ages to a renewed prominence beginning in the fourteenth century and persisting to today, when the Confessions has become an object of interest not just for Christians but also historians, philosophers, psychiatrists, and literary critics. With unmatched clarity and skill, Wills strips away the centuries of misunderstanding that have accumulated around Augustine's spiritual classic.
The Reed of God is an inspirational classic written by a British Roman Catholic ecclesiastical artist, Caryll Houselander. This book contains a beautiful meditation on Mary, Mother of God and so much more. Reading this book will bring you closer to Our Blessed Mother, and hence, to Christ Himself. Filled with lyrical prose and touching analogies, the author shows how Mary was the "Reed of God" and that we are all vessels waiting to do God's work, and carrying Christ within us.
This book not only presents Eastern Orthodox readings of the great Latin theologian, but also demonstrates the very nature of theological consensus in ecumenical dialogue, from a referential starting point of the ancient and great Fathers. This collection exemplifies how, once, the Latin and Byzantine churches, from a deep communion of the faith that transcended linguistic, cultural and intellectual differences, sang from the same page a harmonious song of the beauty of Christ. Contributors are: Lewis Ayres ¿ John Behr ¿ David Bradshaw ¿ Brian E. Daley ¿ George E. Demacopoulos ¿ Elizabeth Fisher ¿ Reinhard Flogaus ¿ Carol Harrison ¿ David Bentley Hart ¿ Joseph T. Lienhard ¿ Andrew Louth ¿ Jean-Luc Marion ¿ Aristotle Papanikolaou ¿ David Tracy
Augustine's Confessions is one of the most powerfully evocative autobiographies of the Christian West. It recounts the complex experiences through which this formative theologian came to renounce the compulsive sexual practice of his youth, reinvesting his attention and affection in a disciplined spirituality. The Confessions is explicitly about desire, longing, passion--physical and spiritual. It narrates Augustine's desperate attempt to get, and to keep, the greatest degree of pleasure. Even his conversion to Catholic Christianity is narrated as a seduction to continence, and the model of spirituality he articulated relied intimately and profoundly on his sexual experience. Desire and Delight explores the erotics of asceticism as described by Augustine, noticing the gendered foundation of his model of spiritual aspiration. Going beyond the tormented, self-conscious Augustine of conventual interpretations, one discovers in this book a man impelled by the eros that defines human beings as such: the pursuit up the scale of pleasures to the ultimate Pleasure. The pursuit is analyzed here in the text, context, and subtext, with such intellectual and emotional engagement that the Confessions becomes a text of pleasure.
Augustine's vision at Ostia is one of the most influential accounts of mystical experience in the Western tradition, and a subject of persistent interest to Christians, philosophers and historians. This book explores Augustine's account of his experience as set down in the Confessions and considers his mysticism in relation to his classical Platonist philosophy. John Peter Kenney argues that while the Christian contemplative mysticism created by Augustine is in many ways founded on Platonic thought, Platonism ultimately fails Augustine in that it cannot retain the truths that it anticipates. The Confessions offer a response to this impasse by generating two critical ideas in medieval and modern religious thought: firstly, the conception of contemplation as a purely epistemic event, in contrast to classical Platonism; secondly, the tenet that salvation is absolutely distinct from enlightenment.
With: Historical commentary Biographical info Appendix with further readings For nearly 2,000 years, Christian mystics, martyrs, and sages have documented their search for the divine. Their writings have bestowed boundless wisdom upon subsequent generations. But they have also burdened many spiritual seekers. The sheer volume of available material creates a seemingly insurmountable obstacle. Enter the Upper Room Spiritual Classics series, a collection of authoritative texts on Christian spirituality curated for the everyday reader. Designed to introduce 15 spiritual giants and the range of their works, these volumes are a first-rate resource for beginner and expert alike. Writings of Augustine compiles some of the most profound and moving writings of the 4th-century African Christian who had a vast influence on the Christian church and Western culture. Included are excerpts from Augustine's Confessions and other writings.