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An annual index to the monographs appears early in the following year.
Do you know silica, the tetrahedra of silicon and oxygen constituting the crystals of New Agers and the desiccant in a box of new shoes? It's no mere mundane mineral. As chemically reacting silicate rocks, silica set off the chain of events known as the origin of life. As biomineralized opal, it is the cell wall, skeleton, spicules, and scales of organisms ornamenting numerous lobes of the tree of life. Cryptocrystalline silica made into stone tools helped drive the evolution of our hands and our capability for complex grammar, music, and mathematics. As quartz crystals, silica is impressively electric and ubiquitous in modern technology (think sonar, radios, telephones, ultrasound, and cheap but precise watches). Silica is inescapable when we take a drink or mow the lawn and it has already started to save the Earth from the carbon dioxide we're spewing into the atmosphere. This book tells these scientific tales and more, to give dear, modest silica its due.
This book takes readers back and forth through time and makes the past accessible to all families, students and the general reader and is an unprecedented collection of a list of events in chronological order and a wealth of informative knowledge about the rise and fall of empires, major scientific breakthroughs, groundbreaking inventions, and monumental moments about everything that has ever happened.
In the Vanguard: Haystack Mountain School of Crafts, 1950–1969 traces the first two decades of the Haystack Mountain School of Craft’s history and its pivotal impact on the world of art and craft practice in the United States during the mid-twentieth century. The first scholarly investigation of this internationally renowned school, the exhibition, and the accompanying catalogue will feature work made at Haystack or influenced by time spent there by some of the most highly recognized names in the fields of fiber, glass, ceramics, jewelry, and graphic arts to demonstrate the school’s significant role in debates about art, craft, industry, and pedagogy in the United States during the 1950s and 1960s. Haystack’s model of brief summer sessions and changing instructors offered new ways of thinking about the status of craft as art and the nature of accessible design in the context of communally based, process-oriented learning. Anni Albers, Toshiko Takaezu, Jack Lenor Larsen, Kay Sekimachi, Arline Fisch, Robert Arneson, Harvey Littleton, Wolf Kahn, and Dale Chihuly are just a few of the artists who taught at the school between 1950 and 1969 and who helped define Haystack’s radically open-ended approach towards art and craft. With approximately eighty objects assembled from public and private collections and archives, many rarely or never before exhibited in a museum, In the Vanguard will establish the substantial legacy of this remote community of makers in the art and education world at large. Archival material installed throughout the exhibition will include original correspondence, photographs, brochures, architectural models, posters, and early ephemera. Published in association with the Portland Museum of Art. Exhibition dates: Portland Museum of Art, Maine: May 24–September 8, 2019 Cranbrook Academy of Art, Michigan: November 15, 2019–March 8, 2020
"Gardening is the most basic of languages, the labor from which we're all born and nourished. . . ." In these pages, we travel the country with Debra Landwehr Engle as she visits 20 gardens and gardeners from California to Maine and Minnesota to Arkansas, showing us that grassroots campaigns actually can and do involve roots--and seeds and garden trowels. That any person with a steadfast resolve and an open patch of dirt can help bridge the gap between multinational refugees. That lush vegetation and running water and cool stones can help spark the fading memories of our elderly. And that our children can learn about where food comes from, labyrinths, wetlands systems, and healing from grief and loss just by digging in the earth with a caring adult hand to guide them. As the stories in this remarkable collection demonstrate, the simplest act of gardening can produce significant changes in the lives of people we might never even meet. Consider the man who sends seedlings and greenhouses halfway around the world to feed hospital patients, or the immigrant woman who began selling her own flowers as a way to raise money for overseas charities, or the couple who offers their land as a midday retreat for the residents of nearby nursing homes. These acts and others are not heroic--or even unusual--as Ms. Engle tells us. We see ourselves in these uplifting tales from the garden, as they inspire us to transform our own little parts of the world into places of greater peace, repose, play, and healing. For gardeners, community activists, and those who understand the spiritual value of putting a spade in the soil, these stories capture the promise renewed each time we plant a seed and give us fresh ideas for changing the world, one garden at a time.