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This true crime odyssey explores a forgotten, astonishing chapter of American history, leading the reader from a free-love community in upstate New York to the shocking assassination of President James Garfield. It was heaven on earth—and, some whispered, the devil’s garden. Thousands came by trains and carriages to see this new Eden, carved from hundreds of acres of wild woodland. They marveled at orchards bursting with fruit, thick herds of Ayrshire cattle and Cotswold sheep, and whizzing mills. They gaped at the people who lived in this place—especially the women, with their queer cropped hair and shamelessly short skirts. The men and women of this strange outpost worked and slept together—without sin, they claimed. From 1848 to 1881, a small utopian colony in upstate New York—the Oneida Community—was known for its shocking sexual practices, from open marriage and free love to the sexual training of young boys by older women. And in 1881, a one-time member of the Oneida Community—Charles Julius Guiteau—assassinated President James Garfield in a brutal crime that shook America to its core. An Assassin in Utopia is the first book that weaves together these explosive stories in a tale of utopian experiments, political machinations, and murder. This deeply researched narrative—by bestselling author Susan Wels—tells the true, interlocking stories of the Oneida Community and its radical founder, John Humphrey Noyes; his idol, the eccentric newspaper publisher Horace Greeley (founder of the New Yorker and the New York Tribune); and the gloomy, indecisive President James Garfield—who was assassinated after his first six months in office. Juxtaposed to their stories is the odd tale of Garfield’s assassin, the demented Charles Julius Guiteau, who was connected to all of them in extraordinary, surprising ways. Against a vivid backdrop of ambition, hucksterism, epidemics, and spectacle, the book’s interwoven stories fuse together in the climactic murder of President Garfield in 1881—at the same time as the Oneida Community collapsed. Colorful and compelling, An Assassin in Utopia is a page-turning odyssey through America’s nineteenth-century cultural and political landscape.
Media narratives inform our ideas of the future - and Games are currently making a significant contribution to this medial reservoir. On the one hand, Games demonstrate a particular propensity for fantastic and futuristic scenarios. On the other hand, they often serve as an experimental field for the latest media technologies. However, while dystopias are part of the standard gaming repertoire, Games feature utopias much less frequently. Why? This anthology examines playful utopias from two perspectives. It investigates utopias in digital Games as well as utopias of the digital game; that is, the role of ludic elements in scenarios of the future.
In the tales gathered in An Agent of Utopia: New and Selected Stories you will meet a Utopian assassin, an aging UFO contactee, a haunted Mohawk steelworker, a time-traveling prizefighter, a yam-eating Zombie, and a child who loves a frizzled chicken—not to mention Harry Houdini, Zora Neale Hurston, Sir Thomas More, and all their fellow travelers riding the steamer-trunk imagination of a unique twenty-first-century fabulist. From the Florida folktales of the perennial prison escapee Daddy Mention and the dangerous gator-man Uncle Monday that inspired "Daddy Mention and the Monday Skull" (first published in Mojo: Conjure Stories, edited by Nalo Hopkinson) to the imagined story of boxer and historical bit player Jess Willard in World Fantasy Award winner "The Pottawatomie Giant" (first published on SciFiction), or the Ozark UFO contactees in Nebula Award winner "Close Encounters" to Flannery O’Connor’s childhood celebrity in Shirley Jackson Award finalist "Unique Chicken Goes in Reverse" (first published in Eclipse) Duncan’s historical juxtapositions come alive on the page as if this Southern storyteller was sitting on a rocking chair stretching the truth out beside you. Duncan rounds out his explorations of the nooks and crannies of history in two irresistible new stories, "Joe Diabo's Farewell" — in which a gang of Native American ironworkers in 1920s New York City go to a show — and the title story, "An Agent of Utopia" — where he reveals what really (might have) happened to Thomas More’s head.
Before it was finally crushed by an army of self-appointed "guardians of public morals", the Oneida Community in western New York represented 19th century America's most successful experiment in utopian communism--an idyllic-yet-doomed new world of absolute equality. photos.
History and art intertwine in this celebration of the San Francisco Art Commission's promotion of public art through eight decades of political, social, and economic changes. Wels specializes in history and is a resident of the city. Abundantly illustrated and will intrigue those who live in San Francisco, those who just visit and leave their heart, and anyone involved with cities and public art.
This eye-popping, large-size, and image-packed book about the infamous sneak attack that changed the course of history will keep readers fascinated. Through bold images previously unseen outside of Japan, and an authoritative, up-to-date text, the shocking event that was Pearl Harbor unfolds.
Gary Indiana is one of America's leading cultural critics -- a public intellectual who has written key essays on every aspect of American culture. Utopia's Debris comprises selections of his very best work, revealing him to be an enormously acute, frequently scabrous, and always brilliant observer of the best and worst America has to offer. His writings range from popular culture -- trash novels, architectural wonders and horrors -- to appreciations of the best of modern literature, art, and cinema. They include his convincing (and highly entertaining) debunking of fashionable conspiracy theories, a spirited and contrarian defense of Bill Clinton's autobiography, a Mencken-like examination of the rise of Arnold Schwarzenegger and the politics of celebrity in what Indiana calls the Age of Contempt. A postmodern Emerson, Indiana wields scalpel-sharp wit and a fealty to logic on issues in which, all too often, irrationalism and emotionalism hold sway. At times rigorously serious, at other times whimsical, Indiana's most conspicuous feature is skepticism -- his wildly satirical contempt for conventional wisdom.
The untold history of Moscow's Metropol hotel—a fervent spot of intrigue, secrets, and the center of Stalin's nefarious propaganda during WWII. In 1941, when German armies were marching towards Moscow, Lenin’s body was moved from his tomb on Red Square and taken to Siberia. By1945, a victorious Stalin had turned a poor country into a victorious superpower. Over the course of those four years, Stalin, at Churchill's insistence, accepted an Anglo-American press corps in Moscow to cover the Eastern Front. To turn these reporters into Kremlin mouthpieces, Stalin imposed the most draconian controls – unbending censorship, no visits to the battlefront, and a ban on contact with ordinary citizens. The Red Hotel explores this gilded cage of the Metropol Hotel. They enjoyed lavish supplies of caviar and had their choice of young women to employ as translators and share their beds. On the surface, this regime served Stalin well: his plans to control Eastern Europe as a Sovietised ‘outer empire’ were never reported and the most outrageous Soviet lies went unchallenged. But beneath the surface, the Metropol was roiling with intrigue. While some of the translators turned journalists into robotic conveyors of Kremlin propaganda, others were secret dissidents who whispered to reporters the reality of Soviet life and were punished with sentences in the Gulag. Using British archives and Soviet sources, the unique role of the women of the Metropol, both as consummate propagandists and secret dissenters, is told for the first time. At the end of the war when Lenin returned to Red Square, the reporters went home, but the memory of Stalin’s ruthless control of the wartime narrative lived on in the Kremlin. From the weaponization of disinformation to the falsification of history, from the moving of borders to the neutralization of independent states, the story of the Metropol mirrors the struggles of our own modern era.
Legendary warrior Hong Gil-Dong reappears after an absence of many years to save the kingdom of Yuldo from threat, assisted by the hapless Danu and accompanied by Sanghui, a merchant's daughter whom he saved from her enemies.