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First published in 2005, An Architecture of invitation: Colin St John Wilson is a distinctive study of the life and architectural career of one of the most significant makers, theorists and teachers of architecture to have emerged in England in the second half of the twentieth century. Exceptionally in an architectural study, this book interweaves biography, critical analysis of the projects, and theory, in its aims of explicating the richness of Wilson’s body of work, thought and teaching. Drawing on the specialisms of its authors, it also examines the creative and psychological impulses that have informed the making of the work – an oeuvre whose experiential depth is recognised by both users and critics.
« Invitation to Vernacular Architecture: A Guide to the Study of Ordinary Buildings and Landscapes is a manual for exploring and interpreting vernacular architecture, the common buildings of particular regions and time periods. Thomas Carter and Elizabeth Collins Cromley provide a comprehensive introduction to the field. » « Rich with illustrations and written in a clear and jargon-free style, Invitation to Vernacular Architecture is an ideal text for courses in architecture, material culture studies, historic preservation, American studies, and history, and a useful guide for anyone interested in the built environment. »--
"This book is an informal, accessible guide to architecture for the layperson"--
The 20th century's avant-gardes as seen through invites, postcards and various inventive forms of printed communication, from Oskar Schlemmer to Nam June Paik The Archiv der Avantgarden in Dresden contains approximately 1.5 million items of ephemera from the 20th-century avant-gardes. Much of this material involves internal communications from within the art world, such as invitations to events and advertisements for exhibits. Invitation: Archive as Eventcompiles a wide selection of these communications, from a photocopied collage advertising Charlotte Moorman and Nam June Paik's Mixed Media Operato Oskar Schlemmer's handwritten pink postcard inquiring about a gallery show presented by Walter Dexel. Still more event descriptions, case studies, interviews and visual references provide a compelling history of aesthetic trends in graphic design as well as insight into the myriad ways in which artists promoted their own work. Invitation: Archive as Eventprovides an archive-driven take on the social circles and institutions that drove the evolution of contemporary art throughout the 20th century. It provides important sources for scholars, students, artists and curators in the development of a lively and participatory archival model.
"We all love to be invited. The wedding of a relative. A friend's garden party. The launch of a new fasion label. Whether private party or corporate affair, a special occasion deserves a special invitation. You're Invited! presents alluring invitations crafted with hand-lettering techniques, fine paper choices, innovative printing methods, and more. From the digital to the handmade, an invitation provides a keepsake that will remain long after the buzz of the event."--back cover.
"Design Practice Research at RMIT is a longstanding program of research into what venturous designers actually do when they design. It is probably the most enduring and sustained body of research of its kind: empirical, evidence-based and surfacing evidence about design practice. It is a growing force in the world, with a burgeoning program of research in Asia, Oceania and Europe. This book documents some of its past achievements. Two kinds of knowledge are created by the research. One concerns the ways in which designers marshal their intelligence, especially their spatial intelligence, to construct the mental space within which they practice design. The other reveals how public behaviours are invented and used to support design practice. This new knowledge combined is the contribution that this research makes to the field of design practice research." -- publisher's website.
Conceptual ordering, spatial and social narrative are fundamental to the ways in which buildings are shaped, used and perceived. This intriguing book explores the ways in which these three dimensions interact in the design and life of buildings.
''Discusses the individual and collective achievement of the three American architects.''--
Design Practice Research at RMIT University is a longstanding program of research into what venturous designers actually do when they design. It is probably the most enduring and sustained body of research of its kind: empirical, evidence-based and surfacing evidence about design practice. This first Pink Book documents some of its past achievements. It is probably the most enduring and sustained body of research of its kind: empirical, evidence-based and surfacing evidence about design practice. It is a growing force in the world, with a burgeoning program of research in Asia, Oceania and Europe. This book documents some of its past achievements. Two kinds of knowledge are created by the research. One concerns the ways in which designers marshal their intelligence, especially their spatial intelligence, to construct the mental space within which they practice design. The other reveals how public behaviours are invented and used to support design practice. This new knowledge combined is the contribution that this research makes to the field of design practice research.
As the most individualized civil architecture, buildings for cultural events are the best stage for architects to practise their dreams, to express their perceptions to architectural art and ambitions. When culture meets architecture, some memories, some scenes or an attitude will find its medium to exist as a real and touchable thing. Besides those architectures that record a history or provide information, such as museum, library, memorial, archives centre and the like, more and more multi-functions cultural centres were built in cities, where people gather together for social event, entertainment, or sports, and they are also the new plaza where people can impress their sense of the city s identification deeper. Selected buildings for culture around the world are included in this book, with an invitation to witness the meeting between culture and architecture."