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An Architectural History of Peterborough clarifies the obscure and tangled building history of one of England's most interesting medieval monuments. Lisa Reilly demonstrates how Peterborough offers extensive information concerning both specific buildings such as Canterbury and broader issuesof the period such as the process of cultural assimiliation, patterns of construction and building design as a response to liturgical needs. This study represents an expansion of the traditional use of formal and archaeological analysis to include a discussion of the building's social and politicalcontext. The entire fabric is discussed, from its Anglo-Saxon remains,the Anglo-Norman construction of the nave, choir and transepts, the early Gothic period which produced its well-known west front through to the final construction of its fan-vaulted retrochoir at the very end of the Middle Ages.Peterborough Cathedral is the best-preserved example of Anglo-Norman architecture, and provides an ideal case study for the period.
A Medieval Book of Magical Stones is the first translation of the longest and most comprehensive medieval English treatise on the occult powers of stones and gems, the Peterborough Lapidary. Lapidaries (encyclopaedias of the 'virtues' of stones and minerals) were an essential resource for practitioners of natural and ritual magic as well as medicine. This late fifteenth-century manuscript from the library of Peterborough Cathedral describes 145 stones, portraying them as living beings whose properties range from giving the bearer the power to command spirits and foretell the future to healing numerous illnesses and communicating with spirits and the dead, along with instructions on how to release latent occult power from within stones. Many of the proposed uses of stones resemble the concerns of medieval necromancers, such as invisibility, love magic, power over animals and the creation of magical mirrors. pp. xliii+106; 2 column text; introduction; bibliography; analytical index; 8 b/w illustrations
#1 New York Times Bestseller Oprah's Book Club Selection The “extraordinary . . . monumental masterpiece” (Booklist) that changed the course of Ken Follett’s already phenomenal career—and begins where its prequel, The Evening and the Morning, ended. “Follett risks all and comes out a clear winner,” extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett’s unassailable command of the written word and to his universal appeal. The Pillars of the Earth tells the story of Philip, prior of Kingsbridge, a devout and resourceful monk driven to build the greatest Gothic cathedral the world has known . . . of Tom, the mason who becomes his architect—a man divided in his soul . . . of the beautiful, elusive Lady Aliena, haunted by a secret shame . . . and of a struggle between good and evil that will turn church against state and brother against brother. A spellbinding epic tale of ambition, anarchy, and absolute power set against the sprawling medieval canvas of twelfth-century England, this is Ken Follett’s historical masterpiece.
The British Archaeological Association's 2007 conference celebrated the material culture of medieval Coventry, the fourth wealthiest English city of the later middle ages. The nineteen papers collected in this volume set out to remedy the relative neglect in modern scholarship of the city's art, architecture and archaeology, as well as to encompass recent research on monuments in the vicinity. The scene is set by two papers on archaeological excavations in the historic city centre, especially since the 1970s, and a paper investigating the relationships between Coventry's building boom and economic conditions in the city in the later middle ages. Three papers on the Cathedral Priory of St Mary bring together new insights into the Romanesque cathedral church, the monastic buildings and the post-Dissolution history of the precinct, derived mainly from the results of the Phoenix Initiative excavations (19992003). Three more papers provide new architectural histories of the spectacular former parish church of St Michael, the fine Guildhall of St Mary and the remarkable surviving west range of the Coventry Charterhouse. The high-quality monumental art of the later medieval city is represented by papers on wall-painting (featuring the recently conserved Doom in Holy Trinity church), on the little-known Crucifixion mural at the Charterhouse, and on a reassessment of the working practices of the famous master-glazier, John Thornton. Two papers on a guild seal and on the glazing at Stanford on Avon parish church consider the evidence for Coventry as a regional workshop centre for high quality metalwork and glass-painting. Beyond the city, three papers deal with the development of Combe Abbey from Cistercian monastery to country house, with the Beauchamp family's hermitage at Guy's Cliffe, and with a newly identified stonemasons' workshop in the 'barn' at Kenilworth Abbey. Two further papers concern the architectural patronage of the earls and dukes of Lancaster in the 14th century at Kenilworth Castle and in the Newarke at Leicester Castle.