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"American Vitruvius: an Architects' Handbook of Civic Art. At the end of the second decade of this [the twentieth] century, Werner Hegemann, a German-born urban planning theorist and practitioner, and Elbert Peets, a young American recently graduated from Harvard University's School of Landscape Architecture, joined together in Wisconsin in a professional partnership. The association of these two students of American urbanism culminated in 1922 with The American Vitruvius: an Architects' Handbook of Civic Art, a critical text that played an essential role in the definition and promotion of modern American city planning. American Vitruvius offers the reader an atlas of design solutions and advocates a humanistic, as well as rational, development of the urban environment. Princeton Architectural Press has reprinted the entire original text including the book's 1203 plates. These illustrations consist of plans, elevations, and perspective views of both European and American cities, spanning in date from the Renaissance to the twentieth century. The republication of this volume suggests the relevance of Hegemann and Peets' approach for contemporary city planning. Today, in the midst of an era responding to the de-humanization of the city, American Vitruvius offers a reconciliation of artistic aspects of civic art with scientific theory of city planning -- the authors insist upon a city that allows its residents both pleasure and freedom of expression"--Front flap.
This book updates and thoroughly details the most important recent trends in civic architecture and planning, but does not limit itself to this; time-honored precedents, in some cases centuries old, are referenced. This massive, encyclopedic display, drawn from over 200 international sources, has been carefully selected for use not only by trained professionals but for everyone involved in the shaping of cities and the built environment. Numerous examples culled from the works of such notable architects as Arata Isozaki, Frank Gehry, Robert A.M. Stern, Rob Krier, and many others cover all aspects of the environment, from large regional concerns down to details of the private realm.
Hegemann and Peets' classic work on urban planning is an encyclopedic compilation of over twelve hundred illustrations, photographs, and diagrams. Their work was first published in 1922 and presented for the first time a comprehensive survey of what we would consider modern urban planning or urban design principles. Their work, often referred to simply as 'Civic Art, ' remained out of print for a number of years. This compact edition, part of the 'Fundamentals in Urban Planning' series, presents the full text and graphics of the original edition in an affordable and portable version. CONTENTS: I. The Modern Revival of Civic Art II. Plaza and Court Design in Europe III. The Grouping of Buildings in America IV. Architectural Street Design V. Garden Art as Civic Art VI. City Plans as Unified Designs VII. The Plan of Washington
The Architects' Handbook provides a comprehensive range of visual and technical information covering the great majority of building types likely to be encountered by architects, designers, building surveyors and others involved in the construction industry. It is organised by building type and concentrates very much on practical examples. Including over 300 case studies, the Handbook is organised by building type and concentrates very much on practical examples. It includes: · a brief introduction to the key design considerations for each building type · numerous plans, sections and elevations for the building examples · references to key technical standards and design guidance · a comprehensive bibliography for most building types The book also includes sections on designing for accessibility, drawing practice, and metric and imperial conversion tables. To browse sample pages please see http://www.blackwellpublishing.com/architectsdata
Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.
These essays, from leading names in the field, weave together the parallels and differences between the past and present of civic art. Offering prospects for the first decades of the twenty-first century, the authors open up a broad international dialogue on civic art, which relates historical practice to the contemporary meaning of civic art and its application to community building within today’s multi-cultural modern cities. The volume brings together the rich perspectives on the thought, practice and influence of leading figures from the great era of civic art that began in the nineteenth century and blossomed in the early twentieth century as documented in the works of Werner Hegemann and his contemporaries and considered fundamental to contemporary practice.