Download Free An Approach To Comping Book in PDF and EPUB Free Download. You can read online An Approach To Comping and write the review.

This book covers topics such as comping rhythms, left hand comping, trombone voicings, bepop comping, and open voicings. With an introduction, transcriptions, interviews, and appendix. The CDs contain example and play-along tracks.
All the information needed to become a functional jazz pianist
The most highly acclaimed jazz piano method ever published! Over 300 pages with complete chapters on Intervals and triads, The major modes and II-V-I, 3-note voicings, Sus. and phrygian Chords, Adding notes to 3-note voicings, Tritone substitution, Left-hand voicings, Altering notes in left-hand Stride and Bud Powell voicings, Block chords, Comping ...and much more! Endorsed by Kenny Barron, Down Beat, Jamey Aebersold, etc.
How to Comp: A Study in Jazz Accompaniment is a comprehensive, one-step-at-a-time method for learning how to accompany an improvised solo. It offers precise explanations, practical exercises, recorded examples, four play-along tracks, and daily practice routines. Intended for intermediate-to-advanced players of harmonic instruments (piano, guitar, vibraphone), it can also be used by drummers, bassists, and horn players.
(Berklee Guide). Play jazz piano with new facility and expression as Ray Santisi, one of the most revered educators at the Berklee College of Music and mentor to Keith Jarrett, Diana Krall, Joe Zawinul, and thousands of others reveals the pedagogy at the core of Berklee's jazz piano curriculum. From beginning through advanced levels, Berklee Jazz Piano maps the school's curriculum: a unique blend of theory and application that gives you a deep, practical understanding of how to play jazz. Concepts are illustrated on the accompanying online audio, where you'll hear how one of the great jazz pianists and educators of our time applies these concepts to both jazz standards and original compositions, and how you can do the same. You will learn: * Jazz chords and their characteristic tension substitutions, in many voicings and configurations * Modes and scales common in jazz * Techniques for comping, developing bass lines, harmonizing melodies, melodizing harmonies, and improvisation * Practice techniques for committing these concepts to your muscle memory * Variations for solo and ensemble playing * Advanced concepts, such as rhythmic displacement, approach-chord harmonization, and jazz counterpoint
The most highly-acclaimed jazz theory book ever published! Over 500 pages of comprehensive, but easy to understand text covering every aspect of how jazz is constructed---chord construction, II-V-I progressions, scale theory, chord/scale relationships, the blues, reharmonization, and much more. A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc.
(Jazz Instruction). A one-of-a-kind book encompassing a wide scope of jazz topics, for beginners and pros of any instrument. A three-pronged approach was envisioned with the creation of this comprehensive resource: as an encyclopedia for ready reference, as a thorough methodology for the student, and as a workbook for the classroom, complete with ample exercises and conceptual discussion. Includes the basics of intervals, jazz harmony, scales and modes, ii-V-I cadences. For harmony, it covers: harmonic analysis, piano voicings and voice leading; modulations and modal interchange, and reharmonization. For performance, it takes players through: jazz piano comping, jazz tune forms, arranging techniques, improvisation, traditional jazz fundamentals, practice techniques, and much more!
The most comprehensive book ever written on how to create the 4-note, block-chord approach to jazz piano playing used by masters like McCoy Tyner, Bill Evans, Barry Harris, Cedar Walton, etc. In this book, world-renowned pianist and educator Mark Levine provides a step-by-step, beginning to advanced, masterclass on how to create, practice and extend this most useful appraoch to jazz chord voicings.
For most of the recorded history of jazz, the piano has been the main, and usually the only, comping instrument. This text will help guitarists get a handle on the most important job they have when playing in a small group: comping. This book can be used as a progressive study of comping or simply a source of ideas. Although rhythms and voice leading are found throughout the book, they are isolated for study in particular sections. The book and accompanying audio cover voice leading, multi-use voicings, voicing variations, passing chords, harmonized scales, intervallic comping, rhythm and studies (blues, standard, modern and modal). Includes access to online audio.
Are you bored of playing the same old jazz guitar chords? Playing rhythm guitar is one thing, but going beyond that to connect the chords with beautiful melodic phrasing is called comping. John Pisano is one of the all-time greats of jazz rhythm guitar and has worked with Frank Sinatra, Tony Bennett, Burt Bacharach, Natalie Cole, Barbra Streisand, Diana Krall and many more. Plus, for over 35 years, he was also Joe Pass' guitar duo partner, racking up dozens of iconic jazz guitar recordings. Learn Authentic Jazz Comping Skills with a Master In Jazz Guitar Comping Masterclass, John Pisano shares his creative guitar chord movements over a selection of the most famous jazz standards. Naturally, you'll learn some immaculately crafted comping arrangements, but there's so much more! You'll go way beyond the typical jazz rhythm guitar parts most guitarists use, and learn to play beautifully voiced movements that decorate the chords and become an integral part of the tune itself... ... If you took away the rest of the band, your guitar part would stand alone and still entertain the crowd. What You'll Learn First, you'll take a deep dive into John's unique strategies for creating comping movements. Here, you'll discover the tools you can use to develop your own stunning arrangements. In a clearly illustrated, step-by-step guide, you'll learn how to: - Artistically embellish any chord sequence with inside and outside movements - Add related chords to create moving chord phrases - Connect multiple voicings of chords across the range of the neck to expand your palette - Arrange any voicing to triple your creative options - Harmonize chords using 6th voicings for a fresh new approach to rhythm - Use diminished shapes to connect chords and add harmonic tension to any sequence