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Reprint of the original, first published in 1843.
Excerpt from An Apology for the Revival of Christian Architecture in England The age in which we live is a most eventful period for English art. We are just emerging from a state which may be termed the dark ages of architecture. After a gradual decay of four centuries, the style, - for style there was, - became so execrably bad, that the cup of degradation was filled to the brim; and as taste had fallen to its lowest depth, a favourable re-action commenced. The breaking up of this wretched state of things has naturally produced a complete convulsion in the whole system of arts, and a Babel of confusion has succeeded to the one bad idea that generally prevailed. Private judgment runs riot; every architect has a theory of his own, a beau ideal he has himself created; a disguise with which to invest the building he erects. This is generally the result of his latest travels. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Geoffrey Hill's poems are like those of no other living poet. Grand in their music, powerful in their impact, they are public poetry, poetry dealing with religion, with the state of England, poetry as a lamentation for the human condition. As A.