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Contains the best account of the theatre of his day and is an invaluable study of the art of acting as it was practiced by his contemporaries.
A burlesque of Richardson's "Pamela", which was generally ascribed to Fielding at the time of its appearance and held by most authorities to be by him.--Cf. W.L. Cross' "The history of Henry Fielding", v. 1, p. 23, 303-308: Notes & queries, 12th ser. v. 1, p. 24-26.
The notorious troublemaker Charlotte Charke worked as a novelist, autobiographer, and strolling actress. But it was as a cross-dresser -- both on stage and off -- that she scandalized eighteenth-century England. Known as Mr. Charles Brown, she lived openly with another woman for nearly a decade.Charke, daughter of Colley Cibber, the English playwright and poet laureate (1740), lived a life of masquerade. Her autobiography is a fascinating document of low- and middle-class life in the 1700s and is explored in some detail by Philip E. Baruth. Other contributors to this collection look at Charke, her famous family, and her place within stage and cross-dressing traditions. Felicity A. Nussbaum provides a thought-provoking afterword on the current state of Charke criticism.
Bringing together leading Jonson scholars, Ben Jonson and Posterity provides new insights into this remarkable writer's reception and legacy over four centuries. Jonson was recognised as the outstanding English writer of his day and has had a powerful influence on later generations, yet his reputation is one of the most multifaceted and conflicted for any writer of the early modern period. The volume brings together multiple critical perspectives, addressing book history, the practice of reading, theatrical influence and adaptation, the history of performance, cultural representation in portraiture, film, fiction, and anecdotes to interrogate Jonson's 'myth'. The collection will be of great interest to all Jonson scholars, as well as having a wider appeal among early modern literary scholars, theatre historians, and scholars interested in intertextuality and reception from the Renaissance to the present day.