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This volume is a brief anthology of the most influential writing by American scientists between 1800 and 1900. Arranged thematically and chronologically to highlight the progression of American science throughout the nineteenth century – from its beginnings in self-taught classification and exploration to the movement towards university education and specialization – it is the first collection of its kind. Each section begins with a biography, putting human faces to each time period, and introducing such notable figures as Thomas Jefferson and Louis Agassiz.
Critics, science fiction writers, scientists, and scholars throughout the world hailed the original publication of Future Perfect in 1966 as a book that would transform our evaluation of science fiction and our understanding of American culture. The praise has proved well founded, for Future Perfect has been more responsible than any other single work for the recognition of the value and significance of science fiction.
Nineteenth-Century Science is a science anthology which provides over 30 selections from original 19th-century scientific monographs, textbooks and articles written by such authors as Charles Darwin, Mary Somerville, J.W. Goethe, John Dalton, Charles Lyell and Hermann von Helmholtz. The volume surveys scientific discovery and thought from Jean-Baptiste Lamarck’s theory of evolution of 1809 to the isolation of radium by Marie and Pierre Curie in 1898. Each selection opens with a biographical introduction, situating each scientist and discovery within the context of history and culture of the period. Each entry is also followed by a list of further suggested reading on the topic. A broad range of technical and popular material has been included, from Mendeleev’s detailed description of the periodic table to Faraday’s highly accessible lecture for young people on the chemistry of a burning candle. The anthology will be of interest to the general reader who would like to explore in detail the scientific, cultural, and intellectual development of the nineteenth-century, as well as to students and teachers who specialize in the science, literature, history, or sociology of the period. The book provides examples from all the disciplines of western science-chemistry, physics, medicine, astronomy, biology, evolutionary theory, etc. The majority of the entries consist of complete, unabridged journal articles or book chapters from original 19th-century scientific texts.
A landmark collection documenting the social, political, and artistic lives of African American women throughout the tumultuous nineteenth century. Named one of NPR's Best Books of 2017. The Portable Nineteenth-Century African American Women Writers is the most comprehensive anthology of its kind: an extraordinary range of voices offering the expressions of African American women in print before, during, and after the Civil War. Edited by Hollis Robbins and Henry Louis Gates, Jr., this collection comprises work from forty-nine writers arranged into sections of memoir, poetry, and essays on feminism, education, and the legacy of African American women writers. Many of these pieces engage with social movements like abolition, women’s suffrage, temperance, and civil rights, but the thematic center is the intellect and personal ambition of African American women. The diverse selection includes well-known writers like Sojourner Truth, Hannah Crafts, and Harriet Jacobs, as well as lesser-known writers like Ella Sheppard, who offers a firsthand account of life in the world-famous Fisk Jubilee Singers. Taken together, these incredible works insist that the writing of African American women writers be read, remembered, and addressed. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Nineteenth-Centuery American Writers on Writing features essays, letters, poems, prose, and excerpts of interviews by fifty-seven leading authors of the century. Each had to figure out what it meant to be a writer within the context of the relatively new nation they spoke to, for, and about. Each meditated on craft and style and form, as writers do. And each confronted the question of how to define themselves as writers--and their literature as "American"--during a century rocked by the industrial revolution, the Civil War, and the emergence of a global politic.
This anthology brings together a generous selection of scientific and literary material to explore the exchanges and interactions between them. It shows how scientists and creative writers alike fed from a common imagination in their language, style, metaphors and imagery. It includes writing by Michael Faraday, Thomas Carlyle, Thomas Hardy, Charles Babbage, Charles Darwin, Louis Pasteur, Edgar Allan Poe, Mark Twain and many others. - ;'It has been said by its opponents that science divorces itself from literature; but the statement, like so many others, arises from lack of knowledge.' John Tyndall, 1874 Although we are used to thinking of science and the humanities as separate disciplines, in the nineteenth century that division was not recognized. As the scientist John Tyndall pointed out, not only were science and literature both striving to better 'man's estate', they shared a common language and cultural heritage. The same subjects occupied the writing of scientists and novelists: the quest for 'origins', the nature of the relation between society and the individual, and what it meant to be human. This anthology brings together a generous selection of scientific and literary material to explore the exchanges and interactions between them. Fed by a common imagination, scientists and creative writers alike used stories, imagery, style, and structure to convey their meaning, and to produce work of enduring power. The anthology includes writing by Charles Babbage, Charles Darwin, Sir Humphry Davy, Charles Dickens, George Eliot, Michael Faraday, Thomas Malthus, Louis Pasteur, Edgar Allan Poe, Mary Shelley, Mark Twain and many others, and introductions and notes guide the reader through the topic's many strands. -
Contains a collection of poetry that spans two centuries and provides a diverse point of view of American life. American Poetry offers a collection of 26 verses by our finest poets, all with their unique perspective on the land they loved and accompanied by remarkable paintings that enhance the meaning of the words. Here, beautifully illustrated, are such unforgettable works.
Neglected American Women Writers of the Long Nineteenth Century, edited by Verena Laschinger and Sirpa Salenius, is a collection of essays that offer a fresh perspective and original analyses of texts by American women writers of the long nineteenth century. The essays, which are written both by European and American scholars, discuss fiction by marginalized authors including Yolanda DuBois (African American fairy tales), Laura E. Richards (children’s literature), Metta Fuller Victor (dime novels/ detective fiction), and other pioneering writers of science fiction, gothic tales, and life narratives. The works covered by this collection represent the rough and ragged realities that women and girls in the nineteenth century experienced; the writings focus on their education, family life, on girls as victims of class prejudice as well as sexual and racial violence, but they also portray girls and women as empowering agents, survivors, and leaders. They do so with a high-voltage creative charge. As progressive pioneers, who forayed into unknown literary terrain and experimented with a variety of genres, the neglected American women writers introduced in this collection themselves emerge as role models whose innovative contribution to nineteenth-century literature the essays celebrate.
This book explores the responses to science displayed in a range of writings by American women. Conceding that they could not become scientists, women insisted, however, that they were capable of understanding science and participating in its discourse. They used their access to publishing to advocate the study and transmission of scientific information to the general public. Baym's book includes biographies and a full exploration of these women's works. She also investigates science in women's novels, writing by and about women doctors, and the scientific claims advanced by women's spiritualist movements.