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First published in 1958, this collection introduced an indispensable corpus of western poetry to countless American students, Francophiles, and would-be poets, among them Patti Smith, whose Introduction to this edition testifies to its epochal impact on her own career. The poetic and cultural tradition forged by the symbolist poets featured herein -- Baudelaire, Rimbaud, Verlaine, Apollinaire, and others -- reverberated throughout the avant garde and countercultures of the twentieth century. Surrealism, modernism, abstract impressionism, and the Beat movement all find their roots in the examples of these poets and their theories of art. With translations by Richmond Lattimore, W.S. Merwin, Richard Wilbur, and Louise Varese, this rediscovered gem is sure to inspire a new generation.
A beautiful hardcover Pocket Poets anthology of poems from across the ages inspired by the City of Light Perhaps no other European city has so captured the poetic imagination as has Paris. Poems of Paris covers a wide range of time, from the Renaissance to the present, and includes not only the pantheon of classic French poets, from Ronsard to Baudelaire to Mallarmé, but also tributes by visitors to the city and famous expatriates from all over the world, including Pablo Neruda, Samuel Beckett, Rainer Maria Rilke, Vladimir Nabokov, Zelda Fitzgerald, Gertrude Stein, Lawrence Ferlinghetti, Charles Bukowski, and many more. All the famous sights of Paris are touched on here, from Notre-Dame to the Eiffel Tower, as are such classic Parisian themes as food, drink, and love, and famous events from the Revolution to the Resistance.
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Title #59. Why do so many go through so much disruption in their middle years? Why then? Why do we consider it to be a crisis? What does the pattern mean and how can we survive it? The Middle Passage shows how we may pass through midlife consciously, rendering our lives more meaningful and the second half of life immeasurably richer.
In celebrating the academic career and practice of a distinguished scholar of French literature, this volume concentrates on one of Peter Broome's major preoccupations and attainments: translation. Eschewing a dogmatic, theoretical approach, the contributors (former colleagues and students) tackle four rich areas of study: modern anglophone poets' reactions to, and translations of, authors with whom they have closely identified (Racine, the Symbolists, Saint-John Perse, Valéry); problematics of translating specific poets of recent centuries (Rimbaud, Mallarmé, Valéry, Césaire, some contemporary poets); reception and interaction in two foreign countries (Australia, Spain); and a more fluid interpretation of translation, moving the notion across into wider realms of literary expression (Mallarmé, Proust, Assia Djebar). A focalising feature, punctuating the volume, are Peter Broome's own translations of hitherto unpublished poems by five major contemporary French writers: Jean-Paul Auxeméry, Marie-Claire Bancquart, Louise Herlin, Vénus Khoury-Ghata and Jean-Charles Vegliante. The book thus intertwines theory and practice in a non-prescriptive manner which invites further elaboration and analysis.
Jean Wahl (1888–1974), once considered by the likes of Georges Bataille, Gilles Deleuze, Emmanuel Levinas, and Gabriel Marcel to be among the greatest French philosophers, has today nearly been forgotten outside France. Yet his influence on French philosophical thought can hardly be overestimated. Levinas wrote that “during over a half century of teaching and research, [Wahl] was the life force of the academic, extra-academic, and even, to a degree anti-academic philosophy necessary to a great culture.” And Deleuze, for his part, commented that “Apart from Sartre, who remained caught none the less in the trap of the verb to be, the most important philosopher in France was Jean Wahl.” Besides engaging with the likes of Bataille, Bergson, Deleuze, Derrida, Levinas, Maritain, and Sartre, Wahl also played a significant role, in some cases almost singlehandedly, in introducing French philosophy to movements like existentialism, and American pragmatism and literature, and thinkers like Hegel, Kierkegaard, Nietzsche, Jaspers, and Heidegger. Yet Wahl was also an original philosopher and poet in his own right. This volume of selections from Wahl’s philosophical writings makes a selection of his most important work available to the English-speaking philosophical community for the first time. Jean Wahl was Professor of Philosophy at the Sorbonne from 1936 to 1967, save during World War II, which he spent in the United States, having escaped from the Drancy internment camp. His books to appear in English include The Pluralist Philosophies of England and America (Open Court, 1925), The Philosopher's Way (Oxford UP, 1948), A Short History of Existentialism (Philosophical Library, 1949), and Philosophies of Existence (Schocken, 1969).
In this new edition of Best Words, Best Order, Stephen Dobyns further explains the mystery of the poet's work. Through essays on memory and metaphor, pacing, and the intricacies of voice and tone, and thoughtful appreciations of Chekhov, Ritsos, Mandelstam, and Rilke, Dobyns guides readers and writers through poetry's mysterious twilight communiques. For this new second edition, Dobyns has added two new essays, one dealing with the idea of "beauty" in poetry and another dealing with the almost mystical way poets connect seemingly disparate elements in a single work.