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A bibliography of over 1500 women who lived between 800 and 1500 AD, listed alphabetically. There are details on their nationalities and brief summaries of available biographical references. The biographical category index allows the reader to find women by trade and profession.
Women's writing in any period remains of critical concern, both at undergraduate and postgraduate level. Alexandra Barratt's edition offers a wide range of texts from the period 1300-1500, including: Original texts written by women in the Middle Ages Texts translated by women in the Middle Ages Prayers, meditations, scriptural comment, and accounts of religious experiences Educational writings Romance, poetry Each poem is given a headnote, giving details of composition, manuscript and sources. Full on-page annotation is provided giving details of allusions to contemporary religious, historical and social issues. A general introduction gives context to all the pieces and provides a penetrating account of the role of women in a burgeoning society of literary and cultural transmission.
This book explores the professional, civic, and personal roles of women teachers throughout American history. Its themes and findings build from the mostly unpublished writings of many women. Clifford studied personal history manuscripts in archives and consulted printed autobiographies, diaries, correspondence, oral histories, interviews to probe the multifaceted imagery that has surrounded teaching. This work surveys a long past where schoolteaching was essentially men's work, with women relegated to restricted niches such as teaching rudiments of the vernacular language to young children and socializing girls for traditional gender roles.
The index to the Biographical Archive of the Middle Ages makes accessible about 130,000 biographical articles from nearly 200 volumes. The entries contain short biographical information on approx. 95,000 persons from Europe and the Middle East who shaped the cultural development and the religious life during one thousand years.
Hadewijch of Antwerp (c.1200?-1240), Beatrice of Nazareth (1200-1268), Margaret Ebner (1291-1351), and Julian of Norwich (1343-1416/19) are best known for their mystical experiences and literary styles. Medieval Women on Sin and Salvation explores the reality that these women understood their encounters in primarily theological categories. It is well documented that Anselm of Canterbury's 1098 Cur Deus Homo was quickly and widely adopted by late medieval religious men. Given the deeply relational, somewhat unconventional, yet clearly orthodox interpretations of Anselm's theory expressed by Hadewijch, Beatrice, Margaret, and Julian, it would seem that nuns, beguines, and devout lay women were compelled by the same understanding of Atonement as the priests, monks, brothers, and lay men of the era. Unable to offer academic theological treatises, given the constraints of their age, these women managed to convey, through their writings, profoundly theological insights into the crucial Christian concepts of the natures of soul and sin, the Fall, and the Incarnation and its benefits, both for God and for humanity. This book offers valuable new insights and is suitable for upper division undergraduate classes and graduate courses in the history of Christianity/Medieval Christianity, theology, spirituality, and women's studies.
Publisher description
"One of the most striking aspects of abbé d'Aubignac's fictional output is that the principal focus of his work is women. D'Aubignac's attempt to articulate his philosophy about the female sex is very much an intricate balancing act. While he is clearly interested in women, placing them on a pedestal in many of his writings, the abbé imposes limitations on their perceived innate qualities and often embraces the notion of the female as a societal scapegoat. All the Abbé's Women explores how these ideas were influenced by the socio-political conditions of d'Aubignac's time, resulting in a complex inter-relationship between the notions of power and misogyny in the author's fictional and critical works. The study also aims to contribute to the scholarship on d'Aubignac, painting a portrait of the abbé that has not been the focus of previous books. The work will appeal to students of French literature, gender studies and the cultural history of Early Modern France."--Back cover.
Profiling more than 1400 print and electronic sources, this book helps connect librarians and researchers to the most relevant sources of information in genealogy and biography.
The most comprehensive reference book of its kind, with more than 60 new entries in this third edition.
Information about women in this truly fascinating period from 500 to 1500 is in great demand and has been a challenge for historians to uncover. Bardsley has mined a wide range of primary sources, from noblewomen's writing, court rolls, chivalric literature, laws and legal documents, to archeology and artwork. This fresh survey provides readers with an excellent understanding of how women high and low fared in terms of religion, work, family, law, culture, and politics and public life. Even though medieval women were divided by social class, religion, age, marital status, place and period, they were all subject to an overarching patriarchal structure and sometimes could transcend their inferior status. Numerous examples of these exceptional women and their words are included. Chapter 1 examines religion, focusing on women's roles in the early Christian church, the lives of nuns and other professional religious women such as anchoresses and Beguines, the participation of Christian laywomen, and the experiences of Jewish and Islamic women in Western Europe. The second chapter examines women's work, looking in turn at the kinds of work performed by peasant women, townswomen, and noblewomen. Women's roles within the family form the subject of the third chapter. This chapter follows women throughout the typical lifecycle - from girl to widow - examining the expectations and experiences of women at each stage. Chapter 4, Women and the Law, focuses on the ways in which laws both restricted and protected women. It also considers the crimes with which women were most often charged and surveys laws regarding marriage and widowhood. Women's roles in creative arts form the basis of the fifth chapter, Women and Culture. This chapter examines women's roles as artists, authors, composers, and patrons, as well as investigating the ways in which women were represented in works produced by men. Finally, chapter 6 discusses women's experiences in politics and public life. While women as a group were typically banned from holding positions of public authority, some found ways to get around this stricture, while others were able to exercise power behind the scenes. The final chapter thus encapsulates a major theme of this book: the interplay between broader patriarchal forces that limited women's status and autonomy and the role of individuals who were able to overcome or circumvent such forces. Medieval women were, as a group, subordinate to their husbands and fathers, but certain women, under certain circumstances, evaded subordination.