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Provides incisive reviews of more than 300 recommended novels and short-story collections set in Florida. Numerous Florida fiction writers, past and present, are represented in the book, including such diverse talents as Edna Buchanan, Harry Crews, Connie May Fowler, and others.--Excerpted from book cover.
"Here is the book lover's literary tour of Florida, an exhaustive survey of writers, books, and literary sites in every part of the state. The state is divided into ten areas and each one is described from a literary point of view. You will learn what authors lived in or wrote about a place, which books describe the place, what important movies were made there, even the literary trivia which the true Florida book lover will want to know. You can use the book as a travel guide to a new way to see the state, as an armchair guide to a better understanding of our literary heritage, or as a guide to what to read next time you head to a bookstore or library."--Publisher.
"No other work has focused so sharply and revealed so clearly the vitality of Hemingway's time in Key West. Key West Hemingway shows that even as his Papa persona grew during the 1930s, Hemingway continued to generate a significant body of nuanced and complex (if also misunderstood) experimental prose. With keen scrutiny and brilliance, these fresh and readable essays rediscover and give us Hemingway's multifaceted American literary voices."--Linda Patterson Miller, editor of Letters from the Lost Generation "This impressive and cohesive collection of essays on Hemingway's Key West works and days puts into proper critical and biographical perspective one of the least understood yet most productive periods in his life. Husband, lover, father, son, fisherman, political activist, defender of the vets, essayist, and crafter of fiction--it's all here, close-up and wide-angle, the American Hemingway of 1928-1940, in all his facets, the rough diamond in the Florida sun."--Allen Josephs, author of Ritual and Sacrifice in the Corrida Conventional wisdom holds that Hemingway's Key West years were among his least productive, and many are dismissive of the works he produced during that time. In this collection, several leading Hemingway scholars focus on his overlooked short stories and essays, especially those written for Esquire from 1933 to 1936. They demonstrate how the island inspired some of his most vivid work and discuss how the "Hemingway industry" continues to endure. Kirk Curnutt is professor and chair of English at Troy University. Gail D. Sinclair is scholar in residence and executive director of the Winter Park Institute at Rollins College. Contributors: Patrick Hemingway | Carol Hemingway | Lawrence R. Broer | Gail D. Sinclair | Milton A. Cohen | Dan Monroe | Susan F. Beegel | Steve Paul | Mark P. Ott | Susan J. Wolfe | Mimi Reisel Gladstein | Michael J. Crowley | John J. Fenstermaker | E. Stone Shiftlet | Kirk Curnutt | James H. Meredith | Nicole Camastra | Russ Pottle
One hundred members of NatChat, an electronic mail discussion group concerned with Native American issues, responded to the recent Disney release Pocahontas by calling on parents to boycott the movie, citing its historical inaccuracies and saying that "Disney has let us down in a cruel, irresponsible manner." Their anger was rooted in the fact that, although Disney had claimed that the film's portrayal of American Indians would be "authentic," the Pocahontas story the movie told was really white cultural myth. The actual histories of the characters were replaced by mythic narratives depicting the crucial moments when aid was given to the white settlers. As reconstructed, the story serves to reassert for whites their right to be here, easing any lingering guilt about the displacement of the native inhabitants. To understand current imagery, it is essential to understand the history of its making, and these essays mesh to create a powerful, interconnected account of image creation over the past 150 years. The contributors, who represent a range of disciplines and specialties, reveal the distortions and fabrications white culture has imposed on significant historical and current events, as represented by treasured artifacts such as photographic images taken of Sitting Bull following his surrender, the national monument at the battlefield of Little Bighorn, nineteenth-century advertising, the television phenomenon Northern Exposure, and the film Dances with Wolves. Well illustrated, this volume demonstrates the complacency of white culture in its representation of its troubled relationship with American Indians.
Florida's history--the longest and among the most colorful of any state--has been voluminously recorded in books, monographs, newspaper accounts, diaries and journals, memoirs, and letters. Regional libraries and archives are filled with accounts of Indian life, Spanish and British settlement, and Florida's growth and development as a state. This bibliographic study is the first to bring together these materials, providing assessments of the available resources as well as discussions of specific archives and collections. The first section of the Guide consists of fifteen historiographical essays on major works and scholarly interpretions for each period of Florida's history and for major topics. The section surveys libraries and archives that contain important collections in Florida history. Essays have been contributed by thirty of Florida's best-known historians, archivists, librarians, and other scholars. A valuable resource for researchers, students, genealogists, and the interested public, this book is an appropriate selection for reference collections in American, regional, or Florida history.