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An innovative overview of the influence of the Apocalypse on the shaping of the Christian culture of the Middle Ages.
Gender, Piety, and Production in Fourteenth-Century English Apocalypse Manuscripts is the first in-depth study of three textually and iconographically diverse Apocalypses illustrated in England in the first half of the fourteenth century by a single group of artists. It offers a close look at a group of illuminators previously on the fringe of art historical scholarship, challenging the commonly-held perception of them as mere craftsmen at a time when both audiences and methods of production were becoming increasingly varied. Analyzing the manuscripts? codicological features, visual and textual programmes, and social contexts, it explores the mechanisms of a fourteenth-century commercial workshop and traces the customization of these books of the same genre to the needs and expectations of varied readers, revealing the crucial influence of their female audience. The book will be of interest to scholars and students of English medieval art, medieval manuscripts, and the medieval Apocalypse, as well as medievalists interested in late medieval spirituality and theology, medieval religious and intellectual culture, book patronage and ownership, and female patronage and ownership.
The Book of Revelation has fired the imaginations of theologians, preachers, artists, and ordinary Christians across the centuries. The resulting number of commentaries on the book is enormous, and most studies can only touch upon, at most, a representative sample of this vast literature. As a consequence, many focus largely on the interpretation of the Apocalypse only within specific periods, such as the patristic period or during the Reformation. One result of this severe limitation given the vast literary corpus is how historical interpretations in critical commentaries of the Book of Revelations tend to prioritize authors from the modern period. In The Book of Revelation and Its Interpreters: Short Studies and an Annotated Bibliography, editors Richard Tresley and Ian Boxall fill a significant gap in the scholarly literature. At its heart is an extensive annotated bibliography, covering commentaries on the book up to 1700, including most of the early illuminated Apocalypses. Supporting the presentation of this survey of the historical interpretations of the Book of Revelation is an extended overview of Revelation’s often-colorful reception history by Christopher Rowland, together with a number of short studies on various aspects of the book. These include discussions of specific commentators, such as Sean Michael Ryan’s look at Tyconius and Francis X. Gumerlock exploration of Chromatius of Aquileia, alongside a more general treatment of Revelation’s impact on the figure of John of Patmos in an essay by Ian Boxall and the visual reception of Revelation in Natasha O’Hear’s article. The Book of Revelation and Its Interpreters provides a valuable bibliographical resource for those working in the field of Biblical Studies, history of Christianity, eschatology and apocalyptic studies. The accompanying essays orient the authors recorded in the bibliography within a larger context, offering specific examples of the Apocalypse’s capacity to speak in fresh and often surprising ways to diverse audiences throughout history.
Accompanying CD-ROM includes the texts, glosses and translations or versions.
The Wycliffite Bible: Origin, History and Interpretation brings together contributions by leading scholars on different aspects of the first complete translation of the Bible into English, produced at the end of the 14th century by the followers of the Oxford theologian John Wyclif. Though learned and accurate, the translation was condemned and banned within twenty-five years of its appearance. In spite of this it became the most widely disseminated medieval English work that profoundly influenced the development of vernacular theology, religious writing, contemporary and later literature, and the English language. Its comprehensive study is long overdue and the current collection offers new perspectives and research on this, the most learned and widely evidenced of the European translations of the Vulgate. Contributors are Jeremy Catto , Lynda Dennison, Kantik Ghosh, Ralph Hanna, Anne Hudson, Maureen Jurkowski, Michael Kuczynski, Ian Christopher Levy, James Morey, Nigel Morgan, Stephen Morrison, Mark Rankin, Delbert Russell, Michael Sargent, Jakub Sichalek, Elizabeth Solopova, and Annie Sutherland .
"A study of the representations of St. Michael in the liturgy, literature, and iconography of the period"--Provided by publisher.
Betrifft die Handschriften Codd. 58 (S. 188, 281), A 280 (S. 188), 307 (S. 183), 354 (S. 123-124) und 389 (S. 75) der Burgerbibliothek Bern.
This volume examines the development and use of the Bible from late Antiquity to the Reformation, tracing both its geographical and its intellectual journeys from its homelands throughout the Middle East and Mediterranean and into northern Europe. Richard Marsden and E. Ann Matter's volume provides a balanced treatment of eastern and western biblical traditions, highlighting processes of transmission and modes of exegesis among Roman and Orthodox Christians, Jews and Muslims and illuminating the role of the Bible in medieval inter-religious dialogue. Translations into Ethiopic, Slavic, Armenian and Georgian vernaculars, as well as Romance and Germanic, are treated in detail, along with the theme of allegorized spirituality and established forms of glossing. The chapters take the study of Bible history beyond the cloisters of medieval monasteries and ecclesiastical schools to consider the influence of biblical texts on vernacular poetry, prose, drama, law and the visual arts of East and West.