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Some authors just write horror! Andrew M Stevens redifined it in his new novel:Home is Where the Hell is!In it, he gives you four unrelentingly terrifying tales: In "The Root of All Evil", he gives you a strong moral fable about not taking something that doesn't belong to you, In "Home Invasion" A yuppie and his family are terrorized by punks, in"The Landlady," that sweet little landlady isn't who she appears to be, and finally, in "Cruel and Unusual Punishment" a young woman picks the wrong man to marry!
Color woodcut printmaking was not new to Britain, America, or Japan in the late eighteenth century. Yet after Japan was opened to the West in 1854 and deeper cultural exchange began, Japanese prints captured the European and American imagination. The fresh colors, simplicity of materials, and departure from traditional compositions entranced western artists and the public alike. Likewise, Japanese audiences and artists were intrigued by the styles and techniques of western art, which was broadly available in Japan by the end of the nineteenth century. Artists there created images of the strange foreigners and imagined what American cities looked like. By the beginning of the twentieth century, artists were not content to merely imagine what the other side of the world looked like. As prints traveled around the globe for study so did artists, and with them spread the tricks and techniques of color woodblock printmaking as well as appreciation for the prints. Woodblock printmakers in the West started to investigate Japanese processes, and Japanese publishers began to seriously seek out the print market outside of Japan. Important themes began to emerge; scenes of nature and old-fashioned architecture outnumbered modern city views, and images of animals were nearly as popular as those of human figures. Imagery was often idyllic and beautiful, attractive to an international audience. Twentieth-century art, however, moves at a furious pace, and the ferment of the international woodcut style quickly ran its course. Artists appropriated what they needed from the color woodcut, then developed techniques, subjects, and styles in their own ways. An ever-expanding range of prints became indebted to the artists of the previous generation who had reinvigorated woodblock printmaking styles and practices around the world. This full-color catalogue includes many prints from this colorful exhibition and shows how the progression of styles became more similar as international artists learned from and competed with each other, then stylistically diverged as artists of each country took what they learned in new directions. The three essays each focus on the influences and contributions made to the international style by three countries: Japan, Britain, and America.
One of the most controversial figures in nineteenth-century American history, Thaddeus Stevens is best remembered for his role as congressional leader of the radical Republicans and as a chief architect of Reconstruction. Long painted by historians as a vindictive 'dictator of Congress,' out to punish the South at the behest of big business and his own ego, Stevens receives a more balanced treatment in Hans L. Trefousse's biography, which portrays him as an impassioned orator and a leader in the struggle against slavery. Trefousse traces Stevens's career through its major phases: from his days in the Pennsylvania state legislature, when he antagonized Freemasons, slaveholders, and Jacksonian Democrats, to his political involvement during Reconstruction, when he helped author the Fourteenth Amendment and spurred on the passage of the Reconstruction Acts and the impeachment of Andrew Johnson. Throughout, Trefousse explores the motivations for Stevens's lifelong commitment to racial equality, thus furnishing a fuller portrait of the man whose fervent opposition to slavery helped move his more moderate congressional colleagues toward the implementation of egalitarian policies.
"This anthology presents 30 comics by contemporary artists, inspired by Winsor McCay's legendary newspaper strip "Little Nemo in Slumberland""--
Second Edition of a Shingo Prize Winner Based on the author's personal experience with Toyota‘s master teachers and with companies in the midst of great change, Andy and Me: Crisis and Transformation on the Lean Journey, now in its second edition, is a business novel set in a failing New Jersey auto plant focusing on the tribulations of Tom Pappas,
Featuring rumpled PIs, shyster lawyers, corrupt politicians, double-crossers, femmes fatales, and, of course, losers who find themselves down on their luck yet again, film noir is a perennially popular cinematic genre. This extensive encyclopedia describes movies from noir's earliest days – and even before, looking at some of noir's ancestors in US and European cinema – as well as noir's more recent offshoots, from neonoirs to erotic thrillers. Entries are arranged alphabetically, covering movies from all over the world – from every continent save Antarctica – with briefer details provided for several hundred additional movies within those entries. A copious appendix contains filmographies of prominent directors, actors, and writers. With coverage of blockbusters and program fillers from Going Straight (US 1916) to Broken City (US 2013) via Nora Inu (Japan 1949), O Anthropos tou Trainou (Greece 1958), El Less Wal Kilab (Egypt 1962), Reportaje a la Muerte (Peru 1993), Zift (Bulgaria 2008), and thousands more, A Comprehensive Encyclopedia of Film Noir is an engrossing and essential reference work that should be on the shelves of every cinephile.
Three alien Dupes are captured by the police. When the Feds are brought on to the case, they wonder why "Tess," "Michael," and Isabel" have changed so much since their last encounter.
In New York Times bestselling author Linda Castillo’s next thriller Fallen, a rebellious Amish woman leaves the Plain life, but the secrets she takes with her will lead Chief of Police Kate Burkholder down a dark path to danger and death. When a young woman is found murdered in a Painters Mill motel, Chief of Police Kate Burkholder is shocked to discover she once knew the victim. Rachael Schwartz was a charming but troubled Amish girl who left the fold years ago and fled Painters Mill. Why was she back in town? And who would kill her so brutally? Kate remembers Rachael as the only girl who was as bad at being Amish as Kate was—and those parallels dog her. But the more Kate learns about Rachael's life, the more she's convinced that her dubious reputation was deserved. As a child, Rachael was a rowdy rulebreaker whose decision to leave devastated her parents and best friend. As an adult, she was charismatic and beautiful, a rabble-rouser with a keen eye for opportunity no matter who got in her way. Her no-holds-barred lifestyle earned her a lot of love and enemies aplenty—both English and Amish. As the case heats to a fever pitch and long-buried secrets resurface, a killer haunts Painters Mill. Someone doesn’t want Rachael’s past—or the mysteries she took with her to the grave—coming to light. As Kate digs deeper, violence strikes again, this time hitting close to home. Will Kate uncover the truth and bring a murderer to justice? Or will a killer bent on protecting a terrible past stop her once and for all—and let the fallen be forgotten?
This book teaches readers how global trends define the marketplace for saleable screenplays in key international territories as well as the domestic market. Veteran writer, producer, and director Andrew Stevens gives you the insider edge you need to write for the global marketplace, sharing his decades of experience producing and financing everything from micro-budget independent films to major studio releases. In leveraging Stevens’ comprehensive experience, you will learn how to determine specific subject matter, genre, and story elements to make the most of international sales trends, and harness the power of these insider strategies to craft a screenplay that is poised to sell.