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Selections from William Butler Yeats' poetry revealing an autobiographical account of his sudden heart problem and severe depression. Both my father and I loved poetry; we quoted it to each other all the time.He had racks of it on his bookshelves and delighted in showing me the beauty and honesty of the mere arrangement of words. When I began to systematically read the later poetry of William Butler Yeats I was looking for the story of his extra-marital lover, a young Catholic woman who gave birth to his first beloved son. But she was murdered and he had to abandon his son. I found everything I was looking for right here in the poetry.
William Butler Yeats had an extra-marital lover, Lily O'Neill or Honor Bright, from 1918 to 1925. Garda Superintendent Leopold Dillon murdered her on orders from Kevin O'Higgins, Minister of Justice of the Irish Free State. George, Senator Yeats's wife, reported falsely that Lily was a Republican spy. O'Higgins wanted to restore credence in the Free State, which would otherwise have been reclaimed by the British due to maladministration. Afterwards a bogus trial was concocted outside the court circuit by Chief Superintendent David Neligan, at which Lily was reinvented as a prostitute to conceal Yeats's affair and son, and hide the involvement of Free State officials. On the strength of false evidence the jury unanimously acquitted the assassin after three minutes deliberation.
"The Wanderings of Oisin" is a narrative poem by W. B. Yeats that delves into themes of aging, nostalgia, and the passage of time. Drawing from Irish mythology and legend, the poem follows the ancient hero Oisin, who returns to Ireland after spending three centuries in the mythical land of Tír na nÓg with the fairy princess Niamh. As Oisin recounts his adventures and reflects on the changes that have occurred in his absence, he grapples with a sense of displacement and loss in a world vastly different from the one he knew. Through vivid descriptions and lyrical language, Yeats evokes a sense of longing for a glorious past while also exploring the inevitable dissonance between memory and reality. The poem captures the tension between the desire for eternal youth and the reality of mortality, as Oisin comes to terms with the transient nature of life and the inevitability of change. "The Wanderings of Oisin" stands as a poignant meditation on the passage of time, the complexities of memory, and the enduring power of myth and storytelling.
"The Dreaming of the Bones" was first published in 1919 and performed in 1931, it was one of the plays that comprised Yeats' "Four Plays for Dancers." Written in the Japanese Noh tradition, performed with masks, the play reflects on a belief that the dead may dream back.
First published in 1928, The Tower was Yeats’s first collection published after receiving the Nobel Prize in 1923, and it is perhaps the major work that most cemented his reputation as one of the foremost literary figures of the twentieth century. The titular poem, ‘The Tower’, refers to Thoor Ballylee Castle, a Norman tower that Yeats purchased in 1917, and which formed the basis of the original cover design – evoked in the cover of this edition. The collection also includes some of his most inventive and profound work, and develops deep themes regarding life, love and myth. With explanatory notes, this edition seeks to bring the collection to a greater readership and to offer a more profound understanding of the great poet’s work.
W.B. Yeats and the Muses explores how nine fascinating women inspired much of W.B. Yeats's poetry. These women are particularly important because Yeats perceived them in terms of beliefs about poetic inspiration akin to the Greek notion that a great poet is inspired and possessed by the feminine voices of the Muses. Influenced by the Pre-Raphaelite idea of woman as 'romantic and mysterious, still the priestess of her shrine', Yeats found his Muses in living women. His extraordinarily long and fruitful poetic career was fuelled by passionate relationships with women to and about whom he wrote some of his most compelling poetry. The book summarizes the different Muse traditions that were congenial to Yeats and shows how his perception of these women as Muses underlies his poetry. Newly available letters and manuscripts are used to explore the creative process and interpret the poems. Because Yeats believed that lyric poetry 'is no rootless flower, but the speech of a man,' exploring the relationship between poem and Muse brings new coherence to the poetry, illuminates the process of its creation, and unlocks the 'second beauty' to which Yeats referred when he claimed that 'works of lyric genius, when the circumstances of their origin is known, gain a second a beauty, passing as it were out of literature and becoming life.' As life emerges from the literature, the Muses are shown to be vibrant, multi-faceted personalities who shatter the idea of the Muse as a passive stereotype and take their proper place as begetters of timeless poetry.
'But I, being poor, have only my dreams; / I have spread my dreams under your feet...' By turns joyful and despairing, some of the twentieth century's greatest verse on fleeting youth, fervent hopes and futile sacrifice.