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Reprint of the original, first published in 1875.
Considers the problem of stylistic change in art, arguing that art is not reducible to external political, social, or economic determinants
"The text is at once a meditation on theories of form and an essay on the painter Gerhard Richter as a philosophical pragmatist. Richter serves as the inspiration for a broader argument about the nature of "art" itself and for what Klinger professes to be a fresh approach to contemporary art more generally. He (1) addresses the widely conceded exhaustion of the modernist-postmodernist paradigm that has been used to negotiate the "essence of art" for decades and (2) offers what he says is a solution to the resulting gap that leaves us unclear on how to make art and talk about it. He draws on Kuhn's definition that a paradigm consists of the pre-theoretical framework of any practice: While rules and principles, where they exist, grow out of the paradigm, the paradigm can guarantee the functioning of a practice in the absence of rules. He sees Richter as relevant because the painter has never accepted the modern, neo-avant-garde, or postmodern movements as paradigms for his production. Klinger maintains that the goal of Richter's artistic program is "to replace traditional essentialist models of artistic form by a pragmatic model" of respecting the properties of actual physical substances at hand, such as paint, and making art in terms of process rather than with a prescribed end. This way, the modernist-postmodernist paradigm is neither affirmed nor perpetuated in the mode of its reversal, critique or deconstruction, but replaced by something else that forms an effective reaction to the situation without directly deriving from it"--
What is life? What is water? What is sound? In Sounding the Limits of Life, anthropologist Stefan Helmreich investigates how contemporary scientists—biologists, oceanographers, and audio engineers—are redefining these crucial concepts. Life, water, and sound are phenomena at once empirical and abstract, material and formal, scientific and social. In the age of synthetic biology, rising sea levels, and new technologies of listening, these phenomena stretch toward their conceptual snapping points, breaching the boundaries between the natural, cultural, and virtual. Through examinations of the computational life sciences, marine biology, astrobiology, acoustics, and more, Helmreich follows scientists to the limits of these categories. Along the way, he offers critical accounts of such other-than-human entities as digital life forms, microbes, coral reefs, whales, seawater, extraterrestrials, tsunamis, seashells, and bionic cochlea. He develops a new notion of "sounding"—as investigating, fathoming, listening—to describe the form of inquiry appropriate for tracking meanings and practices of the biological, aquatic, and sonic in a time of global change and climate crisis. Sounding the Limits of Life shows that life, water, and sound no longer mean what they once did, and that what count as their essential natures are under dynamic revision.
Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics
"Publications of the Academy of Natural Sciences of Philadelphia": v. 53, 1901, p. 788-794.
This volume contains a translation of four early manuscripts by Alfred Schutz, unpublished at the time, written between 1924 and 1928. The publication of these four essays adds much to our knowledge and appreciation of the wide range of Schutz’s phenomenological and sociological interests. Originally published in 1987. The essays consist of: a challenging presentation of a phenomenology of cognition and a treatment of Bergson’s conceptions of images, duration, space time and memory; a discussion of the meanings connected with the grammatical forms of language in general; a consideration of the relation between meaning-contents and literary forms in poetry, literary prose narration and dramatic presentation; and an examination of resemblances and differences in the inner forms and characteristics of the major theatrical art forms.
Native American Studies: History Books, Mythology, Culture & Linguistic Studies is an ambitious anthology that encapsulates the rich tapestry of Native American life, encapsulating its mythology, linguistic diversity, cultural practices, and historical narratives. This collection is characterized by its variety of literary styles, ranging from firsthand accounts and scholarly studies to comprehensive historical analyses and mythological explorations. The assortment of works within this anthology not only highlights the breadth and depth of Native American history and culture but also underscores the significance of these narratives in the broader context of American history. Significant for its diversity and scholarly merit, this anthology serves as a testament to the complex legacy of Native American communities and their enduring influence on the fabric of American society. The contributing authors and editors, including pivotal figures such as Lewis Spence, Cyrus Thomas, and Franz Boas, bring a wealth of knowledge and expertise to the exploration of these themes. Their collective backgrounds, spanning anthropology, linguistics, history, and ethnography, align with various cultural and literary movements that have sought to preserve and understand Native American heritage. The anthology provides a platform for these diverse voices, each contributing to a more nuanced and comprehensive understanding of Native American societies and their legacy. Their works collectively navigate the intersections of cultural identity, historical continuity, and the dynamic changes faced by Native American communities through time. This collection offers readers a unique opportunity to delve into the complexities of Native American history, mythology, culture, and linguistics through a curated selection of influential works. It is an invaluable resource for scholars, students, and anyone interested in understanding the multifaceted narrative of Native American communities. By engaging with these texts, readers are invited to explore a vast array of perspectives and themes, fostering a deeper appreciation for the richness of Native American traditions and the significance of their continued study. The anthology beckons readers to embark on a scholarly journey that bridges the past with the present, contributing to a greater appreciation and understanding of America's indigenous heritage.