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In 1962, Irene Aylworth Douglass's husband burst in the door with incredible news. His company had won a bid to build Mangla Dam … in West Pakistan! This would be the world's largest compacted earth dam, in a remote location far from the source of supply. With images of exotic locales and visions of travel in her head, Irene welcomed the opportunity to embark on an adventure. Nothing could have prepared her for the reality of life in Pakistan. Most of the women covered themselves with burqas and did not appear in public. Male superiority and male dominance were so ingrained that Irene couldn't discipline her two-year-old son without repercussions. Children begged in the street while those who needed a servant class to maintain their lifestyle opposed universal education. And yet, despite the clash of cultures, Irene was overwhelmed by the warmth, friendship, and hospitality of the individuals she and her family encountered. An American Woman in Pakistan: Memories of Mangla Dam is a fascinating account that takes us behind the veil of an enigmatic, complex society.
A young American woman travels to Pakistan and interviews Muslim women to discover their hopes and dreams.
The only English-language anthology by Pakistani women published in the United States, And the World Changed goes beyond the sensational headlines to reveal the stories of Pakistani women. Immigrants and refugees, travelers and explorers, seasoned authors and fresh voices, the twenty-five writers in this volume are as dynamic and diverse as their stories. Sixty years have passed since the Partition of India, and it’s clear that Pakistani writers have established their own literary tradition to record the stories of their communities. Famed novelist Bapsi Sidhwa portrays a Pakistani community in Houston, Texas, still struggling to heal from the horrors of Partition. In Uzma Aslam Khan’s tale, a man working in a Karachi auto body shop falls in love with the magical woman painted on a bus cabin. Bushra Rehman introduces us to a Pakistani girl living in Corona, Queens, who becomes painfully aware of the tensions between established Italian immigrants and their new Pakistani neighbors. And during the anti-Muslim sentiment following 9/11, a young woman in newcomer Humera Afridi’s story searches Manhattan’s rubble-filled streets for a mosque. Filled with nostalgic memories of Pakistan, critical commentary about the world’s current political climate, and inspirational hope for the future, the stories in And the World Changed weave an intricate, enlightening view of Pakistan, its relation to the West, and the women who travel between the two regions. Featuring: Talat Abbasi, Humera Afridi, Aamina Ahmad, Rukhsana Ahmad, Feryal Ali Gauhar, Sara Suleri Goodyear, Shahrukh Husain, Sabyn Javeri Jillani, Sonia Kamal, Fawzia Afzal Khan, Sorayya Khan, Uzma Aslam Khan, Maniza Naqvi, Tahira Naqvi, Nayyara Rahman, Hima Raza, Bushra Rehman, Fahmida Riaz, Roshni Rustomji, Sehba Sarwar, Bina Shah, Qaisra Shahraz, Kamila Shamsie, Muneeza Shamsie, and Bapsi Sidwa.
A memoir of Karachi through the eyes of its women An Indies Introduce Debut Authors Selection For a brief moment on December 27, 2007, life came to a standstill in Pakistan. Benazir Bhutto, the country’s former prime minister and the first woman ever to lead a Muslim country, had been assassinated at a political rally just outside Islamabad. Back in Karachi—Bhutto’s birthplace and Pakistan’s other great metropolis—Rafia Zakaria’s family was suffering through a crisis of its own: her Uncle Sohail, the man who had brought shame upon the family, was near death. In that moment these twin catastrophes—one political and public, the other secret and intensely personal—briefly converged. Zakaria uses that moment to begin her intimate exploration of the country of her birth. Her Muslim-Indian family immigrated to Pakistan from Bombay in 1962, escaping the precarious state in which the Muslim population in India found itself following the Partition. For them, Pakistan represented enormous promise. And for some time, Zakaria’s family prospered and the city prospered. But in the 1980s, Pakistan’s military dictators began an Islamization campaign designed to legitimate their rule—a campaign that particularly affected women’s freedom and safety. The political became personal when her aunt Amina’s husband, Sohail, did the unthinkable and took a second wife, a humiliating and painful betrayal of kin and custom that shook the foundation of Zakaria’s family but was permitted under the country’s new laws. The young Rafia grows up in the shadow of Amina’s shame and fury, while the world outside her home turns ever more chaotic and violent as the opportunities available to post-Partition immigrants are dramatically curtailed and terrorism sows its seeds in Karachi. Telling the parallel stories of Amina’s polygamous marriage and Pakistan’s hopes and betrayals, The Upstairs Wife is an intimate exploration of the disjunction between exalted dreams and complicated realities.
A MEMOIR BY THE YOUNGEST RECIPIENT OF THE NOBEL PEACE PRIZE As seen on Netflix with David Letterman "I come from a country that was created at midnight. When I almost died it was just after midday." When the Taliban took control of the Swat Valley in Pakistan, one girl spoke out. Malala Yousafzai refused to be silenced and fought for her right to an education. On Tuesday, October 9, 2012, when she was fifteen, she almost paid the ultimate price. She was shot in the head at point-blank range while riding the bus home from school, and few expected her to survive. Instead, Malala's miraculous recovery has taken her on an extraordinary journey from a remote valley in northern Pakistan to the halls of the United Nations in New York. At sixteen, she became a global symbol of peaceful protest and the youngest nominee ever for the Nobel Peace Prize. I AM MALALA is the remarkable tale of a family uprooted by global terrorism, of the fight for girls' education, of a father who, himself a school owner, championed and encouraged his daughter to write and attend school, and of brave parents who have a fierce love for their daughter in a society that prizes sons. I AM MALALA will make you believe in the power of one person's voice to inspire change in the world.
This book explores the post-9/11 relations between the US and Pakistan. The growing divergence between Washington and Islamabad has taken an already uneasy alliance to a point of estrangement. Yet, a complete breakup is not an option. The underlying cause of the tension, within the partnership the two had entered on 13 September 2001, has never been fully understood. What is rarely discussed is how Pakistan's decision to ally itself with the US pushed the country into a war with itself; the cost of Pakistan's tight roping between alignment with the US and old links with the Afghan Taliban; and its long-term implications for the region and global security. This book elucidates implications for Afghanistan in the so-called war on terror while revealing US and Pakistan's foreign policy initiatives. The author explores all this through little known facts and through the players involved in this cloak and dagger game. The book tells the story behind the headlines: how equivocal is ISI's break with the Afghan Taliban fighting the coalition forces in Afghanistan; the shootout in Lahore involving a CIA agent; and the killing of Osama bin Laden.
Winner of the National Book Critics Circle Award for Nonfiction • Nominated for the National Book Award for Nonfiction From the Pulitzer Prize-winning author of Ghost Wars and The Achilles Trap, the epic and enthralling story of America's intelligence, military, and diplomatic efforts to defeat Al Qaeda and the Taliban in Afghanistan and Pakistan since 9/11 Prior to 9/11, the United States had been carrying out small-scale covert operations in Afghanistan, ostensibly in cooperation, although often in direct opposition, with I.S.I., the Pakistani intelligence agency. While the US was trying to quell extremists, a highly secretive and compartmentalized wing of I.S.I., known as "Directorate S," was covertly training, arming, and seeking to legitimize the Taliban, in order to enlarge Pakistan's sphere of influence. After 9/11, when fifty-nine countries, led by the U. S., deployed troops or provided aid to Afghanistan in an effort to flush out the Taliban and Al Qaeda, the U.S. was set on an invisible slow-motion collision course with Pakistan. Today we know that the war in Afghanistan would falter badly because of military hubris at the highest levels of the Pentagon, the drain on resources and provocation in the Muslim world caused by the U.S.-led invasion of Iraq, and corruption. But more than anything, as Coll makes painfully clear, the war in Afghanistan was doomed because of the failure of the United States to apprehend the motivations and intentions of I.S.I.'s "Directorate S". This was a swirling and shadowy struggle of historic proportions, which endured over a decade and across both the Bush and Obama administrations, involving multiple secret intelligence agencies, a litany of incongruous strategies and tactics, and dozens of players, including some of the most prominent military and political figures. A sprawling American tragedy, the war was an open clash of arms but also a covert melee of ideas, secrets, and subterranean violence. Coll excavates this grand battle, which took place away from the gaze of the American public. With unsurpassed expertise, original research, and attention to detail, he brings to life a narrative at once vast and intricate, local and global, propulsive and painstaking. This is the definitive explanation of how America came to be so badly ensnared in an elaborate, factional, and seemingly interminable conflict in South Asia. Nothing less than a forensic examination of the personal and political forces that shape world history, Directorate S is a complete masterpiece of both investigative and narrative journalism.
This book tells the story of the tragic and often tormented relationship between the United States and Pakistan. Pakistan's internal troubles have already threatened U.S. security and international peace, and Pakistan's rapidly growing population, nuclear arsenal, and relationships with China and India will continue to force it upon America's geostrategic map in new and important ways over the coming decades. This book explores the main trends in Pakistani society that will help determine its future; traces the wellsprings of Pakistani anti-American sentiment through the history of U.S.-Pakistan relations from 1947 to 2001; assesses how Washington made and implemented policies regarding Pakistan since the terrorist attacks on the United States on September 11, 2001; and analyzes how regional dynamics, especially the rise of China, will likely shape U.S.-Pakistan relations. It concludes with three options for future U.S. strategy, described as defensive insulation, military-first cooperation, and comprehensive cooperation. The book explains how Washington can prepare for the worst, aim for the best, and avoid past mistakes.
A NEW YORK TIMES NOTABLE BOOK OF 2020 "An exemplary work of investigative journalism." —Parul Sehgal, The New York Times The murder of a Pakistani social media star exposes a culture divided between accelerating modernity and imposed traditional values—and the tragedy of those caught in the middle. In 2016, Pakistan’s first social media celebrity, Qandeel Baloch, was murdered in a suspected honor killing. Her death quickly became a media sensation. It was both devastatingly routine and breathtakingly brutal, and in a new media landscape, it couldn’t be ignored. Qandeel had courted attention and outrage with a talent for self-promotion that earned her comparisons to Kim Kardashian—and made her the constant victim of harassment and death threats. Social media and reality television exist uneasily alongside honor killings and forced marriages in a rapidly, if unevenly, modernizing Pakistan, and Qandeel Baloch’s story became emblematic of the cultural divide. In this definitive and up-to-date account, Sanam Maher reconstructs the story of Qandeel’s life and explores the depth and range of her legacy from her impoverished hometown rankled by her infamy, to the aspiring fashion models who follow her footsteps, to the Internet activists resisting the same vicious online misogyny she faced. Maher depicts a society at a crossroads, where women serve as an easy scapegoat for its anxieties and dislocations, and teases apart the intrigue and myth-making of the Qandeel Baloch story to restore the humanity of the woman at its center.
The ten stories in We Are Not in Pakistan illuminate a paradox: love and fear draw us together, yet drive us to extremes of separation. Sixteen-year-old Kathleen believes her family would be normal if not for her Pakistani grandmother. Olena, a Ukrainian woman living in Moscow, discovers that her husband's new posting will draw her dangerously close to her disapproving mother-in-law. Fletcher, a Lhasa Apso, finds himself in the middle of a game between his mistress and her commitment-phobic boyfriend. Tania tries to transform herself from an exotic dancer into the wife her doctor husband wants. Opposites clash and realign until the very last story, when Dr. Karanbir Singh receives an e-mail from a young woman who professes to be the child of his 1980s green-card marriage. Eliciting amusement, curiosity, and wonder mingled with sadness for a post-9/11 world, Shauna Singh Baldwin lures us toward the displaced men, women, and other animals who populate these stories. Along the way, she explores our complex human responses to technology, art, and, most of all, our fellow humans.