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‘I am one of the cracked people of the world,’ Barbara Leigh Smith Bodichon wrote of herself, ‘and I like to herd with the cracked ... queer Americans, democrats, socialists, artists, poor devils or angels; and am never happy in an English genteel family life. I try to do it like other people, but I long always to be off on some wild adventure.’ Reformer, feminist, free-thinker, later to endow the founding of Girton College, Barbara Bodichon went to the United States on a marriage journey. First published in 1972, her journal of that trip, published in its original form for the first time, contains timely observation and incisive criticism of the American South before the Civil War, and gives a vivid portrait of a lively woman of her times, the friend of George Eliot and other leading figures of her age. This edition includes a fascinating introduction about the English visitor in the United States, from Dickens to Trollope. There is also a biographical study of Barbara Bodichon herself, giving an account of her life and of the causes, notably Women’s Rights, to which she devoted her time and energy.
First Published in 1997. This book is intended as a resource for anyone interested in the artistic contributions and activities of women in nineteenth-century Britain. It is an index as well as an annotated bibliography and provides sources for information about women well known in their own time and about women who were little known then and are forgotten now
With cheaper publishing costs and the explosion of periodical publishing, the influence of New World travel narratives was greater during the nineteenth century than ever before, as they offered an understanding not only of America through British eyes, but also a lens though which nineteenth-century Britain could view itself. Despite the differences in purpose and method, the writers and artists discussed in Nineteenth-Century British Travelers in the New World-from Fanny Wright arriving in America in 1818 to the return of Henry James in 1904, and including Charles Dickens, Frances Trollope, Isabella Bird, Fanny Kemble, Harriet Martineau, and Robert Louis Stevenson among others, as well as artists such as Eyre Crowe-all contributed to the continued building of America as a construct for audiences at home. These travelers' stories and images thus presented an idea of America over which Britons could crow about their own supposed sophistication, and a democratic model through which to posit their own future, all of which suggests the importance of transatlantic travel writing and the ’idea of America’ to nineteenth-century Britain.
What is black music? For some it is a unique expression of the African-American experience, its soulful vocals and stirring rhythms forged in the fires of black resistance in response to centuries of oppression. But as Ronald Radano argues in this bracing work, the whole idea of black music has a much longer and more complicated history-one that speaks as much of musical and racial integration as it does of separation.
The author looks to the origins of equality in Greek thought and the idea's important in the eighteenth century to understand the tenacious attraction it has had for American over more than two hundred years of political, legal, and social controversy.
Lines in the Sandis Timothy Lockley’s nuanced look at the interaction between nonslaveholding whites and African Americans in lowcountry Georgia from the introduction of slavery in the state to the beginning of the Civil War. The study focuses on poor whites living in a society where they were dominated politically and economically by a planter elite and outnumbered by slaves. Lockley argues that the division between nonslaveholding whites and African Americans was not fixed or insurmountable. Pulling evidence from travel accounts, slave narratives, newspapers, and court documents, he reveals that these groups formed myriad kinds of relationships, sometimes out of mutual affection, sometimes for mutual advantage, but always in spite of the disapproving authority of the planter class. Lockley has synthesized an impressive amount of material to create a rich social history that illuminates the lives of both blacks and whites. His abundant detail and clear narrative style make this first book-length examination of a complicated and overlooked topic both fascinating and accessible.
Two massive systems of unfree labor arose, a world apart from each other, in the late sixteenth and early seventeenth centuries. The American enslavement of blacks and the Russian subjection of serfs flourished in different ways and varying degrees until they were legally abolished in the mid-nineteenth century. Historian Peter Kolchin compares and contrasts the two systems over time in this magisterial book, which clarifies the organization, structure, and dynamics of both social entities, highlighting their basic similarities while pointing out important differences discernible only in comparative perspective. These differences involved both the masters and the bondsmen. The independence and resident mentality of American slaveholders facilitated the emergence of a vigorous crusade to defend slavery from outside attack, whereas an absentee orientation and dependence on the central government rendered serfholders unable successfully to defend serfdom. Russian serfs, who generally lived on larger holdings than American slaves and faced less immediate interference in their everyday lives, found it easier to assert their communal autonomy but showed relatively little solidarity with peasants outside their own villages; American slaves, by contrast, were both more individualistic and more able to identify with all other blacks, both slave and free. Kolchin has discovered apparently universal features in master–bondsman relations, a central focus of his study, but he also shows their basic differences as he compares slave and serf life and chronicles patterns of resistance. If the masters had the upper hand, the slaves and serfs played major roles in shaping, and setting limits to, their own bondage. This truly unprecedented comparative work will fascinate historians, sociologists, and all social scientists, particularly those with an interest in comparative history and studies in slavery.
American slaveholders used the wealth and leisure that slave labor provided to cultivate lives of gentility and refinement. This study provides a vivid portrait of slaveholders at home and at play as they built a tragic world of both 'sweetness' and slavery.