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Through a comparative analysis of contemporary literary and visual narratives that dialogue across the Mediterranean Sea, in this dissertation I apply the category of narrative to the field of Mediterranean Studies. Working across different genres, different media, and different languages, I explore the possible configuration of a Mediterranean narrative that would take into account the multiple articulations of a real and imaginary Mediterranean space. I focus on alternative narratives of migration, of the interconnection between land and sea, and of the desert, through a comparative reading of Italian literary works by Paolo Rumiz and Lina Prosa, Libyan novels by Ibrahim Al-Koni and Razan Moghrabi, video installations by the French-Algerian artist Zineb Sedira, and a short story by the Lebanese writer Emily Nasrallah. How can these narratives of and in the Mediterranean help us understand the ways in which the contemporary Mediterranean is experienced, and the role it might have to play within the current dynamics of globalization? In this dissertation, I argue that the two dimensions of living and narrating the Mediterranean cannot be separated, but that they are, rather, intimately interconnected. I show that Mediterranean narratives can provide alternative ways of thinking, conceptualizing, and ultimately experiencing the Mediterranean, both within its permeable and porous boundaries and beyond that, in the space of the global world. The narratives I put in dialogue with each other counteract a mainstream narrative of the Mediterranean as backward and immobile, when compared to Northern Europe, and as a conflict zone and a barrier, which separates Europe from the threatening Arab world. Thus, these narratives all respond to Iain Chamber’s call for “dissonant” narratives, whose “disturbing” voices are able to create the Mediterranean as a postcolonial space of agency and resistance, where alternative modernities can also be imagined. The Mediterranean that ultimately emerges from the interaction of its narrative voices is a dialogic space of differences that, while retaining their own specificities, “encounter” each other without necessarily melding. In the dichotomy that globalization proclaims between assimilation and proliferation of difference, alternative Mediterranean narratives occupy, and create, an in-between space, suspended in its unresolved, and potential, condition of liminality.
Narratives of Mediterranean Space: Literature and Art across Land and Sea presents a comparative analysis of contemporary literary and visual narratives of movement and migration produced in Italian, Arabic and French. It analyzes how these works create a dialogue across the Mediterranean Sea. By paying attention to the multiple ways in which the Mediterranean is being narrated by contemporary writers and artists, Silvia Caserta aims to propose a reconceptualization of the Mediterranean as a polyphonic space of movement and resistance. The Mediterranean space that emerges from this study is a space that, by virtue of the instability and porosity of its geographical and cultural borders, is able to overcome normative dichotomies between north and south, east and west, local and global. This book proposes the Mediterranean is a fruitful area from which to investigate the wider contradictions of the contemporary global world while avoiding the traps of “Mediterraneanism”. For this reason, the book highlights the contradictions and dissonances that emerge from reading Mediterranean works, opening up multiple perspectives on the Sea and on the different lands that surround it.
Reconsidering the Mediterranean, appreciating and demarginalizing the peoples and cultures of this vast region, while considering the affinities and differences, is a valuable part of the process of unframing and reframing the concept of the Mediterranean. The authors of this volume follow Franco Cassano’s refusal of a sort of prêt-à-porter reality of cohabitation of cultures, introducing instead un’alternativa mediterranea, a world of multiple cultures that entails an ongoing learning and experiencing. The volume’s contributors use an interdisciplinary approach that mirrors the hybridity of the area and of the discipline, that is much more introspective and humanistic, more contemporary and inclusive.
This book rethinks the Armenian people as significant actors in the context of Mediterranean and global history. Spanning a millennium of cross-cultural interaction and exchange across the Mediterranean world, essays move between connected histories, frontier studies, comparative literature, and discussions of trauma, memory, diaspora, and visual culture. Contributors dismantle narrow, national ways of understanding Armenian literature; propose new frameworks for mapping the post-Ottoman Mediterranean world; and navigate the challenges of writing national history in a globalized age. A century after the Armenian genocide, this book reimagines the borders of the “Armenian,” pointing to a fresh vision for the field of Armenian studies that is omnivorously comparative, deeply interconnected, and rich with possibility.
Engaging with the work of Nobel Prize-winning poet Odysseus Elytis within the framework of international modernism, Marinos Pourgouris places the poet's work in the context of other modernist and surrealist writers in Europe. At the same time, Pourgouris puts forward a redefinition of European Modernism that makes the Mediterranean, and Greece in particular, the discursive contact zone and incorporates neglected elements such as national identity and geography. Beginning with an examination of Greek Modernism, Pourgouris's study places Elytis in conversation with Albert Camus; analyzes the influence of Charles Baudelaire, Gaston Bachelard, and Sigmund Freud on Elytis's theory of analogies; traces the symbol of the sun in Elytis's poetry by way of the philosophies of Heraclitus and Plotinus; examines the influence of Le Corbusier on Elytis's theory of architectural poetics; and takes up the subject of Elytis's application of his theory of Solar Metaphysics to poetic form in the context of works by Freud, C. G. Jung, and Michel Foucault. Informed by extensive research in the United States and Europe, Pourgouris's study makes a compelling contribution to the comparative study of Greek modernism, the Mediterranean, and the work of Odysseus Elytis.
This volume gathers 88 contributions related to the theme ‘Ships and Maritime Landscapes’ of the Thirteenth International Symposium on Boat and Ship Archaeology (ISBSA 13) held in Amsterdam on the 7th to 12th October 2012. The articles include both papers and poster presentations by experts in the field of nautical archaeology, history of ships and shipbuilding, and naval architecture. The contributions deal not only with the theme of maritime landscapes but also with a variety of ship related subjects, like regional watercraft, construction and typology, material applications and design, outfitting, reconstruction and current research.
The Mediterranean space, defined by a major sea, a large number of littoral countries and to some extent their hinterlands, is at the same time an interface between Europe, Africa and Asia. This brings complex challenges in terms of achieving peace and stability. Recently it has received intense international attention through the internal destructiveness and spill-over from conflicts, primarily those waged in Libya, Syria and, more remotely, Iraq. This Handbook provides an overview of the political processes that shape the Mediterranean region in the contemporary context. It explores the issues of crucial importance to Mediterranean dynamics through a series of analytical sections that guide the reader towards a comprehensive understanding of the main regional interactions and trends. The Handbook explores: the complex historical formation of the contemporary Mediterranean geopolitical perspectives issues around peace and conflict the political economy of the region the role of non-state actors and social movements societal and cultural trends. The wide range of contributions from many of the leading academic experts on the region offers not only insights into the debates and processes that structure each theme, but also key pointers for a more general understanding of how distinct political, economic, social and cultural dynamics interact across the region. It will therefore be a key resource for policy-makers and students and scholars of Mediterranean politics and international relations.
Through close readings of works from Henry James to W. E. B. Du Bois, and from Virginia Woolf to Jean Rhys, this book discusses how fictional travelers negotiate and adapt various tropes of travel (such as quest, expatriation, displacement, and exile) as models for their own journeys. Specifically, Peat considers the ethical dimensions of modernist travel from two distinct vantages. The first focuses on the relationship between the secular and the sacred in modernist travel literature, arguing that the recurrent narrative of secular travel is haunted by a desire for spiritual transcendence. The second posits modernist travel fiction as a potentially positive example of transcultural relations, consciously arguing against the received notion that travel during an imperial era is always by nature itself imperialist. Throughout, particular attention is paid to the transnational nature of modernism and the various global flows traced by modernist literature.
Citizen Media and Public Spaces presents a pioneering exploration of citizen media as a highly interdisciplinary domain that raises vital political, social and ethical issues relating to conceptions of citizenship and state boundaries, the construction of publics and social imaginaries, processes of co-optation and reverse co-optation, power and resistance, the ethics of witnessing and solidarity, and novel responses to the democratic deficit. Framed by a substantial introduction by the editors, the twelve contributions to the volume interrogate the concept of citizen media theoretically and empirically, and offer detailed case studies that extend from the UK to Russia and Bulgaria and from China to Denmark and the liminal spaces within which a growing number of refugees now live. A rich new domain of scholarship and practice emerges out of the studies presented. Citizen media is shown to embrace both physical and digital interventions in public space, as well as the sets of values and agendas that influence and drive the practices and discourses through which individuals and collectives position themselves within and in relation to society and participate in the creation of diverse publics. This book will be of interest to students and researchers in media and communication studies, particularly those studying citizen media, media and society, journalism and society, and political communication. Cover image: courtesy of Ruben Hamelink