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An original history of the most enduring colonial creation, the city, explored through ten portraits of powerful urban centers the British Empire left in its wake At its peak, the British Empire was an urban civilization of epic proportions, leaving behind a network of cities which now stand as the economic and cultural powerhouses of the twenty-first century. In a series of ten vibrant urban biographies that stretch from the shores of Puritan Boston to Dublin, Hong Kong, New Delhi, Liverpool, and beyond, acclaimed historian Tristram Hunt demonstrates that urbanism is in fact the most lasting of Britain's imperial legacies. Combining historical scholarship, cultural criticism, and personal reportage, Hunt offers a new history of empire, excavated from architecture and infrastructure, from housing and hospitals, sewers and statues, prisons and palaces. Avoiding the binary verdict of empire as "good" or "bad," he traces the collaboration of cultures and traditions that produced these influential urban centers, the work of an army of administrators, officers, entrepreneurs, slaves, and renegades. In these ten cities, Hunt shows, we also see the changing faces of British colonial settlement: a haven for religious dissenters, a lucrative slave-trading post, a center of global hegemony. Lively, authoritative, and eye-opening, Cities of Empire makes a crucial new contribution to the history of colonialism.
Form Follows Fever is the first in-depth account of the turbulent early years of settlement and growth of colonial Hong Kong across the 1840s. During this period, the island gained a terrible reputation as a diseased and deadly location. Malaria, then perceived as a mysterious vapour or miasma, intermittently carried off settlers by the hundreds. Various attempts to arrest its effects acted as a catalyst, reconfiguring both the city’s physical and political landscape, though not necessarily for the better. Caught in a frenzy to rebuild the city in the devastating aftermath, this book charts the complex interplay between a cast of figures, from military surveyors, naval doctors, Indian sepoys, and corrupt and paranoid officials to opium traders, arsonists, Chinese contractors, and sojourner architects and artists. However, Hong Kong’s ‘construction’ was not just physical but also imagined. Architecture, cartography, epidemiology, and urban infrastructure offer a critical forensic lens through which to examine the shifting ideologies of public health and space, race and place-making, and commerce and politics, all set against the radical alteration of the settlement—from shore-hugging to climbing city—in response to miasma theory, a pre-bacteriological belief in gaseous emanations from a sickly environment. This kaleidoscopic study draws upon many unpublished textual sources, including medical reports, personal diaries and letters, government records, journal accounts, newspaper articles, and advertisements. As this history is set a decade before the introduction of photography to the colony, the book relies upon a variety of alternate visual evidence—from previously lost watercolour illustrations of the city to maps, plans, and drawings— that individually and in combination provide trace material enabling the reconstruction of this strange and rapidly evolving society. Form Follows Fever sheds new light on a period often considered the colonial Dark Ages in the territory’s history. ------------------------------------------------------------- Christopher Cowell’s account of British Hong Kong offers the most detailed account yet of the crucial first decade of the colony’s existence. His engagement with the medley of actors, from across the globe, that contributed to the colony’s ultimate success is both intriguing and revealing. It is a brilliant miniature of colonial urban development in action. —Alex Bremner, Edinburgh School of Architecture and Landscape Architecture, University of Edinburgh This is a beautifully written book. Cowell offers fresh perspectives on how malaria played a decisive role in shaping the forms of the colonial built environment and the future course of the city. It is a must-read for anyone interested in Hong Kong history and urbanism. —Cecilia L. Chu, School of Architecture, The Chinese University of Hong Kong A wonderfully rich and detailed architectural history of Hong Kong’s first decade as a British colony that sheds new light on the consequential effects of disease and climate on what was built, by whom, and why. —Cole Roskam, Department of Architecture, The University of Hong Kong Form Follows Fever shows how Hong Kong’s path from a so-called ‘barren island’ to a thriving port city was often a perilous one. It is a wonderfully original and insightful study that weaves together an unlikely melange of urban history, military engineering, and medical history. —John M. Carroll, Department of History, The University of Hong Kong
The Nemesis was the first of a generation of iron-clad, steam-powered naval vessels that established British dominance in Asian waters in the nineteenth century. The world’s first iron warship, the first vessel with truly watertight compartments, and the first iron vessel to round the Cape of Good Hope, Nemesis represented a staggering superiority over the oar- and sail-powered naval forces of Britain’s Asian rivals. Yet strangely her story has never been told to modern audiences, and her origins and actions have until now been shrouded in mystery. This lively narrative places her in the historical context of the last years of the East India Company, and in the history of steam power and iron ships. It tells of her exploits in the First Opium War, in pirate suppression and naval actions across Asia, from Bombay to Burma to the Yangtze River and beyond.