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“This is a gorgeous, lyrical, hilarious, important book. . . . Read this and you may find yourself instinctively beginning to heal old wounds: in yourself, in others, and just maybe in the cathedral of the wild that is our true home.”—Martha Beck, author of Finding Your Own North Star Boyd Varty had an unconventional upbringing. He grew up on Londolozi Game Reserve in South Africa, a place where man and nature strive for balance, where perils exist alongside wonders. Founded more than eighty years ago as a hunting ground, Londolozi was transformed into a nature reserve beginning in 1973 by Varty’s father and uncle, visionaries of the restoration movement. But it wasn’t just a sanctuary for the animals; it was also a place for ravaged land to flourish again and for the human spirit to be restored. When Nelson Mandela was released after twenty-seven years of imprisonment, he came to the reserve to recover. Cathedral of the Wild is Varty’s memoir of his life in this exquisite and vast refuge. At Londolozi, Varty gained the confidence that emerges from living in Africa. “We came out strong and largely unafraid of life,” he writes, “with the full knowledge of its dangers.” It was there that young Boyd and his equally adventurous sister learned to track animals, raised leopard and lion cubs, followed their larger-than-life uncle on his many adventures filming wildlife, and became one with the land. Varty survived a harrowing black mamba encounter, a debilitating bout with malaria, even a vicious crocodile attack, but his biggest challenge was a personal crisis of purpose. An intense spiritual quest takes him across the globe and back again—to reconnect with nature and “rediscover the track.” Cathedral of the Wild is a story of transformation that inspires a great appreciation for the beauty and order of the natural world. With conviction, hope, and humor, Varty makes a passionate claim for the power of the wild to restore the human spirit. Praise for Cathedral of the Wild “Extremely touching . . . a book about growth and hope.”—The New York Times “It made me cry with its hard-won truths about human and animal nature. . . . Both funny and deeply moving, this book belongs on the shelf of everyone who seeks healing in wilderness.”—BookPage
Thurgood Marshall became a living icon of civil rights when he argued Brown v. Board of Education before the Supreme Court in 1954. Six years later, he was at a crossroads. A rising generation of activists were making sit-ins and demonstrations rather than lawsuits the hallmark of the civil rights movement. What role, he wondered, could he now play? When in 1960 Kenyan independence leaders asked him to help write their constitution, Marshall threw himself into their cause. Here was a new arena in which law might serve as the tool with which to forge a just society. In Exporting American Dreams , Mary Dudziak recounts with poignancy and power the untold story of Marshall's journey to Africa. African Americans were enslaved when the U.S. constitution was written. In Kenya, Marshall could become something that had not existed in his own country: a black man helping to found a nation. He became friends with Kenyan leaders Tom Mboya and Jomo Kenyatta, serving as advisor to the Kenyans, who needed to demonstrate to Great Britain and to the world that they would treat minority races (whites and Asians) fairly once Africans took power. He crafted a bill of rights, aiding constitutional negotiations that helped enable peaceful regime change, rather than violent resistance. Marshall's involvement with Kenya's foundation affirmed his faith in law, while also forcing him to understand how the struggle for justice could be compromised by the imperatives of sovereignty. Marshall's beliefs were most sorely tested later in the decade when he became a Supreme Court Justice, even as American cities erupted in flames and civil rights progress stalled. Kenya's first attempt at democracy faltered, but Marshall's African journey remained a cherished memory of a time and a place when all things seemed possible.
In 1914, Haggard, the author of colonialist novels King Solomon's Mines and She returned to a South Africa which had greatly changed since the first visits of his youth. This account of his journey as a member of the British Empire's Dominions Royal Commission offers observations on the changed nature of the country after the Anglo-Boer wars and details a number of aspects of the political landscape, including a description of his interview with the founder of the African National Congress, John Dube. c. Book News Inc.
In Foreign Native, RW Johnson looks back with affection and humour on his life in Africa. From schooldays in Durban – fresh off the plane from Merseyside – to later years as an academic, director of the Helen Suzman Foundation and formidable political commentator, he has produced an entertaining and occasionally eye-popping memoir brimming with history, anecdote and insight. Johnson charts his evolution from enthusiastic, left-leaning Africanist to political realist, relating episodes that influenced his intellectual worldview, including time spent among the exiled liberation movements in London during the 1960s, a sojourn in newly independent Guinea and more recent forays into Zimbabwe. There are wonderful stories, some hilarious, others filled with pathos, about the multitude of characters – Harold Strachan, Tom Sharpe, Ronnie Kasrils, Helen Suzman, Frederik van Zyl Slabbert, among many others – that he met along the way. Perceptive, critical and full of verve, Foreign Native is leavened with a deep humanity that makes it a pleasure to read.
The nobility of the ordinary African's struggles, so often absent from accounts of the continent, is at the heart of Duke's searing story.".
"The personal is political". So went a popular saying in the heady 60s. In presenting the story of the Ulzens and Elmina as a metaphor for the African condition in history, this novel is an eloquent corroboration of this idea. I applaud the brutal honesty, not unmixed with touching empathy, with which the author narrates the details of political events and family dramas: characters, personalities, roles and relations marked by conscious and unwitting paradoxes, complicities, mixed motives behind noble stances and deeds. In a word, IRONY is the dominant prism through which the events are rendered. Ato Sekyi Otu Professor Emeritus of Social and Political Thought York University, Toronto, Ontario, Canada
BANTUSTAN is an illustrated travelogue, novel, atlas and encyclopedia. It is at once a textbook for independent travel in Africa, an illustrated atlas, a collection of life stories, an intimate confession, a list of little secrets and shame. Alternating between three narrators, it is a story of division, isolation and contact. Bantustans were reservations for Black Africans set up by the apartheid regime; in this book, bantustans refer to the bubbles in which we all live our lives. The three protagonists, as well as the people they encounter along the way, are constantly struggling to escape these multi-layered bubbles - of ego, family, social circle, class, race, religion, ethnicity, language, nationality etc - and establish contact with the rest of the world. Such attempts are often painful and sometimes downright disastrous, leading to a series of conflicts, disappointments and crises, but ultimately confirming the possibilities and importance of human connections.With a collection of maps, infographics and data visualizations for non-linear reading, BANTUSTAN is an example of ergodic and interactive literature. Readers can choose how to move through the book: in the traditional linear fashion, or using the maps as visual interfaces for skipping from one story to another. The maps represent a tapestry of pictograms, ideograms, scripts, labyrinths, emblems, motifs, secret messages and hidden clues for the reader to discover and decipher.BANTUSTAN contains a total of 32 full-page illustrations (19 of which are maps), as well as 25 smaller illustrations/glyphs.Visit www.bantustanbook.com to learn more about the book, the trip and the authors.
In this highly original book, Maboula Soumahoro explores the cultural and political vastness of the Black Atlantic, where Africa, Europe, and the Americas were tied together by the brutal realities of the slave trade and colonialism. Each of these spaces has its own way of reading the Black body and the Black experience, and its own modes of visibility, invisibility, silence, and amplification of Black life. By weaving together her personal history with that of France and its abiding myth of color-blindness, Maboula Soumahoro highlights the banality and persistence of structural racism in France today, and shows that freedom will be found in the journey and movement between the sites of the Atlantic triangle. Africana is the name of that freedom. How can we build and reflect on a collective diasporic identity through a personal journey? What are the limits and possibilities of this endeavor, when the personal journey is that of oft-erased bodies and stories, de-humanized lives, and when Black populations in Africa, the Americas, and Europe identify and misidentify with each other, their sensibilities shaped by the particular locales in which their lives unfold? This book makes an important intellectual contribution to contemporary public conversations and theoretical inquiry into race, racism, blackness, and identity today, as it probes and questions the academic methodologies that have functioned as structures of exclusion.