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Ralph Bunche, who received the Nobel Peace Prize in 1950, traveled to South Africa for three months in 1937. His notes, which have been skillfully compiled and annotated by historian Robert R. Edgar, provide unique insights on a segregated society.
For more than half a century before World War II, black South Africans and “American Negroes”—a group that included African Americans and black West Indians—established close institutional and personal relationships that laid the necessary groundwork for the successful South African and American antiapartheid movements. Though African Americans suffered under Jim Crow racial discrimination, oppressed Africans saw African Americans as free people who had risen from slavery to success and were role models and potential liberators. Many African Americans, regarded initially by the South African government as “honorary whites” exempt from segregation, also saw their activities in South Africa as a divinely ordained mission to establish “Africa for Africans,” liberated from European empires. The Jamaican-born Marcus Garvey’s Universal Negro Improvement Association, the largest black-led movement with two million members and supporters in forty-three countries at its height in the early 1920s, was the most anticipated source of liberation. Though these liberation prophecies went unfulfilled, black South Africans continued to view African Americans as inspirational models and as critical partners in the global antiapartheid struggle. The Americans Are Coming! is a rare case study that places African history and American history in a global context and centers Africa in African Diaspora studies.
An introduction to the complex relationship between African Americans and the African continent What is an “African American” and how does this identity relate to the African continent? Rising immigration levels, globalization, and the United States’ first African American president have all sparked new dialogue around the question. This book provides an introduction to the relationship between African Americans and Africa from the era of slavery to the present, mapping several overlapping diasporas. The diversity of African American identities through relationships with region, ethnicity, slavery, and immigration are all examined to investigate questions fundamental to the study of African American history and culture.
In this transnational account of black protest, Nicholas Grant examines how African Americans engaged with, supported, and were inspired by the South African anti-apartheid movement. Bringing black activism into conversation with the foreign policy of both the U.S. and South African governments, this study questions the dominant perception that U.S.-centered anticommunism decimated black international activism. Instead, by tracing the considerable amount of time, money, and effort the state invested into responding to black international criticism, Grant outlines the extent to which the U.S. and South African governments were forced to reshape and occasionally reconsider their racial policies in the Cold War world. This study shows how African Americans and black South Africans navigated transnationally organized state repression in ways that challenged white supremacy on both sides of the Atlantic. The political and cultural ties that they forged during the 1940s and 1950s are testament to the insistence of black activists in both countries that the struggle against apartheid and Jim Crow were intimately interconnected.
The mid-twentieth century witnessed nations across Africa fighting for their independence from colonial forces. By examining black Americans' attitudes toward and responses to these liberation struggles, James Meriwether probes the shifting meaning of Africa in the intellectual, political, and social lives of African Americans. Paying particular attention to such important figures and organizations as W. E. B. Du Bois, Martin Luther King Jr., and the NAACP, Meriwether incisively utilizes the black press, personal correspondence, and oral histories to render a remarkably nuanced and diverse portrait of African American opinion. Meriwether builds the book around seminal episodes in modern African history, including nonviolent protests against apartheid in South Africa, the Mau Mau war in Kenya, Ghana's drive for independence under Kwame Nkrumah, and Patrice Lumumba's murder in the Congo. Viewing these events within the context of their own changing lives, especially in regard to the U.S. civil rights struggle, African Americans have continually reconsidered their relationship to contemporary Africa and vigorously debated how best to translate their concerns into action in the international arena. Grounded in black Americans' encounters with Africa, this transnational history sits astride the leading issues of the twentieth century: race, civil rights, anticolonialism, and the intersections of domestic race relations and U.S. foreign relations.
James Anderson critically reinterprets the history of southern black education from Reconstruction to the Great Depression. By placing black schooling within a political, cultural, and economic context, he offers fresh insights into black commitment to education, the peculiar significance of Tuskegee Institute, and the conflicting goals of various philanthropic groups, among other matters. Initially, ex-slaves attempted to create an educational system that would support and extend their emancipation, but their children were pushed into a system of industrial education that presupposed black political and economic subordination. This conception of education and social order--supported by northern industrial philanthropists, some black educators, and most southern school officials--conflicted with the aspirations of ex-slaves and their descendants, resulting at the turn of the century in a bitter national debate over the purposes of black education. Because blacks lacked economic and political power, white elites were able to control the structure and content of black elementary, secondary, normal, and college education during the first third of the twentieth century. Nonetheless, blacks persisted in their struggle to develop an educational system in accordance with their own needs and desires.
When George M. Fredrickson published White Supremacy: A Comparative Study in American and South African History, he met universal acclaim. David Brion Davis, writing in The New York Times Book Review, called it "one of the most brilliant and successful studies in comparative history ever written." The book was honored with the Ralph Waldo Emerson Prize, the Merle Curti Award, and a jury nomination for the Pulitzer Prize. Now comes the sequel to that acclaimed work. In Black Liberation, George Fredrickson offers a fascinating account of how blacks in the United States and South Africa came to grips with the challenge of white supremacy. He reveals a rich history--not merely of parallel developments, but of an intricate, transatlantic web of influences and cross-fertilization. He begins with early moments of hope in both countries--Reconstruction in the United States, and the liberal colonialism of British Cape Colony--when the promise of suffrage led educated black elites to fight for color-blind equality. A rising tide of racism and discrimination at the turn of the century, however, blunted their hopes and encouraged nationalist movements in both countries. Fredrickson teases out the connections between movements and nations, examining the transatlantic appeal of black religious nationalism (known as Ethiopianism), and the pan-Africanism of Du Bois and Garvey. He brings to vivid life the decades of struggle, organizing, and debate, as blacks in the United States looked to Africa for identity and South Africans looked to America for new ideas and hope. The book traces the rise of Communist influence in black movements in the two nations in the 1920s and '30s, and the adoption of Gandhian nonviolent protest after World War II. The story of India's struggle, however, was not to be repeated in either America or South Africa: in one nation, nonviolence revealed its limitations, encouraging splits in the civil rights movement; in the other, it failed, fostering an armed struggle against white supremacy. Fredrickson brings the story up through the present, exploring the divergence between African-American identity politics and the nonracialism that has triumphed in South Africa. In a career spanning thirty years, George Fredrickson has won recognition as the leading scholar of the struggle over racial domination in the United States and South Africa. In Black Liberation, he provides the essential companion volume to his award-winning White Supremacy, telling the story of how blacks fought back on both sides of the Atlantic.
Under apartheid, black South Africans experienced severe material and social disadvantages occasioned by the government’s policies, and they had limited time for entertainment. Still, they closely engaged with an array of textual and visual cultures in ways that shaped their responses to this period of ethical crisis. Marshaling forms of historical evidence that include passbooks, memoirs, American “B” movies, literary and genre fiction, magazines, and photocomics, Black Cultural Life in South Africa considers the importance of popular genres and audiences in the relationship between ethical consciousness and aesthetic engagement. This study provocatively posits that states of oppression, including colonial and postcolonial rule, can elicit ethical responses to imaginative identification through encounters with popular culture, and it asks whether and how they carry over into ethical action. Its consideration of how globalized popular culture “travels” not just in material form, but also through the circuits of the imaginary, opens a new window for exploring the ethical and liberatory stakes of popular culture. Each chapter focuses on a separate genre, yet the overall interdisciplinary approach to the study of genre and argument for an expansion of ethical theory that draws on texts beyond the Western canon speak to growing concerns about studying genres and disciplines in isolation. Freed from oversimplified treatments of popular forms—common to cultural studies and ethical theory alike—this book demonstrates that people can do things with mass culture that reinvigorate ethical life. Lily Saint’s new volume will interest Africanists across the humanities and the social sciences, and scholars of Anglophone literary, globalization, and cultural studies; race; ethical theories and philosophies; film studies; book history and material cultures; and the burgeoning field of comics and graphic novels.
In 1957 Ghana became one of the first sub-Saharan African nations to gain independence from colonial rule. Over the next decade, hundreds of African Americans--including Martin Luther King Jr., George Padmore, Malcolm X, Maya Angelou, Richard Wright, Pauli Murray, and Muhammad Ali--visited or settled in Ghana. Kevin K. Gaines explains what attracted these Americans to Ghana and how their new community was shaped by the convergence of the Cold War, the rise of the U.S. civil rights movement, and the decolonization of Africa. Kwame Nkrumah, Ghana's president, posed a direct challenge to U.S. hegemony by promoting a vision of African liberation, continental unity, and West Indian federation. Although the number of African American expatriates in Ghana was small, in espousing a transnational American citizenship defined by solidarities with African peoples, these activists along with their allies in the United States waged a fundamental, if largely forgotten, struggle over the meaning and content of the cornerstone of American citizenship--the right to vote--conferred on African Americans by civil rights reform legislation.