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'Incredibly moving' --Anne Enright, winner of the Man Booker Prize An Affair with My Mother by Caitriona Palmer: a moving and gripping story of love, denial and a daughter's quest for the truth. Caitriona Palmer had a happy childhood in Dublin, raised by loving adoptive parents. But when she was in her late twenties, she realized that she had a strong need to know the woman who had given birth to her. She was able to locate her birth mother, Sarah, and they developed a strong attachment. But Sarah set one painful condition to this joyous new relationship: she wished to keep it - to keep Caitriona - secret from her family, from her friends, from everyone. Who was Sarah, and why did she want to preserve a decades-old secret? An Affair with My Mother tells the story of Caitriona's quest to answer these questions, and of the intense, furtive 'affair' she and her mother conducted in carefully chosen locations around Dublin. By turns heartwarming and heartbreaking, An Affair with My Mother is a searing portrait of the social and familial forces that left Sarah - and so many other unwed Irish mothers of her generation - frightened, traumatized and bereft. It is also a beautifully written account of a remarkable relationship. 'Caitriona Palmer has called out the false shame of her origins, with a kind of anguished courage that is incredibly moving. An Affair With My Mother is a forensic account of how it feels to be - in the interests of Catholic "respectability" - excluded from the facts of your own life. In its commitment to family love, to joy and truth, it is a gift.' Anne Enright, winner of the Man Booker Prize
On a hot July night on Cape Cod, at the age of 14, Brodeur became a confidante to her mother's affair with her husband's closest friend. Malabar came to rely on her daughter to help, but when the affair had calamitous consequences for everyone involved, Brodeau was driven into a precarious marriage of her own, and then into a deep depression. In her memoir she examines how the people close to us can break our hearts simply because they have access to them, and the lies we tell in order to justify the choices we make. -- adapted from jacket
In What My Mother Gave Me, women look at the relationships between mothers and daughters through a new lens: a daughter’s story of a gift from her mother that has touched her to the bone and served as a model, a metaphor, or a touchstone in her own life. The contributors of these thirty-one original pieces include Pulitzer Prize winners, perennial bestselling novelists, and celebrated broadcast journalists. Whether a gift was meant to keep a daughter warm, put a roof over her head, instruct her in the ways of womanhood, encourage her talents, or just remind her of a mother’s love, each story gets to the heart of a relationship. Rita Dove remembers the box of nail polish that inspired her to paint her nails in the wild stripes and polka dots she wears to this day. Lisa See writes about the gift of writing from her mother, Carolyn See. Cecilia Muñoz remembers both the wok her mother gave her and a lifetime of home-cooked family meals. Judith Hillman Paterson revisits the year of sobriety her mother bequeathed to her when Paterson was nine, the year before her mother died of alcoholism. Abigail Pogrebin writes about her middle-aged bat mitzvah, for which her mother provided flowers after a lifetime of guilt for skipping her daughter’s religious education. Margo Jefferson writes about her mother’s gold dress from the posh department store where they could finally shop as black women. Collectively, the pieces have a force that feels as elemental as the tides: outpourings of lightness and darkness; joy and grief; mother love and daughter love; mother love and daughter rage. In these stirring words we find that every gift, ?no matter how modest, tells the story of a powerful bond. As Elizabeth Benedict points out in her introduction, “whether we are mothers, daughters, aunts, sisters, or cherished friends, we may not know for quite some time which presents will matter the most."
“You will devour these beautifully written—and very important—tales of honesty, pain, and resilience” (Elizabeth Gilbert, New York Times bestselling author of Eat Pray Love and City of Girls) from fifteen brilliant writers who explore how what we don’t talk about with our mothers affects us, for better or for worse. As an undergraduate, Michele Filgate started writing an essay about being abused by her stepfather. It took her more than a decade to realize that she was actually trying to write about how this affected her relationship with her mother. When it was finally published, the essay went viral, shared on social media by Anne Lamott, Rebecca Solnit, and many others. This gave Filgate an idea, and the resulting anthology offers a candid look at our relationships with our mothers. Leslie Jamison writes about trying to discover who her seemingly perfect mother was before ever becoming a mom. In Cathi Hanauer’s hilarious piece, she finally gets a chance to have a conversation with her mother that isn’t interrupted by her domineering (but lovable) father. André Aciman writes about what it was like to have a deaf mother. Melissa Febos uses mythology as a lens to look at her close-knit relationship with her psychotherapist mother. And Julianna Baggott talks about having a mom who tells her everything. As Filgate writes, “Our mothers are our first homes, and that’s why we’re always trying to return to them.” There’s relief in acknowledging how what we couldn’t say for so long is a way to heal our relationships with others and, perhaps most important, with ourselves. Contributions by Cathi Hanauer, Melissa Febos, Alexander Chee, Dylan Landis, Bernice L. McFadden, Julianna Baggott, Lynn Steger Strong, Kiese Laymon, Carmen Maria Machado, André Aciman, Sari Botton, Nayomi Munaweera, Brandon Taylor, and Leslie Jamison.
Shortly after Albert Cohen left France for London to escape the Nazis, he received news of his mother’s death in Marseille. Unable to mourn her, he expressed his grief in a series of moving pieces for La France libre, which later grew into Book of My Mother. Achingly honest, intimate, and moving, this love song is a tribute to all mothers. Cohen himself expressed, "I shall not have written in vain if one of you, after reading my hymn of death, is one evening gentler with his mother because of me and my mother."
What binds mothers and daughters? What makes them clutch so hard they wound each other and love so hard they lose themselves? In the nineteen short tales that make up My Mother Never Dies, literary provocateur Claire Castillon dissects the darkest aspects of the relationship between mothers and daughters. A woman tries so hard to be friends with her daughter that she begins to revert to her own adolescence; another woman finds her mother engaged in an illicit affair with a man they both know too well; a daughter rattles off all the reasons why she's disgusted with her invalid mother but realizes through her haze of teenage hatred that she is losing the only person who tells her the truth. Stunning, shocking, unflinching, and ultimately tender, My Mother Never Dies forces us to look at the worst and best of mothers and daughters. Castillon won't let us avert our gaze from the terrible and true any more than from the beautiful and truea because it all reveals the depth of our need for each other. "
The moving story of how F. Scott Fitzgerald—washed up, alcoholic and ill—dedicated himself to devising a heartfelt course in literature for the woman he loved. In 1937, on the night of her engagement to the Marquess of Donegall, Sheilah Graham met F. Scott Fitzgerald at a party in Hollywood. Graham, a British-born journalist, broke off her engagement, and until Fitzgerald had a fatal heart attack in her apartment in 1940, the two writers lived the fervid, sometimes violent affair that is memorialized here with unprecedented intimacy. When they met, Fitzgerald’s fame had waned. He battled crippling alcoholism while writing screenplays to support his daughter and institutionalized wife. Graham’s star, however, was rising, to the point where she became Hollywood’s highest-paid, best-read gossip columnist. But if Fitzgerald had lived out his “crack-up” in public, Graham kept her demons secret—such as that she believed herself to be “a fascinating fake who pulled the wool over Hollywood’s eyes.’’ Most poignantly, she keenly felt her lack of education, and Fitzgerald rose to the occasion. He became her passionate tutor, guiding her through a curriculum of his own design: a college of one. Graham loved him the more for it, writing the book as a tribute. As she explained, “An unusual man’s ideas on what constituted an education had to be preserved. It is a new chapter to add to what is already known about an author who has been microscopically investigated in all the other areas of his life.”
Underground and Zippy the Pinhead cartoonist Bill Griffith uncovers his mother’s hidden past in his first graphic memoir. This is the renowned cartoonist's first long-form graphic work ― a 200-page memoir that poignantly recounts his mother’s secret life, which included an affair with a cartoonist and crime novelist in the 1950s and ’60s. Invisible Ink unfolds like a detective story, alternating between past and present, as Griffith recreates the quotidian habits of suburban Levittown and the professional and cultural life of mid-century Manhattan in the 1950s and ’60s as seen through his mother’s and his own then-teenage eyes. Griffith puts the pieces together and reveals a mother he never knew.
One of the Best Books of the Year: Elle, Harper’s Bazaar, Vulture • This uncompromising look at the immigrant experience, and the depravity of one man, is an electrifying page-turner rooted in a magical reality • “Impossible to stop reading” —Vulture When Lucien flees Haiti with his wife, Marie-Ange, and their three children to New York City’s South Ozone Park, he does so hoping for reinvention, wealth, and comfort. He buys a run-down house in a quickly changing community, and begins life anew. Lucien and Marie-Ange call their home La Kay—“my mother’s house”—and it becomes a place where their fellow immigrants can find peace, a good meal, and necessary legal help. But as a severely emotionally damaged man emigrating from a country whose evils he knows to one whose evils he doesn’t, Lucien soon falls into his worst habits and impulses, with La Kay as the backdrop for his lasciviousness. What he can’t begin to fathom is that the house is watching, passing judgment, and deciding to put an end to all the sins it has been made to hold. But only after it has set itself aflame will frightened whispers reveal Lucien’s ultimate evil.
Some of Australia's best known writers share their wise and searingly honest experiences of losing a parent.