Download Free An Act Of Murder Book in PDF and EPUB Free Download. You can read online An Act Of Murder and write the review.

Fatal Blaze? "The Bride Who Cried." That was the title of the dinner-theater murder mystery presented at Maryland's luxurious Harbourtowne resort on Valentine's Day weekend, 1998. But no tears were being shed by Kimberly Hricko at 3 a.m. when she reported a fire in the room she shared with her husband, Stephen. Rescuers found him dead, badly burned around the upper body. It seemed that he'd fallen asleep while smoking a cigar, sparking off an inferno. Staged Murder But Kimberly's efforts to play the part of an innocent widow quickly began to unravel. Sleuths learned that she had been having an affair with a man ten years her junior. She also stood to inherit $400,000 on her husband's death--and had tried to bribe a coworker to kill Stephen for $50,000. In the courtroom, prosecutors argued that Kimberly injected her sleeping spouse with a lethal dose of muscle relaxant and set the fire to cover her tracks. For a cold-blooded killer who acted without remorse, there could only be one verdict. . . Linda Rosencrance has fifteen years experience as a reporter, writing for both the Boston Globe and the Boston Herald, as well as many community papers in the Boston metropolitan area. She is the author of Murder at Morses Pond and has also written an anthology examining various crimes on college campuses. She lives in the Boston area.
Why had Luke Marks driven specially out to Windee? Had he been murdered or had he, as the local police believed, wandered away from his car and been overwhelmed in a dust-storm? When Bony noticed something odd in the background of a police photograph, he begins to piece together the secrets of the sands of Windee. Here is the original background to the infamous Snowy Rowles murder trial. Napoleon Bonaparte my best detective. - Daily Mail
On November 22, 1963, a murder was committed in Dallas, Texas. Nearly 80 percent of the American people don't believe the victim was killed by a lone gunman. The House Assassinations Committee determined it was the work of "a conspiracy," yet no conspirators were ever identified or brought to justice. For more than forty years the case has remained unsolved—until now. Mark Fuhrman has cracked some of the best-known, most puzzling crimes in American history. In A Simple Act of Murder, he investigates the tragedy that rocked a nation: the assassination of President John F. Kennedy. Cutting through the myths and misinformation, Fuhrman focuses on the hard evidence, unveiling a major clue that was ignored for more than four decades—a breakthrough that will change the ongoing debate forever. Once you read this book, you'll know definitively who killed JFK.
The dark shadows and offscreen space that force us to imagine violence we cannot see. The real slaughter of animals spliced with the fictional killing of men. The missing countershot from the murder victim’s point of view. Such images, or absent images, Karla Oeler contends, distill how the murder scene challenges and changes film. Reexamining works by such filmmakers as Renoir, Hitchcock, Kubrick, Jarmusch, and Eisenstein, Oeler traces the murder scene’s intricate connections to the great breakthroughs in the theory and practice of montage and the formulation of the rules and syntax of Hollywood genre. She argues that murder plays such a central role in film because it mirrors, on multiple levels, the act of cinematic representation. Death and murder at once eradicate life and call attention to its former existence, just as cinema conveys both the reality and the absence of the objects it depicts. But murder shares with cinema not only this interplay between presence and absence, movement and stillness: unlike death, killing entails the deliberate reduction of a singular subject to a disposable object. Like cinema, it involves a crucial choice about what to cut and what to keep.
This open access book is the culmination of many years of research on what happened to the bodies of executed criminals in the past. Focusing on the eighteenth and nineteenth centuries, it looks at the consequences of the 1752 Murder Act. These criminal bodies had a crucial role in the history of medicine, and the history of crime, and great symbolic resonance in literature and popular culture. Starting with a consideration of the criminal corpse in the medieval and early modern periods, chapters go on to review the histories of criminal justice, of medical history and of gibbeting under the Murder Act, and ends with some discussion of the afterlives of the corpse, in literature, folklore and in contemporary medical ethics. Using sophisticated insights from cultural history, archaeology, literature, philosophy and ethics as well as medical and crime history, this book is a uniquely interdisciplinary take on a fascinating historical phenomenon.
Art imitates life. Or does it? One sleepy Sunday morning in Buenos Aires, the protagonist of Martinez's brilliant new mystery finds himself unexpectedly tangled up in the story of Luciana, a former authors' assistant whom he has not seen for at least ten years, and Kloster, a rival writer - only far more successful; bestselling, in fact. What he discovers will make him question everything he had always believed - taken for granted - about chance and calculation, cause and effect. Luciana is desperate. In the decade since she last had anything to do with either of the writers, nearly all her close family have died, in highly unusual circumstances. And Luciana or her sister could be next. Luciana's convinced that her one-time employer Kloster is behind the deaths, punishing her for her part in the break-up of his marriage in a murderous frenzy of revenge worthy of one of his own prodigiously successful crime novels. But which comes first, murder or novel? Clever and gripping, THE BOOK OF MURDER is a chilling crime story in which the line between fact and fiction suddenly seems blurred.
Edgar Award-shortlisted author Ashley Weaver returns with the fifth installment in the Amory Ames mystery series. An Act of Villainy is an a gem, set in 1930s London and filled with style, banter, and twists that traditional mystery fans will positively relish. "So you've gotten yourself involved with another murder, have you?" Walking through London’s West End after a night at the theater, Amory Ames and her husband Milo run into wealthy investor and former actor Gerard Holloway. Holloway and his wife Georgina are old friends of theirs, and when Holloway invites them to the dress rehearsal of a new play he is directing, Amory readily accepts. However, Amory is shocked to learn that Holloway has cast his mistress, actress Flora Bell, in the lead role. Furthermore, the casual invitation is not what it seems—he admits to Amory and Milo that Flora has been receiving threatening letters, and he needs their help in finding the mysterious sender. Despite Amory’s conflicting feelings—not only does she feel loyalty to Georgina, but the disintegration of the Holloways’ perfect marriage seems to bode ill for her own sometimes delicate relationship—her curiosity gets the better of her, and she begins to make inquiries. It quickly becomes clear that each member of the cast has reason to resent Flora—and with a group so skilled in the art of deception, it isn’t easy to separate truth from illusion. When vague threats escalate, the scene is set for murder, and Amory and Milo must find the killer before the final curtain falls. Also out now in the Amory Ames mysteries: Murder at the Brightwell, Death Wears a Mask, A Most Novel Revenge, and The Essence of Malice.
This work focuses on the issue of an ethical right to life. Its aim is to formulate a persuasive answer the question: What attribute can endow an entity with an ethical right to not have its existence terminated? In pursuing this objective, this work manifests three distinctive features. The first regards the delineation of the ethical enterprise. The second identifies self-consciousness as the attribute that endows an entity with an ethical right to life (this entity being the human entity, being that only the human entity possesses self-consciousness). Finally, the third feature lies in the kind of conclusion at which we can arrive, in the light of the foregoing two features, regarding the various issues implicating the termination of life such as abortion, euthanasia, suicide, assistant-suicide, and capital punishment. The issue of an ethical right to life is heavily politicized and divisive in Western societies. The reflections and analyses offered in An Ethical Right to Life contribute a much-needed clarification to the on-going discussion.