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For nearly a millennium, a large part of Asia was ruled by Turkic or Mongol dynasties of nomadic origin. What was the attitude of these dynasties towards the many cities they controlled, some of which were of considerable size? To what extent did they live like their subjects? How did they evolve? Turko-Mongol Rulers, Cities and City-life aims to broaden the perspective on the issue of location of rule in this particular context by bringing together specialists in various periods, from pre-Chingissid Eurasia to nineteenth-century Iran, and of various disciplines (history, archaeology, history of art). Contributors include: Michal Biran, David Durand-Guédy, Kurt Franz, Peter Golden, Minoru Inaba, Nobuaki Kondo, Yuri Karev, Tomoko Masuya, Charles Melville, Jürgen Paul and Andrew Peacock
Eighteenth and nineteenth century European, British and American newspapers constitute a rich and largely untapped source of contemporary, often eyewitness accounts of historical events and opinions concerning Iran from the late Safavid (1712) through the Qajar (c. 1797-1920) period. This study collects and annotates thousands of articles published in the Colonial and early Republican American newspapers, from the first mention of events in Persia in the American press (1712) to the death of Mohammad Shah (1848), unlocking for the first time a wealth of information on Iran and its place in the world during the 18th and early 19th century.
This book examines British collectors of so-called Persian art (a broad umbrella term then covering a large portion of Islamic art) in the late 19th century, including ceramics, metalwork, carpets, textiles and woodwork. Based on a foundational event, the very first exhibition of “Persian and Arab Art” held by a London Gentlemen’s Club in 1885, this book follows one generation of men, retracing the subtle shades of difference among “amateurs,” “connoisseurs,” “experts” and “collectors,” and exploring all the mechanisms of the construction of a collective fascination for the Orient. Isabelle Gadoin uncovers some of the first “scientific” analyses of Islamic objects and of the first private notebooks or exhibition catalogues, to provide an in-depth study of the way Westerners talked about Islamic objects and began to define what would become Islamic art history. All the while, Gadoin unravels the skein of Western prejudice, Romantic fancy, sincere admiration and ruthless appropriation, in art collecting, to write a new chapter of Orientalist history. The book will be of interest to scholars working in art history, history of collecting, colonialism and postcolonialism, and Orientalism.