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“Essential reading for anyone who wanted to know the real story of how William of Orange became King of England” (Books Monthly). In 1688, a vast fleet of 463 ships, twice the size of the Spanish Armada, put to sea from Holland. On board was William of Orange with 40,000 soldiers—their objective, England. The Protestant William had been encouraged by a group of Church of England bishops to risk everything and oust the Catholic King James. He landed at Tor Bay in Devon and soon gathered enough support, including that of John Churchill, the future Duke of Marlborough, to cause King James to flee to France. It had been seen, in the eyes of most in England and Scotland as a “Glorious” Revolution. William ascended the throne along with his wife Mary, the daughter of England’s Charles II, who had preceded James. Though the revolution had been virtually bloodless, William had to fight to keep his crown. Most Irish were Catholics and King William’s armies met stiff opposition there. In this, James saw a chance to regain his crown. Sailing to Ireland, he led his Jacobite troops against William at the Battle of the Boyne on 1 July 1690. James was defeated, ending his hopes of ousting William. There were also large numbers of Catholics in Scotland, but they too were defeated by William’s army at the Battle of Killiecrankie. This, in turn, led to the infamous Massacre of Glencoe. The accession of William and Mary to the throne was a landmark moment in British history, one which saw Parliament emerge into the modern state. In January 1689, two months after the Glorious Revolution, Parliament met and in February a Declaration of Rights was incorporated into the Bill of Rights. This included the measure that the crown could not tax without Parliament’s consent or interfere in elections. William, therefore, is not only known both for being one of England’s most revolutionary kings, but also one of the least remembered.
Ravishment of Reason examines the heroic dramas written for the restored English theatres in the later seventeenth century, reading them as complex and sophisticated responses to a crisis of public life in the wake of the mid-century regicide and revolution. The unique form of the Restoration heroic play, with its scenes of imperial conquest peopled by hesitating and indecisive heroes, interrogates traditional oppositions of agency and passivity, autonomy and servility, that structure conventional narratives of political service and public virtue, exploring, in the process, new and often unsettling models of order and governance. Situating the dramas of Dryden, Behn, Boyle, Lee, and Crowne in their historical and intellectual context of civil war and the destabilizing theories of government that came in its wake, Brandon Chua offers an account of a culture’s attempts to reconcile civic purpose with political stability after an age of revolutionary change.
Print Letters in Seventeenth-Century England investigates how and why letters were printed in the interrelated spheres of political contestation, religious controversy, and news culture—those published as pamphlets, as broadsides, and in newsbooks in the interests of ideological disputes and as political and religious propaganda. The epistolary texts examined in this book, be they fictional, satirical, collected, or authentic, were written for, or framed to have, a specific persuasive purpose, typically an ideological or propagandistic one. This volume offers a unique exploration into the crucial interface of manuscript culture and print culture where tremendous transformations occur, when, for instance, at its most basic level, a handwritten letter composed by a single individual and meant for another individual alone comes, either intentionally or not, into the purview of hundreds or even thousands of people. This essential context, a solitary exchange transmuted via print into an interaction consumed by many, serves to highlight the manner in which letters were exploited as propaganda and operated as vehicles of cultural narrative.
This monograph examines the most prestigious political paintings created in Britain during the High Baroque age. It investigates a period characterized by numerous social, political, and religious crises, in the years between the restoration of the Stuart monarchy (1660) and the death of the first British monarch from the House of Hanover (1727). On the basis of hitherto unpublished documents, the book elucidates the creation and reception of nine major commissions that involved the court, private aristocratic patrons, and/or civic institutions. The ground-breaking new interpretations of these works focus on strategies of conflict resolution, the creation of shared cultural memories, processes of cultural translation, the performative context of the murals and the interaction of painted images and architectural spaces.
Dr Korsten provides a biographical sketch of Thomas Baker and reconstructs his library of 4300 titles.
Print, in the early modern period, could make or break power. This volume addresses one of the most urgent and topical questions in early modern history: how did European authorities use a new medium with such tremendous potential? The eighteen contributors develop new perspectives on the relationship between the rise of print and the changing relationships between subjects and rulers by analysing print’s role in early modern bureaucracy, the techniques of printed propaganda, genres, and strategies of state communication. While print is often still thought of as an emancipating and disruptive force of change in early modern societies, the resulting picture shows how instrumental print was in strengthening existing power structures. Contributors: Renaud Adam, Martin Christ, Jamie Cumby, Arthur der Weduwen, Nora Epstein, Andreas Golob, Helmer Helmers, Jan Hillgärtner, Rindert Jagersma, Justyna Kiliańczyk-Zięba, Nina Lamal, Margaret Meserve, Rachel Midura, Gautier Mingous, Ernesto E. Oyarbide Magaña, Caren Reimann, Chelsea Reutchke, Celyn David Richards, Paolo Sachet, Forrest Strickland, and Ramon Voges.
This collection gathers together a number of Daniel Defoe's non-fiction writings on political and economic issues. The selection is designed to reflect the numerous facets of Defoe's economic and political thought. Each of the eight volumes includes an introduction.