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The chapel of King's College, Cambridge, is one of England's greatest architectural treasures, and is visited by about two million people every year. It contains the country's finest collection of 16th-century stained glass, and one of the best in Europe, but from ground level much of the glass is rendered almost invisible by distance and the windows' heavy leading.
Today, King's College Chapel is the iconic image of the City of Cambridge. The chapel was founded in 1446 by the mystically-inclined King Henry VI, known in his time as "the royal saint." The king gave his builders complete instructions for a magnificent chapel of cathedral dimensions, every part of which had a mystical and spiritual meaning. This "final flowering of the Great Work' was designed from the principles of sacred geometry, laid out and orientated by the ancient geomantic practice of the operative masons who built it. This book gives an historic overview of the chapel, and a summary of its construction, notable for its stunningly beautiful fan-vaulting and exceptional stained glass which still exists in its entirety. Although the chapel's original significance as a symbolic structure has been eroded over the centuries, it remains a place of wonder and reverence for countless thousands of visitors and those who watch on television the annual Christmas carol festival broadcast from there every year.
DigiCat Publishing presents to you this special edition of "A Short Account of King's College Chapel" by Walter Poole Littlechild. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Today, King's College Chapel is the iconic image of the City of Cambridge.The chapel was founded in 1446 by the mystically-inclined King Henry VI, known in his time as "the royal saint". The king gave his builders complete instructions for a magnificent chapel of cathedral dimensions, every part of which had a mystical and spiritual meaning. This "final flowering of the Great Work' was designed from the principles of sacred geometry, laid out and orientated by the ancient geomantic practice of the operative masons who built it.This book gives an historic overview of the chapel, and a summary of its construction, notable for its stunningly beautiful fan-vaulting and exceptional stained glass which still exists in its entirety. Although the chapel's original significance as a symbolic structure has been eroded over the centuries, it remains a place of wonder and reverence for countless thousands of visitors and those who watch on television the annual Christmas carol festival broadcast from there every year.
The Choir of Kingâe(tm)s College, Cambridge, is world-famous. Through radio, television and recordings its unique sound has been heard in countless homes on every continent. When King Henry VI founded the College Chapel in 1446, the statutes provided for six clerks (singing men) and 16 choristers. Who could have foreseen that the Chapel would become one of the architectural glories; or that its Choir would be singing to many thousands of visitors each year? The text follows the activities of the Choir through a typical year, featuring the preparations for events.
This lavishly illustrated, interdisciplinary volume encompasses many aspects of the Chapel’s history from its foundation to the present day. The essays all represent new research, with a particular emphasis on areas that have not been investigated before: Chapel furnishings and art; the architectural engineering of the building and current state of the glass; the history of the Choir and the life of the Chapel, not least in recent centuries. Essays will engage with politics, drama, music, iconoclasm and aesthetics. This will be a serious academic book, but also a visually stimulating and beautiful one. It will contain two hundred and fifty colour reproductions of images of the Chapel - prints, watercolours, oil paintings, photographs, architectural drawings, plans, maps and even postcards, reflecting the many and varied responses that the Chapel has elicited over time.