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In times of war, love can be found in the most unlikely of places. During World War I, Harry Lambert reluctantly finds himself fighting on Europe's Western Front. Watching his mates die around him, Harry can't bear the thought of dying before ever having truly known love. Making a life - changing decision, he walks away from the battlefield into an unfamiliar and hostile French countryside. Desperately trying to avoid capture, he meets Colombe, a stoic farm - wife bowed by hard work and tragedy, who risks everything to save his life. PRAISE FOR SILENT PARTS 'One of the books of the year.' The Age 'A ''must - read'' in any serious consideration of Australian war writing.' The Courier - Mai 'With his second novel, Charalambous delivers an exceptional war novel that reinterprets nationalist history.' Australian Book Review.
In times of war, love can be found in the most unlikely of places. During World War I, Harry Lambert reluctantly finds himself fighting on Europe's Western Front. Watching his mates die around him, Harry can't bear the thought of dying before ever having truly known love. Making a life - changing decision, he walks away from the battlefield into an unfamiliar and hostile French countryside. Desperately trying to avoid capture, he meets Colombe, a stoic farm - wife bowed by hard work and tragedy, who risks everything to save his life.
Script for the television movie, An accidental soldier.
"Among the crucial problems that confront mankind today are those associated with a degraded environment. This book examines the extent to which warfare and other military activities contribute to such degradation. The military capability to damage the environment and to cause ecological disruption has escalated, and there is no sign that the level of conflict in the world is decreasing. The military use and abuse of each of the several major global habitats -- temperate, tropical, desert, arctic, insular, and oceanic -- are evalusated separately in the light of the civil use and abuse of that habitat"--Dust jacket.
For a brief but brilliant season beginning in the late 1960s, American Indians seized national attention in a series of radical acts of resistance. Like a Hurricane is a gripping account of the dramatic, breathtaking events of this tumultuous period. Drawing on a wealth of archival materials, interviews, and the authors' own experiences of these events, Like a Hurricane offers a rare, unflinchingly honest assessment of the period's successes and failures.
It has now been more than forty years since President John F. Kennedy was assassinated on the streets of Dallas on November 22, 1963. No event in the post-war era, not even the terrorist attacks of September 11, 2001, has cast such a long shadow over our national life. The murder of the handsome and vigorous president shocked the nation to its core, and shook the faith of many Americans in their institutions and way of life. The repercussions from that event continue to be felt down to the present day. Looking back, it is now clear that Kennedy's death marked a historical crossroads after which point events began to move in surprising and destructive directions. In Camelot and the Cultural Revolution: How the Assassination of John F. Kennedy Shattered American Liberalism, James Piereson examines this seminal event from an entirely new and provocative point of view. Most books on the assassination take up the question as to who was really responsible for killing the President. Mr. Piereson takes it as established fact that Kennedy was killed by Lee Harvey Oswald. What needs to be explained, he argues, is the bizarre aftermath of the assassination: Why in the years after the assassination did the American Left become preoccupied with conspiratorial thinking? How and why was John F. Kennedy transformed in death into a liberal icon and a martyr for civil rights? In what way was the assassination linked to the collapse of mid-century liberalism, a doctrine which until 1963 was the reigning philosophy of the nation? In answering these questions, Piereson places great weight on the influence of Jacqueline Kennedy in shaping public memory of her husband and the meaning of his death. The Kennedy assassination, he argues, is a case study in public myth-making and the ways in which images and symbols can override fact and substance in political life.
Ronald Radosh's earliest memory is of being trundled off to May Day celebrations by his communist parents with a Soviet flag stuck in his baby carriage. Then came education at New York's ''little red schoolhouse.'' Summers at ''commie camp.'' And college at the University of Wisconsin where he became a founding father of the New Left. Commies is a brilliant memoir of growing up in the culture of radicalism. But it also about the hard decisions faced by those professing a radical faith. For Radosh himself, the crisis came when he concluded in his authoritative book on Julius and Ethel Rosenberg that the couple (on whose behalf he had demonstrated as a boy) had indeed been guilty of spying. Attacked as a ''traitor,'' Radosh began to question his political commitments. His disillusionment climaxed in the 1980s when he traveled through Central America as a journalist and historian and ran into his old comrades there still searching for the revolution. One journalist calls Ronald Radosh ''the Zelig of the American Left, seen everywhere and knowing everyone.'' Humorous and tragic, filled with anecdote and personality, Commies is a trip log of his journey, the most intimate look yet at the experience of a radical generation.
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Jo Carson lays bare her personal investigation into her own creative process after a spider bite on her back begins a series of life-altering events. Spider Speculations applies cutting edge mind-body science, quantum physics and ancient shamanistic techniques to describe how stories work in our bodies and our lives, and what happens when real stories are used in a public way. Carson, whose ability to capture the spoken word hallmarks her community-based work, sets down this story in her own distinctive voice, interspersing the journey with examples of her performance work. This truly original American book will speak to anyone thinking about art and community or engaging with people's stories.
"In April 1916, shortly before the commencement of the Battle of the Somme, a fire started in a vast munitions works located in the Kent marshes. The resulting series of explosions killed 108 people and injured many more. In a remarkable piece of storytelling, Brian Dillon recreates the events of that terrible day - and, in so doing, sheds a fresh and unexpected light on the British home front in the Great War. He offers a chilling natural history of explosives and their effects on the earth, on buildings, and on human and animal bodies. And he evokes with vivid clarity the interaction of human imperatives and the natural world in one of Britain's strangest and most distinctive landscapes - where he has been a habitual explorer for many years. The Great Explosion is a profound work of narrative, exploration and inquiry form one of our most brilliant writers." --Jacket flap.