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A New York Times Book Review Editors’ Choice A BookPage Best Book of the Year "This exquisitely written book shows how recovery can come generations later through rebuilding connections—to people, the natural world, the past." —Robin Shulman, Washington Post "It’s long been assumed of the region where my grandmother was born…that at some point each year the dead will come home," Inara Verzemnieks writes in this exquisite story of war, exile, and reconnection. Her grandmother’s stories recalled one true home: the family farm left behind in Latvia, where, during WWII, her grandmother Livija and her grandmother’s sister, Ausma, were separated. They would not see each other again for more than 50 years. Raised by her grandparents in Washington State, Inara grew up among expatriates, scattering smuggled Latvian sand over the coffins of the dead, singing folk songs about a land she had never visited. When Inara discovers the scarf Livija wore when she left home, in a box of her grandmother’s belongings, this tangible remnant of the past points the way back to the remote village where her family broke apart. There it is said the suspend their exile once a year for a pilgrimage through forests and fields to the homes they left behind. Coming to know Ausma and the trauma of her exile to Siberia under Stalin, Inara pieces together Livija’s survival through years as a refugee. Weaving these two parts of the family story together in spellbinding, lyrical prose, she gives us a profound and cathartic account of loss, survival, resilience, and love.
A powerfully told memoir of family, separation, and the things left unsaid, in the wake of the Second World War Raised by her grandparents in the USA, Inara Verzemnieks grew up among expatriates, scattering smuggled Latvian sand over the coffins of the dead, singing folk songs about a land she had never visited. Her grandmother Livija's stories recalled the remote village in Latvia left behind, where she and her sister, Ausma, were separated during the Second World War. They would not see each other again for more than fifty years. Coming to know Ausma and the trauma of her exile to Siberia under Stalin, Inara pieces together her grandmother's survival through the years as a refugee, and her grandfather's own troubling history as a conscript in the Nazi forces. As she interweaves two parts of the family story in spellbinding, lyrical prose, she offers us a profound and cathartic account of loss and survival, resilience and love. Inara Verzemnieks teaches creative non-fiction at the University of Iowa. She has won a Pushcart Prize and a Rona Jaffe Writer's Award, and has been a finalist for the Pulitzer Prize in feature writing. She lives in Iowa City, Iowa.
WINNER OF THE 2019 NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE "Krasznahorkai’s masterpiece" (The Millions); "Apocalyptic, visionary, and mad" (Publishers Weekly); "One of the supreme achievements of contemporary literature" (Paris Review); "Obsessive and visionary" (The New Yorker); "Genius" (The Baffler) At last, the capstone to Krasznahorkai’s four-part masterwork Set in contemporary times, Baron Wenckheim’s Homecoming tells the story of a Prince Myshkin–like figure, Baron Béla Wenckheim, who returns at the end of his life to his provincial Hungarian hometown. Having escaped from his many casino debts in Buenos Aires, where he was living in exile, he longs to be reunited with his high-school sweetheart Marika. Confusions abound, and what follows is an endless storm of gossip, con men, and local politicians, vividly evoking the small town’s alternately drab and absurd existence. All along, the Professor—a world-famous natural scientist who studies mosses and inhabits a bizarre Zen-like shack in a desolate area outside of town—offers long rants and disquisitions on his attempts to immunize himself from thought. Spectacular actions are staged as death and the abyss loom over the unsuspecting townfolk.
This book is a brilliant use of metaphor that makes clear why the world leaves us feeling so uneasy!
Dorfman portrays, through visceral scenes and powerful intellect, the personal and political maelstroms underlying his migrations from Buenos Aires, on the run from Pinochet's death squads, to safe houses in Paris and Amsterdam, and eventually to America, his childhood home. The toll on Dorfman's wife and two sons, the 'earthquake of language' that is bilingualism, and his eventual questioning of his allegiance to past and party - all these crucibles of a life in exile are revealed with wry and startling honesty. Feeding on Dreams is a passionate reminder that 'we are all exiles', that we are all 'threatened with annihilation if we do not find and celebrate the refuge of common humanity', as Dorfman did during his 'decades of loss and resurrection'.
A new translation of the best and most provocative short stories by the author of Transit and The Seventh Cross. Best known for the anti-fascist novel The Seventh Cross and the existential thriller Transit, Anna Seghers was also a gifted writer of short fiction. The stories she wrote throughout her life reflect her political activism as well as her deep engagement with myth; they are also some of her most formally experimental work. This selection of Seghers’s best stories, written between 1925 and 1965, displays the range of her creativity over the years. It includes her most famous short fiction, such as the autobiographical “The Dead Girls’ Class Trip,” and others, like “Jans Is Going to Die,” that have been translated into English here for the first time. There are psychologically penetrating stories about young men corrupted by desperation and women bound by circumstance, as well as enigmatic tales of bewilderment and enchantment based on myths and legends, like “The Best Tales of Woynok, the Thief,” “The Three Trees,” and “Tales of Artemis.” In her stories, Seghers used the German language in especially unconventional and challenging ways, and Margot Bettauer Dembo’s sensitive and skilled translation preserves this distinction.
Wife | Daughter | Self investigates identity and the writing life through the perspective of one of the nation’s top memoir teachers and critics. How are we shaped by the people we love? Who are we when we think no one else is watching? How do we trust the choices we make? The answers shift as the years go by. The stories remake themselves as we remember. Curiously, inventively, Beth Kephart reflects on the iterative, composite self in her new memoir—traveling to lakes and rivers, New Mexico and Mexico, the icy waters of Alaska and a hot-air balloon launch in search of understanding. She is accompanied, often, by her Salvadoran-artist husband. She spends time, a lot of time, with her widowed father. As she looks at them she ponders herself and comes to terms with the person she is still becoming. At once sweeping and intimate, Wife | Daughter | Self is a memoir built of interlocking essays by an acclaimed author, teacher, and critic.
From bestselling author David Nasaw, a sweeping new history of the one million refugees left behind in Germany after WWII In May 1945, after German forces surrendered to the Allied powers, millions of concentration camp survivors, POWs, slave laborers, political prisoners, and Nazi collaborators were left behind in Germany, a nation in ruins. British and American soldiers attempted to repatriate the refugees, but more than a million displaced persons remained in Germany: Jews, Poles, Estonians, Latvians, Lithuanians, Ukrainians, and other Eastern Europeans who refused to go home or had no homes to return to. Most would eventually be resettled in lands suffering from postwar labor shortages, but no nation, including the United States, was willing to accept more than a handful of the 200,000 to 250,000 Jewish men, women, and children who remained trapped in Germany. When in June, 1948, the United States Congress passed legislation permitting the immigration of displaced persons, visas were granted to sizable numbers of war criminals and Nazi collaborators, but denied to 90% of the Jewish displaced persons. A masterwork from acclaimed historian David Nasaw, The Last Million tells the gripping but until now hidden story of postwar displacement and statelessness and of the Last Million, as they crossed from a broken past into an unknowable future, carrying with them their wounds, their fears, their hope, and their secrets. Here for the first time, Nasaw illuminates their incredible history and shows us how it is our history as well.
Our planet is large, vast, and filled with an amazing array of unique countries and cultures. With this book, students can explore one such place, the young nation of Latvia, which hugs the Baltic Sea. Vibrant photographs, detailed maps, and engaging text combine to give readers an inside look at this country, its history, its people, and all the opportunities that lie within it. Once a part of the USSR, Latvia has been through immense changes in recent years. Readers will be riveted by the exciting stories and images in this book.