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This book analyzes how French dramatists reproduced certain images of India such as the burning widow, the lowly pariah or untouchable, and the exotic 'bayadere' or dancing girl in four plays and one ballet written from the eighteenth century through the twentieth centuries. Addressing questions of Orientalism, the book also argues that it was because the French lost their Indian colonies to the Briish in the eighteenth centuries that India became a part of the French literary imagination.
For 30 years the author, a French missionary, lived among the Hindus, adopting their dress and customs and studying their social and religious institutions. The English government found this account of the results of his observations valuable enough to translate and publish it for the use of officials and oriental students.
The Nineteenth century and after (London)