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A doctor in the Dutch East Indies torn between his medical duty to help and his own mixed emotions; a middle-aged maidservant whose devotion to her master leads her to commit a terrible act; a hotel waiter whose love for an unapproachable aristocratic beauty culminates in an almost lyrical death and a prisoner-of-war longing to be home again in Russia. In these four stories, Stefan Zweig shows his gift for the acute analysis of emotional dilemmas. His four tragic and moving cameos of the human condition are played out against cosmopolitan and colonial backgrounds in the first half of the twentieth century.
A DOCTOR IN the Dutch East Indies torn between his medical duty to help and his own mixed emotions; a middle-aged maidservant whose devotion to her master leads her to commit a terrible act; a hotel waiter whose love for an unapproachable aristocratic beauty culminates in an almost lyrical death and a prisoner-of-war longing to be home again in Russia. In these four stories, Stefan Zweig shows his gift for the acute analysis of emotional dilemmas. His four tragic and moving cameos of the human condition are played out against cosmopolitan and colonial backgrounds in the first half of the twentieth century.
What is faith, except hope in desperation? All Putera Mikal wants is to gain the Amok Strength, the supernatural power granted by Kudus to the Mahan royal family. No matter how religiously Mikal keeps his vows, Kudus still denies him the Strength—whilst his father, Sultan Simson, flaunts the Strength despite his blatant defiance of the Temple and the priests’ visions of coming doom. Then the prophecies come true. Taken captive, Mikal must find a way to liberate his people and restore his throne in Maha—and the key to this is the Amok Strength. But what does it take to gain Kudus’ favour?
Dylan Sandifer was an accomplice in her family's delusions, until fever freed her from the madness, leaving her trapped on a road trip from hell. Ten-year-old fraternal twin Dylan and her family have fallen down a rabbit hole full of secret implants, conspiracy theories, Mandela effects, extra-dimensional invaders and organ thieves. As the attacks against them intensify, the Sandifers light out across the country in search of answers and salvation, blazing a bloody path of torture, arson, and murder. When Dylan comes to her senses, she must either stop her family from killing any more innocent people, or relinquish her sanity and sink back into the bloody comfort of her family's madness. Assuming their ornate conspiracy theory isn't actually true. Collects the complete five-issue series.
Collected in one volume for the first time: 22 classic short stories of love and death, betrayal and hope—from a master storyteller hailed as “the Updike of his day” (New York Observer) In this magnificent collection of Stefan Zweig’s short stories, the very best and worst of human nature is captured with sharp observation, understanding, and vivid empathy. Ranging from love and death to faith restored and hope regained, these stories present a master at work, at the top of his form. Perfectly paced and brimming with passion, these 22 tales from one of the great storytellers of the 20th century are translated by the award-winning Anthea Bell. Included: Forgotten Dreams In the Snow The Miracles of Life The Star Above the Forest A Summer Novella The Governess Twilight A Story Told in Twilight Wondrak Compulsion Moonbeam Alley Amok Fantastic Night Letter from an Unknown Woman The Invisible Collection Twenty-Four Hours in the Life of a Woman Downfall of the Heart Incident on Lake Geneva Mendel the Bibliophile Leporella Did He Do It? The Debt Paid Late
Compulsion, In the Snow and Wondrak all concern Zweig's strong anti-war feelings following the First World War. The artist Ferdinand, central figure of Compulsion, partly reflects Zweig's own experience. In The Snow tells of the plight of a group of Jews who freeze to death while trying to escape a medieval pogrom. In Wondrak, a woman, disfigured since birth, attempts to save her only child from being drafted into the military. In this newly available English translation the reader discovers the essential humanist preoccupations of the author of Amok and Twenty-four Hours in the Life of a Woman: his compassion towards human suffering, his horror of war and his faith in idealism, generosity, love values that can, in an instant, illuminate an entire existence. Pushkin Collection editions feature a spare, elegant series style and superior, durable components. The Collection is typeset in Monotype Baskerville, litho-printed on Munken Premium White Paper and notch-bound by the independently owned printer TJ International in Padstow. The covers, with French flaps, are printed on Colorplan Pristine White Paper. Both paper and cover board are acid-free and Forest Stewardship Council (FSC) certified.
THE COMBATANTS Two godlike blood enemies engaged in a war older than history. THE BATTLEGROUND An out-of-control nuclear plant whose cataclysmic destruction will spell the end of the Earth. REFUGE None - on a planet swept up in the awesome terror of the last panic.
These four Stefan Zweig stories, newly translated by the award-winning Anthea Bell, are among his most celebrated and compelling work. The titular tale is a devastating depiction of unrequited love, which inspired a classic Hollywood film, directed by Max Ophüls and starring Joane Fontaine. Elsewhere in the collection, a young man mistakes the girl he loves for her sister, two erstwhile lovers meet after an age spent apart, and a married woman repays a debt of gratitude to her childhood sweetheart. Expertly paced, laced with the acutely accurate psychological detail and empathy that are Zweig's trademarks, this is a powerful addition to Pushkin's growing collection of his work.
These four stories illustrate the wide range of Zweig’s subject matter dating from quite early in his career as a writer of fiction (The Governess, rooted in a world of strict Edwardian morality), to late (Did He Do It?, almost an English detective story set near Bath, where Zweig lived in exile). In addition The Miracles of Life, set in 16th-century Antwerp during the time of Protestant iconoclasm, and Downfall of a Heart both address the theme of anti-Semitism. Pushkin Collection editions feature a spare, elegant series style and superior, durable components. The Collection is typeset in Monotype Baskerville, litho-printed on Munken Premium White Paper and notch-bound by the independently owned printer TJ International in Padstow. The covers, with French flaps, are printed on Colorplan Pristine White Paper. Both paper and cover board are acid-free and Forest Stewardship Council (FSC) certified.