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The Shadow Lines Is A Highly Innovative, Complex And Celebrated Novel Of Amitav Ghosh. Published In 1988, It Received The Prestigious Sahitya Academy Award In The Following Year. Not Only Literary Critics But Also Some Noted Litterateurs Have Acclaimed It For What It Has Been Able To Achieve As A Work Of Art. Its Focus Is A Fact Of History, The Post-Partition Scenario Of Violence; But Its Overall Form Is A Subtle Interweaving Of Fact, Fiction And Reminiscence.It Is A Novel In Which Amitav Ghosh Has Been Able To Realise His Artistic Conception Through An Art Form, Which Is Cohesive. However, It Remains Somewhat Inaccessible To Some Readers; They Are, Particularly, Mystified By Its Non-Linear Mode. This Volume Of Critical Essays On The Shadow Lines Is Being Presented In The Hope That It Will Enable The Reader To Gain An Insight Into The Meaning And Structure Of The Novel. In The First Part Of The Book, The Contributors Bring Out The Various Aspects/Elements Of The Novel. The Second Part Has Essays, Which Look At The Novel From Some Current Critical Perspectives Feminist, Post-Colonial And Historicist But The Emphasis Of These Essays Is Upon Practice And Not Theory. The Idea Is That The Reader Learns About A Specific Approach By Seeing It Applied To The The Shadow Lines. The Third Part Has A Single But Significant Essay The Shadow Lines In Context Which Relates The Novel To Ghosh S Other Works, Both Fiction And Non-Fiction. Though The Book Is Primarily Addressed To The Student, It Is Hoped That It Will Interest The Common Discernible Reader As Well.
Amitav Ghosh: Critical Perspectives Presents A Wide Range Of Incisive Scholarly Criticism On The Eminent Indian Writer'S Work To Date. With An Introduction That Places Amitav Ghosh In The Context Of His Historical/Cultural/ Social/Political Times, This Anthology Brings Together Both Established And New Critics In Their Perceptive Grasp Of Ghosh'S Extraordinary Oeuvre Of Fiction, Staring From The Circle Of Reason(1986) Through The Shadow Lines(1988), In An Antique Land(1992)And The Calcutta Chromosome(1996) To The Fairly Recent The Glass Palace(2000), Ghosh'S Best-Known And Most Influential Piece Of Political Writing. A Greater Emphasis Is Placed On The Shadow Lines And In An Antique Land, Which Have Received The Widest Critical Attention And Are, As Yet, The Ghosh Text Most Taught In University Courses Across The World. An Innovative 'Pedagogy' Section In This Collection Also Explores These Texts From Both Teachers' And Students' Perspectives, As They Play Out In Classrooms At Locations As Far Apart As Delhi And The American Mid-West. An Interview With Amitav Ghosh Animates This Anthology With An Authorial Intervention That - Perhaps Unwittingly - Both Validates And Questions The Praxis Of Literary Critism Today In Its Peculiarly Postmodern Predicament.
""Ever since the Gramscian notion of the subaltern became the lynch-pin of the counter-hegemonic project developed by the Subaltern Studies group in the early 1980s, attempts to give voice to India's unrepresented or under-represented classes have played a
Indian writing in English (IWE) is now a widely recognized and awarded genre, boasting of world renowned authors in its ranks. The ‘fathers’ of IWE, Mulk Raj Anand, R.K. Narayan, and Raja Rao, have now been canonized and their works widely studied. Yet, very little scholarly attention has been paid to the pioneering literary contributions of Indian women to analyse their effect on the cultural history of their times. Mothering India addresses this lack and concentrates on early Indian women’s fiction written between 1890 and 1947. It not only evaluates the influence of women authors on the rise of IWE, but also explores how they reassessed and challenged stereotypes about womanhood in India, adding their voice to the larger debate about social reform legislations on women’s rights. Moreover, in choosing to write in the colonizer’s language, they seized the attention of a much wider international readership. In wielding their pens, these trendsetting women stepped into the literary landscape as ‘speaking subjects’, refusing the passivity of being ‘spoken-of objects’, and thereby ‘mothering’ India by redefining her image.
Opening in Calcutta in the 1960s, Amitav Ghosh's radiant second novel follows two families -- one English, one Bengali -- as their lives intertwine in tragic and comic ways. The narrator, Indian born and English educated, traces events back and forth in time, from the outbreak of World War II to the late twentieth century, through years of Bengali partition and violence, observing the ways in which political events invade private lives.
Now in its second edition, this book offers an anthology of critical essays, and deals with fictional as well as non-fictional works by Amitav Ghosh. It focuses on Ghosh's idea and theory of the novel, postcolonial rationality, nationalism in the context of partition, and the East-West encounter. It also discusses power structures, and the question of space, identity and cultural difference.
A New York Times Notable Book: A policeman chases a falsely accused man on a wild journey around the world in this “utterly involving” novel (The Sunday Times). When eight-year-old Nachiketa Bose first arrives in the East Bengali village of Lalpukur, he receives the name Alu—potato—for the size and shape of his extraordinary head. His uncle Balaram, the local schoolmaster and phrenology enthusiast, sends Alu to apprentice as a weaver, and the boy soon surpasses the skill of his master. But when a tragic bombing leaves Alu suspected of terrorism, he flees across India to Bombay and the Arabian Sea, followed all the way by the dogged policeman—and avid ornithologist—Jyoti Das. From East Bengal to the Persian Gulf and North Africa, Amitav Ghosh’s wild and extraordinary novel “follows in the footsteps of magical realists like Gabriel García Márquez and Salman Rushdie” (The New York Times Book Review). “A novelist of dazzling ingenuity.” —San Francisco Chronicle “A Scheherezade effortlessly spinning tales within tales, the possessor of a strong narrative voice quite like no other.” —Newsday “Ghosh’s writing soars, producing electric images.” —The Baltimore Sun “A wonderful mix of magic and horror, wit and curiosity . . . Ghosh has really woven a fresh world for us to visit.” —Providence Sunday Journal
Indian Writing in English has proliferated over the last few decades and has made a huge impact on English readers. Not only do the works of Indian authors writing in English find a place on the best-seller list, they are also receiving critical acclaim across the world. Starting from Rabindranath Tagore, Sarojni Naidu, R.K. Narayan, Raja Rao, Mulk Raj Anand, to V.S. Naipaul, Salman Rushdie, Vikram Seth and Amitav Ghosh, we have an array of writers adorning the literary horizon. All these writers have considerable following in the English speaking countries, and Amitav Ghosh certainly occupies an important place among them and is much acclaimed for his literary style and content. One of the most prolific postcolonial writers writing today, Amitav Ghosh has received many awards: The Circle of Reason, winning the Prix Medici Etranger (one of France’s top literary award), The Shadow Lines, winning the Sahitya Akademi Award, and The Calcutta Chromosome, bagging the Arthur C. Clarke Award for 1997. His latest novel, Sea of Poppies too has been highly appreciated. This book, which is an anthology of critical essays, deals with fictional as well as non-fictional works of Amitav Ghosh. It focuses on Ghosh’s idea and theory of the novel, postcolonial rationality in The Circle of Reason, nationalism in the context of Partition in The Shadow Lines, and East-West encounter in The Calcutta Chromosome. Besides, it also discusses power structure operating within the narrative of The Glass Palace, and the question of space, identity and cultural difference in The Hungry Tide. Though different from each other, some of the essays take up common themes for discussion and offer new insights into Ghosh’s works. The essays are thoughtful, incisive and refreshing. This book is meant for the undergraduate and postgraduate students of English literature. Besides, all those readers who wish to delve deeper into the works of Amitav Ghosh will find reading the text extremely informative, stimulating and useful.