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This book tells the story of the United States Navy's 15 Ships-of-the-Line--ships which were the battleships of their day that performed their duties in a workmanlike manner by showing American naval might around the world, visiting foreign ports to facilitate American trade, and deterring aggression towards United States interests.
Arranged in chronological order, this collection of some 100 letters from soldiers, sailors, airmen and marines offers a very personal view of World War II and a sense of immediacy that is remarkable. The correspondence ranges from a GI's final message, written from Bataan, to a private's advice to his unexpectedly drafted father; from a general's letter of condolence to journalist Ernie Pyle's widow to a marine's revelation to his mother that he lost a leg in battle; from an airman's description of the mercy-killing of a comrade trapped in a burning plane to a soldier's reaction to the news of the A-bombings. Several letters are by well-known figures (William Halsey, George Patton, John Kennedy, among them), but these obviously were included for the eloquence of emotion expressed rather than because of the writer's renown.
Featuring breathtaking panoramas and revelatory, unforgettable images, Battle Lines is an utterly original graphic history of the Civil War. A collaboration between the award-winning historian Ari Kelman and the acclaimed graphic novelist Jonathan Fetter-Vorm, Battle Lines showcases various objects from the conflict (a tattered American flag from Fort Sumter, a pair of opera glasses, a bullet, an inkwell, and more), along with a cast of soldiers, farmers, slaves, and well-known figures, to trace an ambitious narrative that extends from the early rumblings of secession to the dark years of Reconstruction. Employing a bold graphic form to illuminate the complex history of this period, Kelman and Fetter-Vorm take the reader from the barren farms of the home front all the way to the front lines of an infantry charge. A daring presentation of the war that nearly tore America apart, Battle Lines is a monumental achievement.
This volume, a collection of eleven original essays by many of the foremost U.S. military historians, focuses on the transition of the Army from parade ground to battleground in each of nine wars the United States has fought. Through careful analysis of organization, training, and tactical doctrine, each essay seeks to explain the strengths and weaknesses evidenced by the outcome of the first significant engagement or campaign of the war. The concluding essay sets out to synthesize the findings and to discover whether or not American first battles manifest a characteristic "rhythm." America's First Battles provides a novel and intellectually challenging view of how America has prepared for war and how operations and tactics have changed over time. The thrust of the book--the emphasis on operational history--is at the forefront of scholarly activity in military history.
A portrait in words and photographs of the interwar Navy, this book examines the twenty-year period that saw the U.S. fleet shrink under the pressure of arms limitation treaties and government economy and then grow again to a world-class force. The authors trace the Navy's evolution from a fleet centered around slow battleships to one that deployed most of the warship types that proved so essential in World War II, including fast aircraft carriers, heavy and light cruisers, sleek destroyers, powerful battleships, and deadly submarines. Both the older battleships and these newer ships are captured in stunning period photographs that have never before been published. An authoritative yet lively text explains how and why the newer ships and aircraft came to be. Thomas Hone and Trent Hone describe how a Navy desperately short funds and men nevertheless pioneered carrier aviation, shipboard electronics, code-breaking, and (with the Marines) amphibious warfare —elements that made America's later victory in the Pacific possible. Based on years of study of official Navy department records, their book presents a comprehensive view of the foundations of a navy that would become the world's largest and most formidable. At the same time, the heart of the book draws on memoirs, novels, and oral histories to reveal the work and the skills of sailors and officers that contributed to successes in World War II. From their service on such battleships as West Virginia to their efforts ashore to develop and procure the most effective aircraft, electronics, and ships, from their adventures on Yangtze River gunboats to carrier landings on the converted battle cruisers Saratoga and Lexington, the men are profiled along with their ships. This combination of popular history with archival history will appeal to a general audience of naval enthusiasts.
Taking its title from The Face of Battle, John Keegan's canonical book on the nature of warfare, The Other Face of Battle illuminates the American experience of fighting in "irregular" and "intercultural" wars over the centuries. Sometimes known as "forgotten" wars, in part because they lackedtriumphant clarity, they are the focus of the book. David Preston, David Silbey, and Anthony Carlson focus on, respectively, the Battle of Monongahela (1755), the Battle of Manila (1898), and the Battle of Makuan, Afghanistan (2020) - conflicts in which American soldiers were forced to engage in"irregular" warfare, confronting an enemy entirely alien to them. This enemy rejected the Western conventions of warfare and defined success and failure - victory and defeat - in entirely different ways. Symmetry of any kind is lost. Here was not ennobling engagement but atrocity, unanticipatedinsurgencies, and strategic stalemate.War is always hell. These wars, however, profoundly undermined any sense of purpose or proportion. Nightmarish and existentially bewildering, they nonetheless characterize how Americans have experienced combat and what its effects have been. They are therefore worth comparing for what they hold incommon as well as what they reveal about our attitude toward war itself. The Other Face of Battle reminds us that "irregular" or "asymmetrical" warfare is now not the exception but the rule. Understanding its roots seems more crucial than ever.
From a twenty-year police veteran and former Trump supporter who nearly lost his life during the insurrection of January 6th, this instant New York Times bestseller is also an urgent warning that “offers a stark message for this uncertain moment, making crystal clear the urgency and importance of defending our precious democracy” (Nancy Pelosi). When Michael Fanone self-deployed to the Capitol on January 6, 2021, he had no idea his life was about to change. When he got to the front of the line, he urged his fellow officers to hold it against the growing crowd of insurrectionists—until he found himself pulled into the mob, tased until he had a heart attack, and viciously beaten with a Blue Lives Matter flag as shouts to kill him rang out. Now, Fanone is ready to tell the full story of that infamous day, along with exploring our country’s most critical issues as someone who has had firsthand experience with many of them. A self-described redneck who voted for Trump in 2016, Fanone’s closest friend was an informant—a Black, transgender, HIV-positive woman who has helped him mature and rethink his methods as a police officer. With his unique insight as an undercover detective and intense desire to do the right thing no matter the cost, Fanone provides a nuanced look into everything from policing to race to politics in a way that is accessible across all party lines. Determined to make sure no one forgets what happened at the Capitol on January 6th, Fanone has written a timely and “important” (Kirkus Reviews) call to action for anyone who wants to preserve our democracy for future generations.
American fighting men had never seen the likes of it before. The great battle of the Meuse-Argonne was the costliest conflict in American history, with 26,000 men killed and tens of thousands wounded. Involving 1.2 million American troops over 47 days, it ended on November 11-what we now know as Armistice Day-and brought an end to World War I, but at a great price. Distinguished historian Robert Ferrell now looks back at this monumental struggle to create the definitive study of the battle-and to determine just what made it so deadly. Ferrell reexamines factors in the war that many historians have chosen to disregard. He points first to the failure of the Wilson administration to mobilize the country for war. American industry had not been prepared to produce the weaponry or transport ships needed by our military, and the War Department-with outmoded concepts of battle shaped by the Spanish-American War-shared equal blame in failing to train American soldiers for a radically new type of warfare. Once in France, undertrained American doughboys were forced to learn how to conduct mobile warfare through bloody experience. Ferrell assesses the soldiers' lack of skill in the use of artillery, the absence of tactics for taking on enemy machine gun nests, and the reluctance of American officers to use poison gas-even though by 1918 it had become a staple of warfare. In all of these areas, the German army held the upper hand. Ferrell relates how, during the last days of the Meuse-Argonne, the American divisions had finally learned up-to-date tactics, and their final attack on November 1 is now seen as a triumph of military art. Yet even as the armistice was being negotiated, some American officers-many of whom had never before commanded men in battle-continued to spur their troops on, wasting more lives in an attempt to take new ground mere hours before the settlement. Besides the U.S. shortcomings in mobilization and tactics, Ferrell points to the greatest failure of all: the failure to learn from the experience, as after the armistice the U.S. Army retreated to its prewar mindset. Enhanced by more than four dozen maps and photographs, America's Deadliest Battle is a riveting revisit to the forests of France that reminds us of the costs of World War I-and of the shadow that it cast on the twentieth century.